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Tag Archives: We Are the Mutants
Book Review: We Are the Mutants – The Battle for Hollywood from Rosemary’s Baby to Lethal Weapon
Is there anything new left to say about the period of American film production from the late 1960s to the early 1980s?
This is the period that began with the so-called ‘New Hollywood’ and continued with its collapse under the weight of its own cinematic hubris and excess, bumped along considerably by the 1977 release of Star Wars, after which the blockbuster franchise, with its lucrative pre-sold merchandising deals, evolved into the majority of what now passes for the American film industry. Of course, this is just one facet of the story. Influencing this trajectory was Vietnam, the rise and fall of the counterculture, the election of Ronald Reagan and the rise of neoliberalism.
To say something different about all of this is a tough task. But it is is precisely the aim of We are the Mutants: The Battle for Hollywood from Rosemary’s Baby to Lethal Weapon. That the book largely succeeds in its mission is due to a quality I initially found hard to define until I hit on a way to do so by way of a comparison. The book reminds me of the work of British documentary maker Adam Curtis, particularly his most recent effort, I Can’t Get You Out of My Head: An Emotional History of the Modern World.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, Book Reviews, Cinema culture, Dystopian cinema, Horror, Ira Levin, Neo Noir, Non-crime reviews, Science fiction and fantasy, True crime, War film, William Friedkin
Tagged Adam Curtis, Alien (1979), Harlan County USA (1976), Kelly Roberts, Michael Grasso, Phase IV (1974), Rosemary's Baby (1968), Silent running (1972), Sorcerer (1977), The Texas Chainsaw Massacre (1974), We Are the Mutants, We Are the Mutants The Battle for Hollywood from Rosemary's Baby to Lethal Weapon, Wild in the Streets (1968)
“The Horror Never Leaves My Mind”: Ian Sharp’s ‘Who Dares Wins’
I have just contributed my debut piece for the amazing site, We Are The Mutants. It’s on nuclear nightmares & the amazingly contradictory contradictory politics of Ian Sharp’s 1982 film, Who Dares Wins. A sledgehammer of the 1980s political thriller, influenced by real events and with an avowedly conservative agenda, the film was a favourite of US President Ronald Reagan. But is also accurately captures much of the zeitgeist of the peace movement, which I was active in, of the time.