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Tag Archives: Wallace Stroby
Pulp Friday: The Name of the Game is Death
Today’s Pulp Friday offering will be familiar to fans of hardboiled crime fiction, the 1972 edition of The Name of the Game Is Death, by Dan J Marlowe, published by Fawcett Gold Medal.
Although Marlowe is not well known today, aficionados acknowledge he had a major impact on the genre. His books are often compared to Jim Thompson and he influenced writers such as Steven King, and no doubt many others.
I first heard of The Name of the Game is Death during an interview I conducted last year with New Jersey-based Wallace Stroby for issue 17 of Crime Factory (that interview is available in full here). I asked Stroby about some of the lesser-known sixties pulp paperback crime writers who had influenced him, and he nominated Marlowe and, in particular, this book.
Originally published in 1962, The Name of the Game Is Death begins with three criminals pulling a bank heist in Phoenix, Arizona. One of the team is killed in the attempted getaway, another flees to Florida with the money, while the third, the narrator, plans to meet up with him later when police attention has died down. When the accomplice breaks contact, the narrator suspects something is up and travels to the small town from which the accomplice last contacted him, to see for himself what has happened.… Read more
Adventures in noir land
It has been a while since I’ve posted here on Pulp Curry. This is because I’ve spent the last few weeks travelling in the US. I spent time in New York and Washington DC. I also visited the City of Brotherly Love, Philadelphia, the home of Edgar Allen Poe, David Goodis and, every two years, one of the most interesting literary festivals I have experienced, NoirCon.
NoirCon is not your common or garden-variety festival. No way. And that is a very good thing.
First of all, the focus is firmly on noir, mainly fiction, but also film, poetry or whatever (and that last category, ‘whatever’, encapsulates some pretty bizarre material). I’m not saying there’s not a place for broader events that include a wider range of contributors and crime fiction sub-genres. But it’s also great to sit in a room of people who are, for once, more or less, all on the same page in terms of their love of noir, and not have to feel you have to justify or explain the focus.
Second, although it’s not exactly an exclusive event, neither does it try to be any bigger than need be. I get the feeling that while organiser, Lou Boxer, does his best to come up with new presenters and topics, he’s happy for the event not to get out of control or stray beyond the noir remit.… Read more
Wallace Stroby on the best 5 crime films you’ve never seen
Today I’m honoured to have New York crime writer Wallace Stroby guest post on his top 5 crime films you’ve never seen.
For those of your not familiar with Wallace’s work, he is the author of five hardboiled works of crime fiction, including his most recent two featuring the female professional criminal, Crissa Stone, Cold Shot to the Heart and Kings of Midnight. I haven’t got around to Kings of Midnight yet, but I have read Cold Shot to the Heart and it’s terrific.
In addition to being a great writer, Wallace is also a keen student of popular culture, particularly as it relates to crime fiction and film. I particularly like the way Wallace publicises and shares the more obscure gems of crime fiction and film. You can check out his books here and his ruminations on popular culture at his blog, Live at the Heartbreak Lounge.
Awhile back, I had the opportunity to guest blog about my picks for ‘The Five Best Crime Novels You’ve Never Read’. My thanks to Andrew Nette and Pulp Curry for agreeing to host this companion piece.
I’ve left out films I’ve written about at length in the past, such as Seven Ups, The Outfit, Rolling Thunder and Across 110th Street. … Read more
Posted in 1970s American crime films, 1980s American crime films, Wallace Stroby
Tagged Across 110th Street, At Close Range (1986), Bill Paxton, Christopher Walken, Cornell Woolrich, Cynda Williams, David Strathairn, Devil in a Blue Dress (1995), G-Men (1953), James Cagney, James Foley, James Gray, Kiefer Sutherland, Little Odessa (1995), Mary Stuart Masterson, Notorious (1946), One False Move (1992), Rolling Thunder (1977), Sean Penn, The Outfit (1973), The Seven Ups (1973), The Window (1949), Tim Roth, Wallace Stroby
Noir Con or bust
As if I don’t have enough going on crime fiction-wise at the moment, with my debut novel Ghost Money and the upcoming launch of Crime Factory’s all Australian crime antho, Hard Labour, I’ll be attending Noir Con in the city of brotherly love, Philadelphia, in early November.
Noir Con is a biennial three day festival of noir crime writing and culture. Philadelphia is a fitting host city, being the birth place of the influential noir writer David Goodis, author of Dark Passage, Street of No Return and Shoot the Piano Player, amongst many other novels.
The best way to get a feel for Noir Con is to check out the program, which you can find here along with an interview with the mastermind behind the event, Lou Boxer.
Among the writers attending I’m keen to see are Megan Abbott, Vicki Hendricks, Lawrence Block and Wallace Stroby. I’m also looking forward to checking out the authors I haven’t heard of, as well as meeting some of the people I’ve been communicating with for a while now on social media.
In the lead up to Noir Con I’ll be spending a week and a half in New York, a city I have never been too but always wanted to see.… Read more
Posted in Crime fiction, Megan Abbott, Noir Con, Noir fiction
Tagged David Goodis, Ghost Money, Lawrence Block, Megan Abbott, Noir Con, Vicki Hendricks, Wallace Stroby