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Tag Archives: Wake in Fright (1971)
Wake in Fright is a Christmas film
As we dive into the Yuletide season, this is just a quick reminder that Ted Kotcheff’s 1971 film Wake In Fright definitely qualifies as a Christmas film.
I recently took part in a discussion on Kotcheff’s amazing film for the Journey’s Into Darkness film discussion group in the US. I talked about what Wake In Fright says about Australia in 1971 and now, conceptions of masculinity, and urban Australians uneasy relationship with the outback and our bloody colonial past. We also discussed how the film functions as a crime film, and outback noir and an Australian folk horror. You can watch the talk in full on Youtube here.
… Read morePosted in Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Crime fiction, Crime film, Horror, Noir fiction, Ozsploitation, Rural noir
Tagged Australian crime fiction, Australian folk horror, Australian noir, Outback noir, Ted Kotcheff, Wake in Fright, Wake in Fright (1971)
Wake In Fright at 50: mateship, masculinity and drinking in the Australian outback
Ted Kotcheff’s Wake in Fright turns fifty this year. Based on the 1961 novel of the same name by Australian author Kenneth Cook, it premiered at the Cannes Film Festival on May 12, 1971 and was released in cinemas in Australia on October 9. Despite being five decades old, it is hard to think of comparable piece of cinema that has come out of this country. Wake In Fright is not only a stunning rural noir, it is a blistering take on three of the central features of white Anglo Saxon male culture in 1960s Australia (although much of it is still highly relevant to today): mateship, the romance of the outback, and drinking. Especially drinking.
The central character, John Grant, is a mild-mannered teacher working in a tiny speck of a town called Tiboonda. Its isolation and distance from the coast has obliterated nearly all aspects of civilization, except the ability of the local pub to keep the beer cold. Grant is leaving for his Christmas holidays. He has his holiday pay in his pocket and fantasies of meeting up with his girlfriend in Sydney. All that stands in his way is an overnight train stop in Bundanyabba or ‘the Yabba’ as the locals call it.
Grant passes his night in the Yabba sinking a few beers in one of the town’s many pubs.… Read more
Monster Fest 2016 appearances: The Evil Touch & Homicide, episode 27, ‘Witch Hunt’
A quick heads up to Melbourne readers – Monster Fest 2016 will happen on take place from November 23 – 27, at the Lido Cinema, Hawthorn. Monster Fest is not something I have had much to do with in previous years, but this year it has been hugely revamped, largely thanks to the new program director, Kier-La Janisse, who has put together a new programming team, of which I am a part of.
Anyway, I particularly wanted to draw your attention to two events I am a part of.
Low Grade Transmissions From Hell: Revisiting the Lost Australian Horror Anthology, The Evil Touch
The early seventies are viewed as a peak period for horror anthology television. The Australian show, The Evil Touch is unique in that it was the only horror anthology show made locally, specifically for the US market. Successful in America, it bombed when aired in Australia in 1973 and the 26 episode series is now largely forgotten. Although cheaply made, The Evil Touch is strangely effective, at times, genuinely disturbing television. The grainy look and surreal narrative style give it the feel – in the words of American television critic John Kenneth Muir – of ‘a low grade transmission straight from hell’.
As part of Monster Fest’s Monster Academy, I’ll be giving a talk on the origins, making and reception of The Evil Touch.… Read more
Posted in Australian popular culture, Australian television history, Crawford Productions, Horror
Tagged Ben Wheatley, Cigarette (2016), Crawford Productions TV crime drama, Dog Eat Dog (2016), Homicide, Kadaitcha Country, Kier-La Janisse, Monster Fest 2016, Paul Anthony Nelson, Ted Kotcheff, The Evil Touch, Wake in Fright (1971), Witch Hunt (1965)
Book review: Wake in Fright
Rural noir is big at the moment, if the interest in US writers like Donald Ray Pollock, Cormac McCarthy and Daniel Woodrell, is anything to go by.
While it is not be as well known, Kenneth Cook’s 1961 novel Wake in Fight is as good as anything that’s come out of the southern US, a searing story of masculinity, drinking and violence in regional Australia that still packs a punch today.
Fear of being trapped in the outback, as we call the vast expanse of harsh terrain that makes up the majority of Australia, is still semi hard-wired into the psyche of most city dwelling Australians. So, imagine how terrifying the prospect was in the sixties, when our interior was so much more remote and alien.
John Grant is a mild mannered teacher working in a tiny speck of a town called Tiboonda. Its isolation and distance from the coast has obliterated nearly all aspects of civilisation, except the ability of the local pub to keep the beer cold. As Grant puts it: “In the winter you wished for the summer, in the summer you wished for the winter, and all the time you wished to blazes you were a thousand miles from Tiboonda.”
Grant has six weeks leave ahead of him and 140 pounds in his pocket.… Read more