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Tag Archives: Timothy Carey
Parker on the screen #3: The Outfit (1973)
The third instalment of my series on Parker on the screen is the 1973 film, The Outfit, written and directed by John Flynn, based on the 1963 Donald Westlake novel of the same name (one of three Parker novels Westlake wrote under the Richard Stark pseudonym that year, the others being The Man with the Getaway Face and The Mourner).
The book opens with a botched hit on Parker while he is enjoying one of his post-job trysts. It forces the professional thief to come to the conclusion that he needs to settle his ongoing feud with the shadowy crime organisation known as the Outfit once and for all. He puts word out through his various criminal networks that the unofficial underworld truce with the Outfit is over and it is now fair game. What follows is a series of independently run operations as various freelance criminal groups start hitting the organisation’s money-making activities while Parker goes after its leader, a man named Bronson. It has been a while since I read The Outfit, but I remember thinking it was definitely one of the better Parker novels.
The film starts with a hit on a man working on a remote farm. Next we see Earl Macklin (Robert Duvall) getting out of jail where he has been doing a stint for carrying a concealed firearm (a scene very reminiscent of Steve McQueen’s release from jail in Sam Peckinpah’s The Getaway a year earlier).… Read more
Posted in 1970s American crime films, Crime film, Donald Westlake aka Richard Stark, Heist films, Jim Thompson, Karen Black, Neo Noir, Parker, Robert Ryan, Sam Peckinpah
Tagged Best Seller (1987), Donald Westlake aka Richard Stark, Elisha Cook Jr, Henry Jones, Jane Greer, Joanne Cassidy, Joe Don Baker, John Flynn, Karen Black, Point Blank (1967), Richard Jaeckel, Robert Duvall, Robert Ryan, Rolling Thunder (1977), The Godfather (1972), The Man With the Getaway Face, The Mourner, The Outfit (1973), Timothy Carey
The heist always goes wrong, part 2: reader picks and other favourite heist movies
My recent post The heist always goes wrong – ten of the best heist movies ever made, generated some great reader feedback. The best thing about the response was that it pointed me in the direction of a number heist films I hadn’t seen or that I need to revisit.
Based on your comments and the thoughts I’ve had on the subject since the original post, here are follow up list of other films that could be included in a best of heist films list (and my shameless editorialising regarding what I think about the merits of not of them).
Straight Time (1978)
A huge thanks to West Australian crime writer David Whish Wilson for alerting me to Straight Time, which I’d seen previously but forgotten. Dustin Hoffman plays a career criminal just out of prison, trying to stay on the right side of his ball breaking parole officer, masterfully played by one of my screen heroes, M. Emmet Walsh, and avoid the temptation of re-offending.
Straight Time is based on the book No Best So Fierce, by real life con Edward Bunker (who has a small role in the film). Everything about this film works, the script, the down at heel late seventies feel, the cast, which includes Theresa Russell, Gary Busey, Kathy Bates and Harry Dean Stanton.… Read more
Posted in 1960s American crime films, 1970s American crime films, Donald Westlake aka Richard Stark, Fernando Di Leo, Film Noir, French cinema, Heist films, James Woods, Jim Thompson, M Emmet Walsh, Robert Ryan, Sterling Hayden, Steve McQueen, Yaphet Kotto
Tagged Ali McGraw, Ben Johnson, Best Seller (1987), Blue Collar (1978), Clint Eastwood, Coleen Grey, Don Rickles, Donald Sutherland, Dustin Hoffman, Elisha Cook Jr, Elke Sommer, Faye Dunaway, Fernando Di Leo, Gary Busey, Gary Lockwood, Gavin MacLeod, Harry Dean Stanton, Harvey Keitel, heist films, Jack Palance, Jules Dassin, Karen Black, Kelly’s Heroes (1970), Lee J Cobb, Milano Calibre 9 (1972), oe Don Baker, Paul Schrader, Plunder Road (1957), Richard Pryor, Rififi (1955), Robert Ryan, Sam Peckinpah, Set It Off (1996), Slim Pickens, Sterling Hayden, Steve McQueen, Straight Time (1978), Telly Savalas, The Anderson Tapes (1971), The Getaway (1972), The Killing (1956), The Outfit (1973), The Thomas Crown Affair (1968), Theresa Russell, They Came to Rob Las Vegas (1968), Timothy Carey, Vince Edwards, Yaphet Kotto
Sterling Hayden’s crime wave
One thing I love about the canon of movies known as film noir is how I’m always finding something new. Sure, there are the classics and masterpieces everyone talks about. But every now and again you unearth a gem you didn’t know would be so good.
Like, for example, the 1954 Andre de Toth noir, Crime Wave, which I watched last night.
A trio of escaped cons knock over a gas station, killing a cop in the process. A full scale police manhunt ensures complete with what then must have seemed like the full array of hi-tech police gadgetry.
One of the cons is wounded during the hold up and left to fend for him self. The other two need a place to hide. They visit the home of another ex-con Steve Lacey and his pretty young wife, Ellen.
Steve wants to go straight, but the escaped cons have other ideas. The gas station is the latest of a string of chump change robberies they’ve pulled up and down the Californian coast. They need a major score to get enough money to get out of town for good.
They plan to rob a bank and want Steve as their wheelman. The ex-cons team up with other criminals, one of who takes Ellen hostage, to ensure Steve’s cooperation.… Read more
Posted in Andre De Toth, Crime film, Film Noir, Sterling Hayden
Tagged Andre de Toth, Asphalt Jungle (1950), Charles Bronson, Crime Wave (1954), Hard Contract (1969), Johnny Guitar (1954), Naked Alibi (1954), Play Dirty (1969), Sterling Hayden, The Godfather (1972), The Killing (1956), The Long Goodbye (1973), Timothy Carey