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Recommended reading
The lurid world of pulp
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Tag Archives: The Projection Booth podcast
Projection Booth podcast #352: Kiss Me Deadly
It was a joy and a thrill to join film scholar Kevin Heffernan and Mike White, host of the terrific Projection Booth podcast, for an episode of his show on what is probably my favourite film noir, Robert Aldrich’s Kiss Me Deadly (1955).
Kiss Me Deadly is one of those films I watch every year or so and always find something new to appreciate about it. Talking with my two co-podcasters, I discovered even more to like about it. Issues canvassed during this podcast include:
Mike Hammer (and Mickey Spillane) as the personification of the crisis in post WWII masculinity, and the women in the film as examples of females who are fighting against the confines of their role in American society in the 1950s.
Pulp fiction.
The film’s popularity in France, particularly within surrealist circles for its depiction of the incoherence of everyday life and mass commercial culture.
The Cold War nuclear state, paranoia and surveillance.
THAT answering machine.
Jack Elam.
Ernest Laszlo’s sensational cinematography.
Los Angeles’ former Bunker Hill area as the 1940s/50s B-movie/noir outdoor film shooting location of choice.
The psychiatrist as an archetypal villain in 1940s/1950s American film.
Other fictional noir detective equivalents to Mike Hammer, including Harry Moseby in Arthur Penn’s 1975 film, Night Moves (okay that last part might of been just me).… Read more
Posted in 1960s American crime films, 1970s American crime films, Film Noir, Gene Hackman, Ian Fleming, Neo Noir, Pulp fiction, Robert Aldrich
Tagged A. I. Bezzerides, Albert Dekker, Arthur Penn, Bunker Hill, Cloris Leachman, Ernest Laszlo, Film noir, French Surrealism, Gaby Rogers, Jack Elam, Jack Lambert, Kiss Me Deadly (1955), Marion Carr, Maxine Cooper, Mickey Spillane, Night Moves (1975), Ralph Meeker, Robert Aldrich, Strother Martin, The Projection Booth podcast
The Projection Booth podcast does The Running Man
While I am not a huge podcast consumer, one podcast I am a regular listener of is The Projection Booth, helmed by a man who has forgotten more about film than many of us will ever know, Detroit-based Mike White.
So, it was a huge honour to be asked to be a guest, along with Aaron Peterson, on their latest episode, which looks at the 1987 dystopian science fiction film, The Running Man. Set in the distant year of 2017, The Running Man, takes place in an authoritarian future America where the highest rating television show pits criminals against muscle-bound, spandex-clad “stalkers”. The film is based very loosely on the novel of the same name by Richard Bachman aka Stephen King, the film has a great cast, including Arnold Schwarzenegger, Richard Dawson, Yaphet Koto. Jim Brown, Jesse Ventura and Mara Conchita Alonso.
The Running Man is a film that aged surprisingly well. As part of the episode, Mike talks to the movie’s screen writer Steven E. de Souza and producer George Linder. We also jaw about the its odd production history, and other ‘people hunting people films’ including the 1970 German production, Das Millionenspiel, and Elio Petri’s wonderful 1965 effort, The 10th Victim.
You can listen to the entire episode at The Projection Booth site here.… Read more
Posted in Dystopian cinema, Science fiction and fantasy
Tagged 1980s SF film, Arnold Schwarzenegger, Das Millionenspiel (1970), Hunting humans films, Mike White, Richard Bachman AKA Stephen King, Richard Dawson, Robert Sheckley, The Projection Booth podcast, The Running Man (1987), The Tenth Victim (1965)