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Tag Archives: The Dying Trade
A sit down with the Godfather: an interview with Peter Corris
As promised in my recent piece to mark the passing of Australian crime writer, Peter Corris, it gives me great pleasure to post a terrific, in-depth interview with the author that appeared in issue 14 of the now defunct online journal, Crime Factory, in September 2013.The interview was conducted by avid crime reader and regular Crime Factory contributor, Andrew Prentice.
Crime Factory: Your pre-writing career was academia and journalism, wasn’t it?
Peter Corris: Yes
Where did the shift take place into writing novels?
I was working at the National Times when the first of the Hardy books came out, in 1980. I was the literary editor, sending the books out, doing the reviews, and also doing some interviewing pieces, sports people, politicians…and the first book was a success, very well reviewed.
That was The Dying Trade?
That’s the one. And I’d already finished the second one because I enjoyed doing the first one so much, and had started a third one, and well, the ball just got rolling, even though it took about 5 years for the first one to get published. I gave up the journalism and was bringing in enough from the books and writing short stories to get going. I should add I had a working wife as well, which was helpful.… Read more
Posted in Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Bryan Brown, Crime Factory, Crime fiction, James Ellroy, Peter Corris
Tagged Bryan Brown, Carl Hiaasen, Carter Brown, Cliff Hardy, Crime Factory, Elmore Leonard, James Ellroy, John Woods, Larry Kent, Lenny Bartulin, Peter Corris, Peter Faithful, Ray Barrett, Raymond Chandler, Ross Macdonald, Sydney crime fiction, The Dying Trade, The Empty Beach (1985)
A few thoughts on the passing of Peter Corris, the father of modern Australian crime fiction
I suspect a lot of fans of contemporary Oz crime fiction, and more than a few of its current practitioners, may have forgotten or perhaps don’t even know the debt we all owe to Sydney based crime writer Peter Corris, who died last night at the age of 76.
I have written a bit about Corris on this site and others. And given Pulp Curry originally started off wholly dedicated to crime fiction, I wanted to make a few observations about an author who has given me a lot of pleasure, as well as being incredibly influential on Australian crime fiction.
Corris’ debut novel, The Dying Trade, was published in 1980 (something must have been in the water that year because it also saw the publication of Grabrielle Lord’s important first novel, Fortress). The Dying Trade introduced the hardscrabble Sydney private investigator, Cliff Hardy.
Hardy is an ex-insurance claims investigator and army veteran, who served during the so-called “Malaya Emergency” in the 1950s when Australian troops were brought in to help the British control that country’s growing communist insurgency. In many respects, Hardy was typical of the breed of PI characters that were popular in the US, stretching right back to the work of Raymond Chandler. He liked a drink.… Read more
The books that hooked me on crime fiction
Do you remember what books got you into crime fiction?
When it all comes down to it, I have to credit my late father. Dad loved writers like Carter Brown, Mickey Spillane and Ian Fleming. He passed on his readings tastes to me, particularly his love of dark, pulp influenced crime fiction.
Here are the five books that began my love affair with crime fiction.
What are yours?
From Russia With Love – Ian Fleming I still have my father’s collection of James Bond novels published by Pan Books in the late fifties and sixties, which I saved from my mother’s frequent op shop culls. Published in 1957, From Russia With Love was the fifth Bond book but the first one I read.
It involves a complex plot by Soviet counter intelligence, SMERSH, to kill Bond and discredit British intelligence, using a beautiful Russian cipher clerk and a secret decoding machine as bait. Lashings of action and intrigue, evocative settings such as Istanbul and the Orient Express, characters including the SMERSH executioner, ‘Red Grant’, and the diabolical Colonel Rosa Klebb.
I can still remember reading this in my late teens and my mind going whoooosh with the possibilities.
The Neon Rain – James Lee Burke
The Neon Rain was another of my father’s books.… Read more
Top 5 crime reads for 2011
I was recently asked by the UK site Crime Fiction Lover to list my top five crime novels for 2011.
I cheated a little and, in addition to my top five, gave a few honourable mentions. Money Shot, Christa Faust’s first Angel Dare novel (the second having recently come out), Frank Bill’s short story collection Crimes in South Indiana, Roger Smith’s Dust Devils, and Yvette Erskine’s gritty police procedural The brotherhood were all in contention for my top five in 2011.
But my final list was:
5. Butcher’s Moon – Richard Stark (University of Chicago Press)
I waited ages to read Butcher’s Moon by Richard Stark aka Donald Westlake. It was almost impossible to get a copy until University of Chicago Press, which has been gradually re-leasing all the Parker books, published it.
First released in 1974, Butcher’s Moon was the last Parker book before Westlake took a 23-year rest from the character. It takes Parker back to the familiar territory of his earlier books The Hunter and The Outfit, hot on the trail of money owed him by the mob. A failed heist sends Parker to an amusement park where he stashed $73,000 during a previous caper several years earlier. Parker enlists the help of his only friend, another thief called Grofield.… Read more
Posted in Adrian McKinty, Australian crime fiction, Book Reviews, Crime fiction, Donald Westlake aka Richard Stark, Megan Abbott, Parker, Peter Corris, Roger Smith
Tagged Adrian Mckinty, Butcher's Moon, Christa Faust, Cliff Hardy, Crimes in Southern Indiana, Domenic Stansberry, Dust Devils, Falling Glass, Frank Bill, Jim Thompson, Manifesto of the Dead, Megan Abbott, Money Shot, Parker, Peter Corris, Richard Stark, Roger Smith, The Brotherhood, The Cold Cold Ground, The Dying Trade, The End of Everything, Yvette Erskine