Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Tag Archives: Snubnose Press
Ghost Money available August 20
Just a quick post to let you know that my first novel Ghost Money will be released on August 20.
It’ll be available digitally through Amazon, B&N, Apple, Sony and Kobo.
Ghost Money is set in Cambodia in the mid-ninties, when the long-running Khmer Rouge insurgency was fragmenting and the country’s rival coalition parties were in conflict with each other from for dominance. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan. Quinlan’s search will take him from Phnom Penh to the country’s border with Thailand and plunge him into a mystery that plunges him into the heart of Cambodia’s bloody past.
The book has got it’s first review, by none other than veteran Australian crime writer, Garry Disher. He was nice enough to blurb the book for me and said, “Ghost Money is a fast-paced, atmospheric crime novel. Its journey into a cynical and treacherous world is tense and suspenseful.”
I’m thrilled with the comments, coming as they do from someone with Disher’s statue in Australian crime writing.… Read more
Ghost Money cover
I’ve been sitting on this for a little while now and figure a lazy Friday afternoon is as good a time as any to put it out there. It’s the draft cover of my first novel, Ghost Money, to be released as a digital book by US crime publisher Snubnose Press soon.
I think it looks great. I hope you do, too.
Here’s the pitch for Ghost Money.
Cambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of an unstable coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan. But Avery has made dangerous enemies and Quinlan is not the only one looking. Quinlan’s search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia’s bloody past.
Ghost Money is a crime novel, but it’s also about Cambodia in the mid-nineties, a broken country, and what happens to people who are trapped in the cracks between two periods of history, locals and foreigners, the choices they make, what they do to survive
The person behind this design and the covers of most of Snubnose Press’s growing number of releases is the incredibly talented Eric Beetner.… Read more
Interview: Brian Lindenmuth, editor, Snubnose Press
Several weeks ago I posted a piece about my upcoming crime novel, Ghost Money and the fact it was being published digitally in the US.
Given the interest that post generated and the debate in Australia about digital publishing and pricing generally, I asked my publisher, Brian Lindenmuth from Snubnose Press, whether he’d answer a few questions about the first anniversary of Snubnose, the controversy around e-book pricing and what kind of crime fiction he’s looking for.
And a heads up for those reading who are sitting on a crime fiction manuscript, for the first time in 2012, Snubnose are open for submissions. Check out the site for details.
What is Snubnose Press and what kind of crime fiction do you publish?
Snubnose Press is the ebook imprint of Spinetingler Magazine. Spinetingler has been around since 2005 and we wanted to branch out into new areas. While we are mainly a crime fiction press we are open to other types of work. For example one of our more recent releases, The Duplicate by Helen Fitzgerald, isn’t a crime fiction novel. The crime fiction that we do publish tends towards the darker side of the spectrum.
Why did you set up as a small digital press? How did you think you could add value in the current publishing climate?… Read more
Noir Nation issue 2 is coming
The cover for issue 2 of the international crime fiction magazine, Noir Nation, has arrived and I thought Pulp Curry readers might like a sneak peek.
I think it looks pretty good and can’t wait for it to hit the digital shelves in the near future.
Issue 2 is packed with great noir fiction from all over the world, including a story by me, ‘Homeland’. I’m pretty excited about ‘Homeland’ because it features the character of Max Quinlan, the Australian Vietnamese ex-cop and missing persons investigator who is the subject of my first novel to be published by Snubnose Press in the second half of 2012.
And while I’m in a sharing mood, I reckon it’s as good a time as any to tell you that the title of the novel has changed. It’s no longer called Cambodia Darkness and Light. The new title is Ghost Money, for reasons that will become clear when you read it.
There’s a draft cover for Ghost Money floating around, designed by Snubnose Press’s graphic sensei, Eric Beetner, which looks wonderful. But that’s not ready to see the light of day just yet.
Ghost Money is set in the mid-1990s and sees Quinlan travel to Cambodia, at that time still wracked by poverty and civil war, to try locate a missing Australian businessman. … Read more
Posted in Crime fiction, Noir fiction, Snubnose Press
Tagged Andrew Nette, Ghost Money, Max Quinlan, Noir Nation, Snubnose Press
Crime Factory Publications clocks on
Put the night of March 5 in your diaries, people. That’s the launch of Crime Factory Publications, a (very) small publishing company I’ve set up with my two colleagues and friends from Crime Factory magazine, Cameron Ashley and Liam Jose.
A couple of months ago on this blog I mentioned 2012 was going to be a big year for me. In addition to several short stories coming out around the place in the next couple of months, my novel will be out as an e-book around mid-year with Snubnose Press. On top of all this, I’ve now got my own slice of the publishing business (he says, tongue firmly in cheek).
The Crime Factory crew have been discussing taking our work to the next level for a while now. Several factors drove the decision to finally bite the bullet.
First and foremost, nine issues of Crime Factory magazine (of which I’ve been on board for the last four) have given us contacts and access to quality crime fiction from great writers. We don’t always make the most of this and push the great writing we get as much as possible. Starting our own outfit is one way to reverse this situation. We also wanted to raise the profile of the magazine here in Australia where, in comparison to the US, we’re pretty much unknown.… Read more
Posted in Adrian McKinty, Angela Savage, Australian noir, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Garry Disher, Leigh Redhead, Megan Abbott, Snubnose Press
Tagged Adrian Mckinty, Angela Savage, Crime Factory, Crime Factory Publications, Crime Factory: First Shift, Crime Factory: Hard Labour, Crimes in Southern Indiana, Dust Devils, Frank Bill, Garry Disher, Ghost Money, Helen Fitzgerald, Hilary Davidson, Ken Bruen, London Boulevard, Megan Abbott, New Pulp Press, Roger Smith, Snubnose Press, The Cold Cold Ground, The damage Done, Wyatt