Tag Archives: Shotgun Honey

South Korean cinema influences

Posted on March 17, 2014 by Andrew Nette| 13 Comments

Today, I’m very happy to welcome Chris Irvin to Pulp Curry.

Chris is a short story writer, one of the editors of the great short fiction site, Shotgun Honey, and the author of the recently released novella, Federales. Federales is  about a Mexican federal agent, drugs, and politics. It’s on my to-read list and I’m pretty certain it should be on yours, too.

Chris wanted to write about how South Korean crime cinema has influenced his own crime writing. Welcome Chris.

And by the way, if you are interested in winning a copy of the Federales e-book, just leave a comment on this post. I’ll pick a winner from among them a little later in the week.

fullsizephoto254644Perhaps like many fans of South Korean (Korean) Cinema, I was first introduced through Park Chan Wook’s Oldboy (2003), a brutal revenge tale adapted from a Japanese manga.

Revenge is central to many Korean thrillers Oldboy, Sympathy for Lady Vengeance (2005) Sympathy For Mr Vengeance (2002), I Saw the Devil (2010), Bittersweet Life (2005), etc.

But take a step back and look at the common themes that set Korean films apart from their American cousins, and what I find inspiring and influential to my writing.

I find many themes and layers of Korean cinema to be fascinating, especially those informed/influenced by Korean history/society, but for the sake of brevity I’ll focus on three:

The Dysfunctional Family – The dysfunctional family bands together to defeat the foreign menace and overcome its own natural flaws.… Read more

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Posted in Crime fiction and film from South Korea, Crime film

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Anthologies, my novel and more shameless self-promotion

Posted on October 17, 2012 by Andrew Nette| 6 Comments

In over a couple of weeks I will be jetting off to spend a couple of weeks in the US, New York mostly, followed by a few days in Philadelphia to attend Noir Con.

I-can-not-wait.

Several more ‘Noir Con noir bust’ posts are scheduled between now and when I leave, but I just wanted to take a short break from these to do a bit of shameless self-promotion. A lot of writing I’ve been working on for the last year is being released around the same time. By the end of the year it’ll be back to the drawing board, but for now I’ve got some serious pimping to do.

First up, is Crime Factory’s latest publication, Hard Labour, an anthology of 17 noir and hardboiled Australian short crime stories, edited by Cameron Ashley, Liam Jose and myself. We launched this baby last week at Grumpy’s Green in Collingwood.  A fine time was had by all and we managed to sell enough copies on the night to more or less pay the printing bill.

The print version of Hard Labour is now available from our website for $13.99 plus postage. The digital book is available on Amazon here for just $2.99.

It’s a bargain for crime fiction this good.… Read more

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Posted in Adrian McKinty, Angela Savage, Australian crime fiction, Australian noir, Crime Factory, Crime fiction, David Whish-Wilson, Garry Disher, Leigh Redhead, Noir Con, Snubnose Press

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Noir Con or bust guest post #2: Patti Abbott

Posted on October 1, 2012 by Andrew Nette| 6 Comments

For the second of my ‘Noir Con or bust’ guest posts I’m very happy to welcome Detroit based writer, Patti Abbott. 

Not only does Patti host a terrific blog of her own, she is a major contributor to the on-line and print crime short fiction that thrives in the US. Seriously, it’s hard to over emphasise just how prolific Patti is. What’s more, her short crime fiction is always of high quality. If you’re not convinced check out her first anthology of short stories, Monkey Justice, here. 

Welcome to Pulp Curry, Patti.

Thanks to Andrew for hosting me. His suggestion to me was to talk about the online crime fiction market, and I will do so if a bit circuitously.

It took me a long time to 1) find my way to writing 2) find my way to writing fiction (I started out with poetry) 3) find my way to writing crime fiction.

I began writing poetry (as an older student) in a college class in the mid 1990s. The class was ideal for me since I harboured such ambitions. I was  lucky to have a supportive instructor and I managed to publish a couple dozen poems in small literary journals. But editors would often send a note saying that my story was overly narrative and had I ever tried my hand at short story writing?… Read more

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Posted in Crime Factory, Crime fiction

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