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Tag Archives: Rose Byrne
The heist always goes wrong, part 4: 10 more heist films you’ve never seen
To celebrate the re-release of my heist thriller, Gunshine State, by Down and Out books, it is time for another of my top 10 heist posts.
This is my fourth post along the theme of ‘the heist always goes wrong’. Previous posts have been: ‘The heist always goes wrong, part 1: ten of the best heist movies ever made’, ‘The heist always goes wrong, part 2: reader picks and other favourite heist movies’, ‘The heist always goes wrong, part 3: 10 of the best heist films you’ve probably never seen’.
This instalment continues where I left of in part 3, with 10 more unknown or under appreciated heist films that you might want to check out.
Machine Gun McCain (1969)
Even when he was slumming it, John Cassavetes was still incredible and Machine Gun McCain is proof. This hard boiled 1969 Italian film tells the story of a paroled armed robber (Cassavetes) whose plan to heist a Las Vegan casino falls foul of a battle for territory between the east and west cost Mafia. Cassavetes’s co-starts include Peter Faulk, Britt Elland, and such Italian genre film stars as Luigi Pistilli and Grabiele Ferzetti.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1990s American crime films, Australian crime film, Australian noir, British crime cinema, Bryan Brown, Film Noir, Gunshine State, Heist films, Lee Marvin
Tagged Adolfo Celi, Allen Hughes, Bryan Brown, Dan Duryea, David Goodis, Dead Presidents (1995), Dirty Heroes (1969), Edward Woodward, Ennio Morricone, Ernest Borgine, Grabiele Ferzetti, Gunshine State, Heath Ledger, Ian McShane, Janet MacLachlan, Jayne Mansfield, Jill St John, John Cassavetes, Jules Dassin, Julien Mayfield, Kurt Jurgens, Larenz Tate, Lee Marvin, Luigi Pistilli, Machine Gun McCain (1969), Max Julien, McVicar (1980), Oliver Reed, Peter Faulk, Raymond St. Jacques, Robbery (1985), Roger Daltry, Roscoe Lee Browne, Rose Byrne, Sitting Target (1972), This film by Albert, Two Hands (1999), Uptight (1968), Victor Mature, Violent Saturday (1955)