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Tag Archives: Roger Donaldson
Projection Booth episode #505: White Sands (1992)
Episode 505 of the Projection Booth podcast is live to put into your eas and hearts. Mike While, Jedidiah Ayres and myself talk New Zealand director Roger Donaldson’s 1992 neo noir thriller, White Sands. I didn’t dig the movie as much as Mike and Jed, but always enjoy talking film with these two gents. We also discussed Donaldson’s broader career, the merits or otherwise of No Way Out (1987) and gave some love to a film I had not seen until I watched it for this episode, Michelangelo Antonioni’s The Passenger (1975).
Roger Donaldson double feature: Sleeping Dogs (1977) and Smash Palace (1981)
To the degree that I was familiar with the film career of director Roger Donaldson, it was probably because he made what I would argue is one of the best American thrillers of the eighties, No Way Out (1987).
Donaldson actually had a pretty lengthy and productive directorial career after he decamped to Hollywood in the early 1980s from his native New Zealand: The Bounty (1984), Marie (1985), Cocktail (1988 – a terrible but successful film which gets a pass from me only because it features another Antipodean who was making his way in the US film industry in the 1980s, Bryan Brown), the psychological thriller, White Sands (1992), the wonderful hot garbage that was his 1994 remake of Jim Thompson’s The Getaway, with Alec Baldwin and Kim Basinger, and the better than average action sci fi film, Species (1995).
But over the weekend I finally caught up with the two New Zealand films that Donaldson cut his teeth on as a director and which got him noticed internationally, Sleeping Dogs (1977) and Smash Palace (1981). I don’t want to go into too much detail but having finally watched them I wanted to write a little about them, because both of them are excellent.
Sleeping Dogs was Donaldson’s first film and tells the story of a loner, simply known as Smith (a very young Sam Neill), who is estranged from his family and living in a remote part of the country when he is reluctantly swept up in an underground revolutionary movement that is fighting against a right-wing dictatorial government that has taken over New Zealand.… Read more
Posted in 1980s American crime films, 1990s American crime films, Bryan Brown, Crime fiction and film from New Zealand, Dystopian cinema
Tagged Anna Maria Monticelli, Bruno Lawrence, Cocktail (1988), Greer Robson, Hunt For the Wilderpeople (2016), No Way Out (1987), Roger Donaldson, Sam Neill, Sleeping Dogs (1977), Smash Palace (1981), Taika Waititi, The Bounty (1984), The Getaway (1994), Warren Oates, White Sands (1992)