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- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
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- Why 1973 was the year Sidney Lumet took on police corruption
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Recommended reading
The lurid world of pulp
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Tag Archives: Richie Narvaez
Register for on-line NoirCon 2022
Those of you who have been following my site for a while now may have seen me post about NoirCon previously. A celebration of all things noir in film, literature, art and anything else you care to mention, NoirCon was previously held as a face-to-face gathering in Philadelphia, but has been cancelled for the last few years, due to Covid and other problems.
Well, now it is back, this year as an online gathering.
NoirCon will take place Friday-Saturday, October 21-23, EST. Virtual NoirCon 2022 will be held on the Accelevents platform. An all-access pass covering the entire conference is $36. Registration includes access to the Accelevents platform for 30 days after the event, so attendees can re-watch events or catch up on panels they missed.
NoirCon is hands down the best literary/arts festival I have attended. The exact program is not live yet but whatever the fevered mind of NoirCon organiser Lou Boxer has dreamt up in terms of a program, I have no doubt it’ll be good, including new events and events that would have been held in previous cancelled versions of the program. So if you have any interest in noir at all and are able to make the time zone work for you, you should definitely register at this link.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Asian noir, Australian noir, Crime fiction, Crime film, David Goodis, Femme fatale, Film Noir, French cinema, Heist films, Neo Noir, Noir Con, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Tart noir, Tartan Noir, True crime
Tagged Halley Sutton, Lou Boxer, Nikki Dolson, noir art, Noir Con 2022, noir fiction, noir film, NoirCon, Richie Narvaez, Scott Adlerberg
Guest post: the indirect path to writing your book
It gives me great pleasure to welcome New York crime writer, Richie Narvaez, to Pulp Curry. Richie a friend. He is also a hell of a good crime writer. I loved his short story collection, Roachkiller and Other Stories, and I had the pleasure of reading a very early draft of the upcoming novel he is guest posting about today, Hipster Death Rattle, which is also great stuff. I don’t want to pre-empt Richie’s post, but Deathrattle is unique crime fiction take on the gentrification that have been sweeping New York. It drops from Down and Out Books in early March and you can pre-order it here.
You dream of writing a gritty noir but complete a cozy featuring fish detectives. Or you want to write a cozy but end up with a spy thriller featuring 0 cats. Writing is what happens while you’re busy making other plots. If you go after something too directly, if you have an object, an idea that you feel strongly about and you try to represent it as it feels in your head and beats in your chest, you will very often make a mush out of it. So sometimes you need to approach your object in the night like a thief, like a spy scaling a cliff face in order to sneak into a mountaintop stronghold.… Read more