Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Tag Archives: Richard Stark
Pulp Friday: The Smashers
“A novel of The Organisation – girls, horses, dope, murder.”
Regular readers will be familiar by now with my admiration for the late Donald Westlake. Westlake was the hard boiled writer’s hard-boiled crime writer, having penned numerous books over his career, including the wonderful Parker novels under the pseudonym of Richard Stark.
Today’s Pulp Friday is one of Westlake’s early efforts, The Smashers, aka The Cutie, aka The Mercenaries. This edition is the first Dell publication in 1960.
The Smashers was Westlake’s official fiction debut under his real name. His previous fiction efforts, like those of his peer Lawrence Block, were soft porn paperbacks written under other names (here’s a nice post on one of these titles Back Stage Love – “The Shocking expose of what goes on behind the scenes at a summer stock theatre”).
The Smashers is the story of Clay, the right hand man of New York mob boss Ed Ganolese. Clay gets a late night call from a junkie with a dead woman on his hands and the police on his tail. The junkie claims he’s innocent and because he’s connected to Ganolese, Clay has to adopt the role of a PI and find out who the real killer is.
It’s an early and interesting take on the criminal as protagonist that Westlake was subsequently to perfect with his Parker books.… Read more
The heist always goes wrong, part 1: ten of the best heist movies ever made
I love the genius and intricacy of their plots and the variations they come in, whether it be the all star team assembled for a job or the desperate ex-cons trying for one last score.
But most of all I love them because of the golden rule of all good heist films – for whatever reason, the heist always goes wrong.
What do you need for a good heist?
You need a plan for actual heist itself, the getaway, and moving, storing and fencing whatever it is you’ve stolen. The more complicated the plan, the more likely it is that something will go wrong.
You need a crew of people; one man or woman alone cannot do a heist. This introduces the human element and all the problems that come with it, the greed, suspicions, jealousies and uncertainties.
I’ve been thinking for a while now about what my top ten-heist films would be and the following list, in no particular order, is it.
The robbery itself is almost immaterial to how I rate a good heist film. What I like is the context and atmosphere in which the heist takes place and inevitable problems that arise after it’s been pulled off. And the darker and more broken things get, the better the film is in my book.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, Angie Dickinson, Charles Durning, Donald Westlake aka Richard Stark, Ernest Borgnine, Film Noir, French cinema, Gene Hackman, Heist films, James Caan, Jim Brown, Peter Boyle, Peter Yates, Robert Mitchum, Sidney Lumet, Stanley Baker, Sterling Hayden, Yaphet Kotto
Tagged A Cop (1972), Across 110th Street (1972), Al Pacino, Alain Delon, Angie Dickinson, Anthony Quinn, Armoured Car Robbery (1950), Basil Dearden, Catherine Deneuve, Charles Durning, Crime Wave (1954), Criss Cross (1949), Diahann Carroll, Dog Day Afternoon (1975), Don Siegel, Donald Westlake aka Richard Stark, Ernest Borgnine, Gene Hackman, Heat (1995), heist films, Jack Klugman, James Booth, James Caan, James Whitmore, Jim Brown, Joanna Pettel, John Cazale, Joseph Loosey, Money Movers (1979), Peter Boyle, Peter Yates, Richard Jordan, Richard Stark, Robbery (1967), Robert De Niro, Robert Mitchum, Robert Prosky, Ronald Reagan, Sexy Beast (2000), Stanley Baker, Sterling Hayden, Sydney Lumet, The Asphalt Jungle (1950), The Bank job (2008), The Criminal (1960), The Friends of Eddie Coyle (1973), The Killers (1964), The League of Gentlemen (1960), The Red Circle (1970), Tuesday Weld, Warren Oates, Yaphet Kotto
Pulp Friday: Parker
Today’s Pulp Friday is a selection of books by one of my favourite authors, Richard Stark AKA the late Donald Westlake.
Regular readers of Pulp Curry will know that my love of Westlake and his creation, the professional thief Parker, particularly his pre-1974 incarnation, knows no bounds.
I’ve been keen for a while now to share some of my collection of Parker covers. The impetus for finally getting my act together is two fold.
First, I recently picked up a cheap copy of the very rare 1977 Coronet Books edition of Butcher’s Moon and I wanted it show it off. It’s got a great early seventies feel.
Second, I’ve been re-reading one of the earlier Parker books, The Black Ice Score. The cover of the 1986 Allison and Busby edition is among those below “Stealing the Africans’ diamonds back appeals to the arch pro in Parker. But the opposition’s clumsy double cross activates the mean machine”.
Actually, re-reading is not quite accurate. I started it years ago but never finished. The story didn’t particularly appeal to me at the time and I’ve since talked to many people who believe it is one of Westlake’s lessor Parker efforts.
But I’m enjoying it this time around. Parker gets involved in a diamond heist being staged by a group of Africans who want to use the proceeds to overthrow their country’s corrupt ruler.… Read more
Posted in Coronet Books, Crime fiction, Donald Westlake aka Richard Stark, Fawcett Gold Medal Books, Noir fiction, Parker, Pulp fiction in the 70s and 80s, Pulp Friday
Tagged Butcher's Moon, Deadly Edge, Donald Westlake aka Richard Stark, Richard Stark, Slay-Ground, The Black Ice Score, The Jugger, The Man With the Getaway Face, The Outfit, The Split
Crime fiction criminals
By definition, the majority of crime fiction characters are criminals or at least commit illegal and/or immoral acts. But books where the main character is a full-time professional criminal are surprisingly few and far between. Here’s a selection of some of the best.
It’s worth noting that when this post originally appeared on the Crime Fiction Lover website, readers came up with several good additions, including Andrew Vachss’s Burke, Charlie Huston’s Henry Thornton, Lawrence Block’s hitman character Keller and Patricia Highsmith’s Tom Ripley. I had originally thought of including the James Ellroy character Dudley Smith (“Knock, knock, who’s there, Dudley Smith, so reds beware”), but he’s a bent cop so not eligible. However, Ellroy’s Pete Bondurant would definitely make the cut.
Please leave a comment if you can think of any others.
Parker by Richard Stark (aka Donald Westlake)
The 24 books written between 1962 and 2010 featuring the professional thief known as Parker remain some of the best crime fiction ever written. Sixteen Parker novels appeared between 1962 and 1974. Westlake took a rest from the character until 1997, then wrote another eight Parker books.
Parker is a career criminal who steals things for a living. Get in his way on a job or try to double cross him afterwards and he’ll hurt you.… Read more
Posted in Crime fiction, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, James Ellroy, Jim Thompson, Megan Abbott, Michael Caine, Parker, Ted Lewis
Tagged Andrew Vachss, Burke, Charlie Huston, Cold Shot to the Heart, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, Get Carter (1971), Henry Thornton, Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, James Ellroy, Jim Thompson, Keller, Lawrence Block, Megan Abbott, Michael Caine, Parker, Patricia Highsmith, Queenpin, Richard Stark, Ripley, Ted Lewis, The Friends of Eddie Coyle (1973), The Getway, Virginia Hill, Wallace Stroby, Wyatt
Pulp Friday: double shot of Gil Brewer
“She lit a fuse inside men.”
Last time I featured Gil Brewer on Pulp Friday, it resulted in a spirited Twitter discussion as to who was the quintessential hard-boiled pulp author, Brewer or Donald Westlake aka Richard Stark.
Personally, my votes goes to Westlake/Stark on account of his Parker books.
But I do love Brewer’s sleazy psychological take on pulp fiction. He’s also a case of life imitating art. He died in 1983, after years of alcoholism, mental health problems and financial stress. And Like most of the most accomplished pulp novelists, he only gained critical attention well after his death.
Both the titles featured today were published by Monarch Books, based in Derby, Connecticut, Play It Hard in 1964 and Wild To Possess (“She lit a fuse inside men”) in 1963.
It looks like Brewer was in good company in the Monarch stable of pulp writers. As the advertisement on the inside back cover of Wild To Possess states, you could buy these two Brewer titles and three other Monarch pulps for just $1.50. That’s value, especially given that among the titles to choose from were The Key Game “A fast moving exhilarating story of emotional fadism among uninhibited married couples”, and The Lolita Lovers, a “dramatic novel of the ‘beat’ generation living and loving by thir own rules in a teeming asphalt jungle”.… Read more