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Tag Archives: Raymond Chandler
Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
Yes, it’s been a while since my last post, and during this time a few pulp and popular fiction related studies have come across my radar that I’m very keen to let Pulp Curry readers know about.
The first is of these is The Trials of Hank Janson by Steve Holland. If you are not familiar with Steve’s work then you need to rectify that and a good way to do this is to visit his site Bear Alley, where you will find a wealth of writing about British comics and pulp fiction. The second step is to pick up a copy of The Trials of Hank Janson, a slightly expanded reissue of a book originally published by Holland in 2004, when it shortlisted for the prestigious Gold Dagger Award by the UK Crime Writers’ Association.
Janson was one of the most successful British pulp writers of the 1940s and early 1950s. His books during this time were violent faux American crime tales in a similar vein to the work of James Hadley Chase and Australia’s Carter Brown: gritty gangster tales, full of American slang and detail, set in large American cities such as Chicago or New York. In the UK context, these books were part of a much larger wave of faux American crime fiction that swept the country in the postwar period (a trend which I wrote about for US site CrimeReads here).… Read more
Posted in Australian crime fiction, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Carter Brown, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, James Hadley Chase, Men's Adventure Magazines, Pulp fiction, Pulp Friday, Pulp paperback cover art, Science fiction and fantasy, Vintage pulp paperback covers
Tagged 1950-1985, Adam Rowe, Carter Brown aka Alan Yates, Claudia Lesser, Dangerous Visions and New Worlds: Radical Science Fiction, Dashiell Hammett, Elaine Reynolds, faux American crime fiction, Hank Janson, Horace McCoy, James Hadley Chase, John D MacDonald, Johnny Liddell, Lisa Karen, men’s adventure magazines, Raymond Chandler, Ron Lesser, skeletons in space suits, Stephen Daniel Frances, Steve Holland, The Art of Ron Lesser Vol 1: Deadly Dames and Sexy Sirens, W. R. Burnett, Worlds Beyond Time: Sci-Fi Art of the 1970s
“Go. Sleep badly. Any questions, hesitate to call.” Projection Booth episode 463: Kiss Kiss Bang Bang
Okay everyone, time to stop watching Tiger King and get into to some quality popular culture.
Episode 463 of one my favourite film podcasts has just hit the airwaves and is on the 2005 crime film, Kiss Kiss Bang Bang. You can access the episode in full from the Projection Booth website at this link.
I join the hardest working man in podcasting, Projection Booth host, Mike White, and crime writer, Jedidiah Ayres, to discuss this deceptively complex piece of crime cinema. Mike also did an interview with the film’s director, Shane Black.
Among the things we cover in this show are the film’s myriad of pop culture references, everything from Sunset Boulevard (1950) to the long running Mike Shayne private investigator pulp series by Brett Halliday, its links to the work of Raymond Chandler, and what one of us (okay, it was me) termed ‘the Shane Black formula’ of film making and storytelling. We also give a lot of love to his other films, particularly the misanthropic delight of The Last Boy Scout (1991), and discuss Kiss Kiss Bang Bang’s metafictional elements. … Read more
Posted in 1980s American crime films, 1990s American crime films, Crime film, Neo Noir
Tagged Jedidiah Ayres, Kiss Kiss Bang Bang (2005), Michelle Monaghan, Mike White, Neo Noir, Projection Book podcast, Raymond Chandler, Robert Downey Jr, Shane Black, Sunset Boulevard (1950), The Last Boy Scout (1991), Val Kilmer
Pulp Friday: Guns with plots
Let’s make one thing clear. I don’t own a gun. Never have and never will. Indeed, the only guns I want to see are in film or on the cover of books like the ones featured in today’s Pulp Friday post.
For a while now I have been obsessed with the cover above of the 1964 Panther edition of Len Deignton’s The Ipcress File. The cover, done by influential English graphic designer, Ray Hawkey, who would go onto to do a number of paperback covers, exudes a style and tone I could never imagine being used today except as a deliberate retro homage.
It speaks to the everyday grime, drudgery and unglamorous boredom of the Cold War spy racket, which the Deighton novels featuring the working class spy, Harry Palmer, evoke so well. There is also the mess that comes with the trade: a cold cup of tea (probably cold); cigarettes, because in the sixties every fictional spy smoked; paperclips for the paperwork; and, a gun and bullets, because sometimes you have to kill someone.
It is a gritty, cluttered layout I associate with mass paperback novels of the type that were largely targeted at men in the 1960s and 1970s. As it turns out, a bit of a dig around reveals it was a style that was widely used in those two decades – but it also bled over into the 1980s – by mass market paperback publishers in the crime, mystery and espionage thriller categories.… Read more
Posted in Belmont Tower Books, British pulp fiction, Crime fiction, George V Higgins, Ian Fleming, Neo Noir, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Spies, True crime
Tagged Agatha Christie, Brian Garfield, Death Wish, Dog Day Afternoon, Elmore Leonard, Fontana, Funeral in Berlin, George V Higgins, Ian Fleming, Jim Thompson, John Creasey, Len Deighton, Raymond Chandler, The Getaway, The Ipcress File, The Man With the Golden Gun, Thunderball
Beat Not the Bones & the story of an Australian Edgar Allan Poe Award winner
As many of the my US readers will no doubt be aware, America’s foremost crime writing awards, the annual Mystery Writers of America Edgar Allan Poe Awards, will be presented on April 28.
The upcoming awards make it an opportune time to revisit the winner of the Edgar Award in 1954. That book was called Beat Not the Bones, and it was written not by an American but by an Adelaide-born woman called Geraldine Halls, writing under the pseudonym, Charlotte Jay. That the winner the next year was Raymond Chandler’s The Long Goodbye, gives you some idea how prestigious Halls’ win was.
Why some writers and their books go onto achieve lasting literary fame, while others, in this case Halls and her considerable work, sink into obscurity, always fascinates me. In a writing career stretching from 1951 to her last published novel in 1995, she produced fifteen books. Seven of these appeared under the pseudonym of Jay, her maiden name, and seven as Geraldine Halls, Halls being her married name. Another was published under the alias Geraldine Mary Jay.
There is very little information available about Halls, who died in Adelaide in October 1996, and the only image I could find on the Internet is on the Austlit site and is taken from the Adelaide Advertiser, dated May 8, 1853.… Read more