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Tag Archives: Race with the Devil (1975)
Warren Oates, Gloria Grahame & other subjects for fiction anthologies
The recent release of Crime Factory’s LEE, an anthology of crime fiction inspired by the life of iconic actor Lee Marvin, has got me thinking about who else would be a good subject for similar treatment.
There’s already been a bit of chatter on Twitter about other actors people would like to see as the subject of their own fictional anthology, and several authors have contacted me with ideas.
There are only two criteria involved I can think of in choosing a subject.
First, the subject concerned has got to be deceased, preferably passed a while ago. It’s just too complex, legally and other ways to do an anthology based on someone living.
Second, there’s got to be something about them. Not just an interesting body of cinematic work and an interesting life, but an ongoing cultural resonance or zeitgeist that sets them apart from other actors and allows crime writers discuss broader issues.
Here are my picks for actors I think would be good subjects. And I should stress, these are just my musings and in no way reflect what Crime Factory will do in the future.
That said, you never know….
Warren Oates
There’s already been a bit of social media chatter about the possibility of a Warren Oates inspired anthology.… Read more
Posted in 1960s American crime films, 1970s American crime films, Film Noir, Gloria Grahame, Lee Marvin, Richard Burton, Stanley Baker, Sterling Hayden
Tagged 92 in the Shade (1975), Asphalt Jungle (1950), Badlands (1973), Bit Heat (1953), Bring Me the Head of Alfredo Garcia (1969), Cockfighter (1975), Dillinger (1973), Hell Drivers (1957) The Criminal (1960), Hell is a City (1966), In a Lonely Place (1950), innocent Bystanders, Johnny Guitar (1954), LEE, Lee Marvin, Major Dundee (1965), Naked Alibi (1954), Odds Against Tomorrow (1959), Race with the Devil (1975), Sam Peckinpah, Stanley Baker, Stanley Kubrick, Sterling Hayden, Stripes (1981), The Godfather (1972), The Guns of Navarone (1961), The Killing (1956), The Wild Bunch (1969), Two Lane Black Top, Warren Oates
Pulp Friday: witches, warlocks and drums of the dark gods
“A Horrifying excursion into a world ruled by the prince of darkness”
We don’t do Halloween in Australia, but it’s as good an opportunity as any to post some of the terrific occult pulp paperbacks covers I’ve collected over the last few months.
The supernatural and occult were major pre-occupations of popular culture in the sixties and the first half seventies. I am not exactly sure why, but some observers have linked it to regular outbreaks of witch mania that historically coincided with periods of major social change and dislocation.
Occultists, witches, Satanists, ruled much of the cinema screen. As was often the case, relatively highbrow offerings, Roman Polanski’s 1968 film Rosemary’s Baby, The Exorcist (1973) and The Omen (1976), coexisted along side more sensationalist exploitation fare. Devil’s Rain (1975), Brotherhood of Satan (1971), The Witches (1966) and Race with the Devil (1975), are just some of the many, many examples.
And where cinema went, pulp fiction followed. Old stories were spiced up, new ones penned in rapid succession.
Rest in Agony concerns what transpires when a husband and wife discover a little black book that reveals their dear deceased Uncle Amby lived a secret double life as a Satanist. Not surprising when some of his mates included Vandal James “Satan’s playmate” and Amora Cartwirght “Goddess of dark waters”.… Read more
Posted in Ben Wheatley, Horwitz Publications, Monarch Books, New English Library, Pan Books, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Scripts Publications, Vintage pulp paperback covers
Tagged Dennis Wheatley, Monarch Books, Occult Pulp, Omen (1976). The Exorcist (1973), Race with the Devil (1975), Rosemary's Baby (1968), The Witches (1966), Voodoo, Witch craft pulp