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Tag Archives: Pulp Fiction (1994)
The Killers 1964 & 1946
The following is posted as part of Furious Cinema’s Scenes of the Crime Blog-a-Thon. It originally appeared in the Fall 2012 edition of Noir City.
One short story, Ernest Hemingway’s The Killers, which appeared in 1927, two film versions. Robert Siodmak directed the first in 1946. Don Siegel helmed the later in 1964. Both films begin with the premise of Hemingway’s 2951 word piece; two anonymous professional killers hired to murder a man, but in most other respects are completely different.
Siodmak’s movie opens, to the accompaniment of Miklos Rozsa’s brassy jazz score, with the arrival of the killers in a small town. It’s night and all we see are their silhouettes backlit by streetlights. First they check the filling station. Finding it closed, they cross the road, go into Henry’s Diner. You can tell they’re professionals, each enters a different way, cutting off any possibility of their quarry escaping.
In the space of a few minutes, Al (Charles McGraw) and Max (William Conrad), establish a sense of menace and disorientation as good as any classic noir cinema has to offer. After rubbishing the diner’s food and the customer’s small town ways, they tell George, the man behind the counter:
“I tell you what we’re going to do, we’re going to kill the Swede.”
Posted in 1960s American crime films, Albert Dekker, Angie Dickinson, Ava Gardner, Burt Lancaster, Film Noir, Lee Marvin, Parker
Tagged Albert Dekker, Angie Dickinson, Armoured Care Robbery (1950), Ava Gardner, Burt Lancaster, Charles McGraw, Clu Gulager, Don Siegel, Edmund O’Brien, John Boorman, John Cassevetes, Lee Marvin, M Squad, Miklos Rozsa, Norman Fell, Point Blank (1967), Pulp Fiction (1994), Quentin Tarantino, Richard Fleisher, Robert Siodmak, Ronald Reagan, Sam Levene