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Tag Archives: Peggy Cummins
Interview: Eddie Muller, Film Noir Foundation
A warning: the following interview with Eddie Muller does not contain any discussion of the question, ‘what is film noir?’ It’s one of the few film noir related topics I didn’t talk about with him. Muller, sometimes known as ‘the Czar of Noir’, is a busy guy, founder and president of the Film Noir Foundation, fiction and non-fiction author, publisher, film restorer and now DVD distributor. His Dark City: The Lost World of Film Noir (1998) and Dark City Dames: The Wicked Women of Film Noir (2001) are required reading for all would-be scholars film noir, and he has a new book out, Gun Crazy: The Origin of American Outlaw Cinema. Directed by Joseph H Lewis, Gun Crazy is the sordid story of a husband and wife team of criminal sociopaths, played by Peggy Cummins and John Dall. The film sank without a trace upon its release in 1950, but is now regarded as a classic and a much earlier precursor to the 1967 film, Bonnie and Clyde.
You have a new book out, Gun Crazy: The Origin of American Outlaw Cinema. As the title suggests, it’s about the making and influence of Joseph H Lewis’s 1950 film, Gun Crazy. As you stress in the book, the film hardly caused a ripple when it was first released.… Read more
Posted in Crime film, David Goodis, Film Noir
Tagged 1956, Black Pool Productions, Eddie Muller, El Vampiro Negro, Film Noir Foundation, Goodis: A Life in Black and White, Gun Crazy (1950), Gun Crazy: The Origin of American Outlaw Cinema, If Die Before I Wake (1952), John Dall, Joseph H Lewis, Peggy Cummins, Philippe Garnier, The Bitter Stems
Hell Drivers
When we think classic noir cinema, we usually think of America. But in the forties, fifties and sixties, Britain produced its share of great noirs.
The British noirs I’ve seen are dark, brutal affairs, perhaps even more uncompromising than their American counterparts because of their depiction of the UK’s all pervasive and claustrophobic class system. Films like Brighton Rock (1949), The Third Man (1949), Basil Dreaden’s heist film, The League of Gentlemen and John Guillermin’s Never Let Go (which both came out in 1960) and the terrific Joseph Losey movie starring Dirk Bogarde, The Servant (1963).
But without doubt one of the best and toughest of the crop of post-war British noirs was Cy Endfield’s 1957 film, Hell Drivers. From the very beginning, the view from the cabin of a truck being driven at dangerously high speed, The Hell Drivers brims with pent up fury.
The plot of Hell Drivers is fairly simple. Tom (Stanley Baker) plays a young working class man fresh out of jail following a botched heist that crippled his brother (David McCallum) and left him with a huge burden of guilt. He takes a job at Hawlett Trucking Company. The work involves him driving a ten tonne truck to a gravel pit, loading gravel, and transporting it to a new construction site, as quickly and as many times a day as they can.… Read more
Posted in British crime cinema, Crime film, Joseph Losey, Richard Burton, Stanley Baker
Tagged Brighton Rock (1949), Cy Enfield, David McCullum, Dr No (1961), Gordon Jackson, Hell Drivers (1957), Herbet Lom, Joseph Losey, Patrick McGoohan, Peggy Cummins, Sean Connery, Sid James, Stanley Baker, The Criminal (1960), The Servant (1963), The Third Man (1949), William Hartnell