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Tag Archives: Patrick McGoohan
Up periscope: a celebration of submarine cinema
I love a good submarine film. The claustrophobia of the confined setting, the tensions arising from a group of people having to co-exist and operate in a completely unnatural, extremely dangerous environment, is all pretty much guaranteed to hook me in every time.
I was reminded of this while I was watched the 2014 thriller Black Sea on the weekend. A hard as nails, embittered Scottish deep sea salvage expert, Robinson, (Jude Law), takes a job with a shadowy backer, to salvage hundreds of millions of dollars of gold rumoured to be in a sunken Nazi U-boat sitting on the bottom of the Black Sea. He has at his disposal a surplus communist era Russian submarine and recruits a fractious crew of washed up seafarers, half of whom are Russian because they are the only ones who know how to properly operate the vessel.
I don’t know why this film passed me by when it first came out but it ticked virtually every box on the my list of requirements for a good submarine film. The crew have to contend with a never ending series of life threatening technical and nautical challenges. Within the narrow confines of the aged submarine, the tensions between crew members ratchet up along ethnic grounds and how they will split up the gold.… Read more
Posted in 1960s American crime films, 1990s American crime films, Ava Gardner, Burt Lancaster, Dystopian cinema, Ernest Borgnine, French cinema, Gregory Peck, Heist films, Jim Brown, Rock Hudson, Samuel Fuller, Sidney Poitier, Spies, War film
Tagged Assault on a Queen (1966), Ava Gardner, Black Sea (2014), Burt Lancaster, Das Boot (1981), Ernest Borgnine, Gregory Peck, Harvey Keitel, Hell and High Water (1954), Ice Station Zebra (1968), Jim Brown, Jude Law, Matthew McConaughey, On the Beach (1959), Patrick McGoohan, Rene Clement, Richard Widmark, Robert Wise, Rock Hudson, Run Silent Run Deep (1957), Samuel Fuller, Sidney Poitier, Stanley Kramer, Submarines in cinema, The Bedford Incident (1965), The Damned (1947), U571 (2000)
The 10 essential films of Stanley Baker
Welsh born actor Stanley Baker didn’t live to see his 50th birthday, but he left an impressive body of work. Like his friend Richard Burton, he escaped life as a coalminer for acting after a chance sighting in a school play by the casting director of Ealing Studios led to Baker’s first role in the 1943 war drama, Undercover. His rugged physique and hard grace meant he was most often cast as the tough guy in crime movies and spearheaded the evolution of the British film criminal from the gentlemen thief to more ruthless figures, often working-class, in films such Hell Drivers (1957), Joseph Losey’s The Criminal and Peter Yate’s 1967 heist film, Robbery.
Last weekend he would have been 88, were he still alive. To mark his career, I have a piece on the British Film Institute site looking at his 10 essential films. You can read it in full here.… Read more
Posted in British crime cinema, Heist films, Joseph Losey, Richard Burton, Stanley Baker, War film
Tagged Accident (1967), Anne Heywood, Cy Enfield, David McCullum, David Warner, Dirk Bogarde, Donald Pleasence, Eva (1962), Hell Drivers (1957), Innocent Bystanders (1972), Jacqueline Sassard, James Booth, Jeanne Moreau, Joseph Losey, Michael Caine, Patrick McGoohan, Perfect Friday (1970), Peter Yates, Robbery (1967), Stanley Baker, The Criminal (1960), The Guns of Navarone (1961), Ursula Andress, Violent Playground (1957), Zulu (1964)
Hell Drivers
When we think classic noir cinema, we usually think of America. But in the forties, fifties and sixties, Britain produced its share of great noirs.
The British noirs I’ve seen are dark, brutal affairs, perhaps even more uncompromising than their American counterparts because of their depiction of the UK’s all pervasive and claustrophobic class system. Films like Brighton Rock (1949), The Third Man (1949), Basil Dreaden’s heist film, The League of Gentlemen and John Guillermin’s Never Let Go (which both came out in 1960) and the terrific Joseph Losey movie starring Dirk Bogarde, The Servant (1963).
But without doubt one of the best and toughest of the crop of post-war British noirs was Cy Endfield’s 1957 film, Hell Drivers. From the very beginning, the view from the cabin of a truck being driven at dangerously high speed, The Hell Drivers brims with pent up fury.
The plot of Hell Drivers is fairly simple. Tom (Stanley Baker) plays a young working class man fresh out of jail following a botched heist that crippled his brother (David McCallum) and left him with a huge burden of guilt. He takes a job at Hawlett Trucking Company. The work involves him driving a ten tonne truck to a gravel pit, loading gravel, and transporting it to a new construction site, as quickly and as many times a day as they can.… Read more
Posted in British crime cinema, Crime film, Joseph Losey, Richard Burton, Stanley Baker
Tagged Brighton Rock (1949), Cy Enfield, David McCullum, Dr No (1961), Gordon Jackson, Hell Drivers (1957), Herbet Lom, Joseph Losey, Patrick McGoohan, Peggy Cummins, Sean Connery, Sid James, Stanley Baker, The Criminal (1960), The Servant (1963), The Third Man (1949), William Hartnell