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The lurid world of pulp
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Tag Archives: Pan Books
Pulp Friday: A Clockwork Orange
It has been a while between posts, I know. This site, as well as a number of other things in my life, has taken a back seat in order for me to meet a few pressing deadlines, in particular, working on a monograph for a English publisher on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball.
While Jewison was not a great fan of science fiction he was impressed by two science fiction films, both of them made by Stanley Kubrick: 2001: A Space Odyssey (1968) and A Clockwork Orange, released in 1971 (although it was not released in Australian until 1988). It is this latter film that is the subject of today’s Pulp Friday post.
Published by Anthony Burgess in 1962, A Clockwork Orange is set in a near future dystopian England suffering from an epidemic of extreme youth violence and economic stagnation. The book’s teenage protagonist, Alex, narrates the story of his various criminal exploits and the subsequent efforts of the conservative state authorities to rehabilitate him, in a made up language Burgess called ‘Nadsat’.
Burgess’s own politics were conservative, with a streak of anarchism running through his thinking. He wrote A Clockwork Orange in three weeks, influenced by his views of the growing youth culture in early sixties England.… Read more
Posted in British crime cinema, Dystopian cinema, Pan Books, Pulp Friday, Pulp paperback cover art, Science fiction and fantasy, Vintage pulp paperback covers
Tagged 2001: A Space Odyssey (1968), A Clockwork Orange (1971), Anthony Burgess, Ballantine Books, Norman Jewison, Pan Books, Rollerball (1975), Stanley Kubrick
Pulp Friday: witches, sorcerers & Satan’s disciples
Satan, witches, warlocks, demons, they were everywhere in the sixties and seventies and no more so than on pulp fiction covers. To mark Halloween, today’s Pulp Friday offering is a selection of covers featuring the lord of darkness and his various disciples.
It’s hardly surprising that Satanism and witchcraft featured so prominently in pulp. Not only did these books mirror then contemporary tabloid fascinations with black magic and witches, but the subject was an excuse for a bit of gratuitous sex and nudity. Especially sex. Devil worshippers, particularly Satan’s female disciples, were nothing if not sexually promiscuous, at least in the pages of pulp fiction.
The selection of covers below hail from the UK, US and Australia. They ran the gamut of key pulp fiction sub-genres: fiction (Dennis Wheatley’s To the Devil a Daughter, one of many occult themed books he wrote); history and so-called exposes (James Holledge’s Black Magic, ‘The world of uncanny occult rights, psychic phenomena, weird sex rities’); how to guides (How to Become a Sensuous Witch); television and movie ties ins (The Witchfinder General and The Grip of Evil, the latter part of a series of paperback spin offs based on the hugely popular early 1970s Australian television show, Number 96), and smut titles (Bride of Satan and The Cult of Flesh – ‘Violent debauchery in a Satanic Cult of Flesh Worshipers’),
Even Carter Brown, hardly the most salacious of pulp writers in the sixties, touched on occult themes in books like Blonde on a Broomstick.… Read more
Posted in Australian popular culture, Ben Wheatley, Horror, Horwitz Publications, New English Library, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Scripts Publications, Tandem Books, Vintage pulp paperback covers
Tagged Calvert Publications, Carter Brown, Dennis Wheatley, James Blish, James Holledge, New English Library, Number 96, Pan Books, Peter Haining, Ronald Bassett, Satanic pulp fiction, Scripts Publications
Pulp Friday: the pulp of John D MacDonald
“He Sold His Soul For Another Man’s Wife.”
This weeks Pulp Friday is a selection of covers from the prolific US thriller writer, John D MacDonald.
MacDonald got his start writing for pulp magazines in the late forties, then rode the paperback boom that occurred in the fifties and early sixties. He was the author of over sixties books, as well as numerous short stories and articles.
He is probably best know for creating the fictional private investigator Travis McGee, who featured in 21 of McDonald’s books.
A number of his books have been adapted for film and television. His novel The Executioners was filmed as Cape Fear, starring Gregory Peck, Robert Mitchum and Polly Bergen, in 1962, and again by Martin Scorsese in 1991. One of the McGee books, Darker Than Amber, was made into a film of the same name, starring Rod Taylor, in 1970.
The following selection of covers spans the late fifties to the early seventies and include many of the Fawcett Gold Medal editions of McDonald’s work, as well as the UK Pan paperback additions.
Enjoy.
Posted in Fawcett Gold Medal Books, Gregory Peck, Noir fiction, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art
Tagged Cape Fear, Cape Fear (1962), Darker Than Amber, Death Trap, Dress Her in Indigo, Fawcett Gold Medal Books, John D MacDonald, Neon Jungle, On The Run, One Monday We Killed Them All, Pan Books, The Damned, The Drowner, The Only Girl In the Game, The Quick Red Fox, Travis McGee, You Live Once
Pulp Friday: spy pulp part 1, death traps and dark duets
Over the next two weeks I’ll be commemorating the 50th anniversary of James Bond by posting some of the excellent spy themed pulp paperback covers I’ve collected over the years.
Intrigue and danger in exotic locations, sinister enemies, tough secret agents, beautiful women, the spy fiction of the fifties, sixties and early seventies had it all, as the following the collection of pulp paperback covers show.
You’ll find more spy fiction pulp covers over on my Pinterest site.
In the next week or so I’ll post part 2 of my spy pulp series, a selection of covers depicting spy fiction set in Asia.
Pulp Friday: Headed for a Hearse
“His address was Death Row and his lease was up in six days… “
They don’t write cover blurbs like that any more.
Today’s Pulp Friday contribution is the 1960 UK Pan edition of the 1935 novel, Headed for a Hearse, by Jonathan Latimer.
Latimer was a crime reporter for newspapers in his native Chicago before going on to write a series of hard-boiled novels. He also worked in Hollywood where he wrote a number of screenplays, including The Glass Key (1942), The Big Clock (1948) and Nocturne (1946).
My parents had a good collection of Pan paperbacks on their bookshelf and I can remember, even as a very small child, being fascinated by the fantastic cover art.
The story sounds good, too.
“SIX DAYS to go before Westland would go to the electric chair for the murder of his wife…
SIX DAYS for him to sweat in the death cell – with a gangster and a fiend for company.
SIX DAYS for private investigator William Crane to flirt with death and to find the real killer…”