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Recommended reading
The lurid world of pulp
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Tag Archives: New Pulp Press
Crime Factory Publications clocks on
Put the night of March 5 in your diaries, people. That’s the launch of Crime Factory Publications, a (very) small publishing company I’ve set up with my two colleagues and friends from Crime Factory magazine, Cameron Ashley and Liam Jose.
A couple of months ago on this blog I mentioned 2012 was going to be a big year for me. In addition to several short stories coming out around the place in the next couple of months, my novel will be out as an e-book around mid-year with Snubnose Press. On top of all this, I’ve now got my own slice of the publishing business (he says, tongue firmly in cheek).
The Crime Factory crew have been discussing taking our work to the next level for a while now. Several factors drove the decision to finally bite the bullet.
First and foremost, nine issues of Crime Factory magazine (of which I’ve been on board for the last four) have given us contacts and access to quality crime fiction from great writers. We don’t always make the most of this and push the great writing we get as much as possible. Starting our own outfit is one way to reverse this situation. We also wanted to raise the profile of the magazine here in Australia where, in comparison to the US, we’re pretty much unknown.… Read more
Posted in Adrian McKinty, Angela Savage, Australian noir, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Garry Disher, Leigh Redhead, Megan Abbott, Snubnose Press
Tagged Adrian Mckinty, Angela Savage, Crime Factory, Crime Factory Publications, Crime Factory: First Shift, Crime Factory: Hard Labour, Crimes in Southern Indiana, Dust Devils, Frank Bill, Garry Disher, Ghost Money, Helen Fitzgerald, Hilary Davidson, Ken Bruen, London Boulevard, Megan Abbott, New Pulp Press, Roger Smith, Snubnose Press, The Cold Cold Ground, The damage Done, Wyatt
Psycho preacher alert: Heath Lowrance’s The Bastard Hand
Ever since seeing Robert Mitchum as Harry Powell in the 1955 classic, Night of the Hunter, I’ve had a thing for itinerant unbalanced evangelical preachers.
Which is one reason I enjoyed Detroit-based writer Heath Lowrance’s debut novel, The Bastard Hand, so much.
The book is narrated by Charlie, a drifter fresh out of a psychiatric care where he was put after killing a policeman. He’s having a few problems adjusting to post-institutional life, little things, like the fact his hands glow with the power of God in the presence of wrongdoers.
After getting mugged within hours of arriving in Memphis, Charlie befriends a Baptist Reverend called Phineas Childe, agreeing to accompany him to the town of Cuba Landing, where the Reverend will be working.
Although Childe is no match for Mitchum’s Powell in the killing stakes, he is nonetheless a lying, drinking, womanizing, sleazy opportunist who manages to be charming and menacing at the same time.
Lowrance takes the reader on a wild ride through the corruption and deceit that bubbles away beneath the surface of Cuba Landing. Along the way we meet some great characters, including a couple of backwoods moonshiners, a bent mayor and his cop flunky, and a stick up gang of crack heads.
The Bastard Hand is by turns a lurid hard-boiled suspense novel and an elegant piss take of evangelical religion and small town mores.… Read more
New crime anthologies and Ned Kelly Awards
An interesting trend that seems to be occurring parallel with the rise of e-publishing is the growing popularity of short story anthologies.
I’m told by people who know about these things, that anthologies are not popular with mainstream publishers. Well, e-publishing is now allowing small niche publishers to get their product out there.
Exhibits A and B are two upcoming crime anthologies, both of which I have stories in.
In September, the first Crime Factory anthology will be available through US indie crime publisher, New Pulp Press.
Crime Factory: The First Shift contains 28 noir stories from established and emerging authors in the US, UK, South Africa and Australia. There’s names Australian crime readers may be familiar with, including Ken Bruen (author of The White Trilogy and London Boulevard), Adrian McKinty (Falling Glass), and local writer, Leigh Redhead (Thrill City).
First Shift is also a chance for Australian audiences to check out several members of the new wave of noir writers in the United States who are relatively unknown here, including Hilary Davidson, Dave Zeltserman, Scott Wolven and Dennis Tafoya. South African writer, Roger Smith, whose upcoming book Dust Devils is on my to read list, also contributed a story.
You can pre-order Crime Factory: The First Shift here at Barns and Noble and Amazon.… Read more
Posted in Angela Savage, Australian crime fiction, Crime Factory, Crime fiction, Crime fiction and film from Africa, Ned Kelly Awards, Neo Noir
Tagged Adrian Mckinty, Alan Carter, Angela Savage, Crime Factory, Crime Factory anthology, Crime Factory: The First Shift, D*cked, Dark Prints Press, David Whish-Wilson, Dennis Tafoya, Dust Devils, Geoffrey McGeachin, Hilary Davidson, Ken Bruen, Leigh Redhead, Ned Kelly Awards, New Pulp Press, Prime Cut, Roger Smith, Save Zeltserman, Scott Wolven, The Digger's Rest Hotel, The One That Got Away
View from the transit lounge
I spent ages trying to think of a snappy heading for this post.
In the end I settled on ‘View from the transit lounge’, because as an aspiring author it’s easy to feel like you are always stuck in the transit lounge, feverishly clutching your manuscript like a boarding pass, watching other writers start or continue their literary journeys, while you… well, whatever, you get my general drift.
Moments of doubt aside, 2011 is shaping up to be a good year for me writing-wise.
Exhibit A is this website. If it’s your first visit, welcome. If you’ve been here before, you may notice that I’ve had a bit of work done. Actually, a lot of work.
Thanks to Rowan McKnaught from Studio Skiing for doing such a high quality, reasonably priced job, and for putting up with all my technologically illiterate questions.
I started Pulp Curry in mid-2010 to publicise the manuscript for my unpublished crime novel, Cambodia Darkness and Light. While that’s still a big part of why I’m doing it, the site has taken on a life of its own, getting quite a lot of traffic and giving me the opportunity to sound off on various obsessions about crime film and writing.
Time permitting (I’ve got a day job, you know), hopefully, it’ll go onto bigger and better things.… Read more