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Tag Archives: Megan Abbott
Noir Con or bust
As if I don’t have enough going on crime fiction-wise at the moment, with my debut novel Ghost Money and the upcoming launch of Crime Factory’s all Australian crime antho, Hard Labour, I’ll be attending Noir Con in the city of brotherly love, Philadelphia, in early November.
Noir Con is a biennial three day festival of noir crime writing and culture. Philadelphia is a fitting host city, being the birth place of the influential noir writer David Goodis, author of Dark Passage, Street of No Return and Shoot the Piano Player, amongst many other novels.
The best way to get a feel for Noir Con is to check out the program, which you can find here along with an interview with the mastermind behind the event, Lou Boxer.
Among the writers attending I’m keen to see are Megan Abbott, Vicki Hendricks, Lawrence Block and Wallace Stroby. I’m also looking forward to checking out the authors I haven’t heard of, as well as meeting some of the people I’ve been communicating with for a while now on social media.
In the lead up to Noir Con I’ll be spending a week and a half in New York, a city I have never been too but always wanted to see.… Read more
Posted in Crime fiction, Megan Abbott, Noir Con, Noir fiction
Tagged David Goodis, Ghost Money, Lawrence Block, Megan Abbott, Noir Con, Vicki Hendricks, Wallace Stroby
Book review: Dare Me
“At first, cheer was something to fill my days, all our days. Age fourteen to eighteen, a girl needs something to kill all that time, that endless itchy waiting, every hour, every day for something – anything – to begin. There’s something dangerous about the boredom of teenage girls.”
So says Addy Hanlon, narrator of Megan Abbott’s latest book, Dare Me. And you better believe it.
I’ll make no bones about being a huge fan of Abbott’s work (I’ve previously reviewed her work on this site here and here). Her first four books, set in America in the thirties, forties and fifties, took classic noir themes and characters and gave them a mighty twist. The End of Everything, her break out work, was a deceptively simple coming of age tale about a missing girl in an anonymous middle class American suburb in the seventies.
Dare Me takes place in the present, in another part of the great expanse of nameless US suburbia. Addy and Beth have been best friends for years and are the top dogs of their high school cheerleading squad. Beth is the captain, Addy always her faithful lieutenant. Cheerleading and their commanding place in it is the ground zero of their world. “Let’s face it,” Addy says at one point, “we’re the only animation in the whole drop ceiling, glass bricked tomb of a school.… Read more
Posted in Book Reviews, Crime fiction, Megan Abbott, Noir fiction
Tagged Crime Factory, Dare Me, Megan Abbott, The End of Everything
Crime fiction criminals
By definition, the majority of crime fiction characters are criminals or at least commit illegal and/or immoral acts. But books where the main character is a full-time professional criminal are surprisingly few and far between. Here’s a selection of some of the best.
It’s worth noting that when this post originally appeared on the Crime Fiction Lover website, readers came up with several good additions, including Andrew Vachss’s Burke, Charlie Huston’s Henry Thornton, Lawrence Block’s hitman character Keller and Patricia Highsmith’s Tom Ripley. I had originally thought of including the James Ellroy character Dudley Smith (“Knock, knock, who’s there, Dudley Smith, so reds beware”), but he’s a bent cop so not eligible. However, Ellroy’s Pete Bondurant would definitely make the cut.
Please leave a comment if you can think of any others.
Parker by Richard Stark (aka Donald Westlake)
The 24 books written between 1962 and 2010 featuring the professional thief known as Parker remain some of the best crime fiction ever written. Sixteen Parker novels appeared between 1962 and 1974. Westlake took a rest from the character until 1997, then wrote another eight Parker books.
Parker is a career criminal who steals things for a living. Get in his way on a job or try to double cross him afterwards and he’ll hurt you.… Read more
Posted in Crime fiction, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, James Ellroy, Jim Thompson, Megan Abbott, Michael Caine, Parker, Ted Lewis
Tagged Andrew Vachss, Burke, Charlie Huston, Cold Shot to the Heart, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, Get Carter (1971), Henry Thornton, Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, James Ellroy, Jim Thompson, Keller, Lawrence Block, Megan Abbott, Michael Caine, Parker, Patricia Highsmith, Queenpin, Richard Stark, Ripley, Ted Lewis, The Friends of Eddie Coyle (1973), The Getway, Virginia Hill, Wallace Stroby, Wyatt
Crime Factory femme fatales
I have been meaning to post for the last few days about the March 5 launch of Crime Factory Publications.
It was a good night. A decent sized crowd rocked up to Grumpy’s Green in Fitzroy to hear readings by Adrian McKinty, Leigh Redhead, David Whish Wilson and Megan Abbott. The jazz band After Dark My Sweet, were on fire. We even sold a few copies of the local edition of Crime Factory: The First Shift.
The highlight for me was meeting US noir author Megan Abbott. Not only is she a fantastic writer, she was incredibly generous with her time and thoughts about all things crime fiction and noir.
She read was from her upcoming book Dare Me. Dare Me is her most contemporary novel to date, set amongst the world of competitive cheerleading. I’d never thought about cheerleaders as akin to US servicemen or, better still, the modern American equivalent of gladiators. But talking to Megan about what inspired Dare Me, and the research she did for it, neither analogy sounds too far from the mark.
I can’t tell you how much I am dying to read it.
I won’t say anything more now. I managed to grab an hour before the launch to interview Megan for the next issue of Crime Factory.… Read more
Posted in Adrian McKinty, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Femme fatale, Leigh Redhead, Megan Abbott, Tart noir
Tagged Adrian Mckinty, Cherry Pie, Crime Factory Publications, Crime Factory: The First Shift, Dare Me, David Whish-Wilson, Megan Abbott, Peepshow, Rub Down, Thrill City
Crime Factory: The First Shift Australian edition cover
I know I’ve been going on a lot on this site about Crime Factory Publications in the lead up to our March 5 launch.
Yes, that’s the one with readings from Edger Award winning author Megan Abbott, acclaimed Irish thriller writer Adrian McKinty, Perth-based crime writer David Whish-Wilson and author of the Simone Kirsch PI series, Leigh Redhead.
Well, I just wanted to give you a sneak peak at the cover for our Australian print only version of the book that came out last year through New Pulp Press in the US, Crime Factory: The First Shift. It includes stories by Ken Bruen (London Boulevard), Roger Smith (Dust Devils), Frank Bill (Crimes in Southern Indiana), Hilary Davidson (The Damage Done) and 23 others. First Shift is a great opportunity for local readers to check out the new wave of noir and hard-boiled writers in the United States who you won’t see much of in Australian bookshops.
We’ll be selling it on the night. It’ll also be available as print on demand from our website www.thecrimefactory.com
Anyway, while Iv’e got your attention, just a quick reminder that the venue on March 5 is Grumpy’s Green, 125 Smith Street, Fitzroy. Kick off is 7pm, with readings starting around 8pm. … Read more
Posted in Adrian McKinty, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Leigh Redhead, Megan Abbott, Noir fiction
Tagged Adrian Mckinty, Crime Factory, Crime Factory: The First Shift, David Whish-Wilson, Frank Bill, Hilary Davidson, Ken Bruen, Leigh Redhead, Megan Abbott, Roger Smith