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Tag Archives: Mahamat-Saleh Haroun
Crime time at the 2013 Melbourne International Film Festival
The Melbourne International Film Festival (MIFF) approaches and, and as was the case in 2012, the good people at MIFF HQ have been good enough to give me media accreditation to cover some of the crime films on the program.
When I started to write this piece on my crime cinema picks for MIFF 2013, I realised nearly all my choices were films set outside of the Anglo world. This is in line with my usual practice of viewing films that I think are unlikely to get a mainstream release here. But it also reflects my growing interest in how developing or countries from the global South view and define crime cinema and crime and noir narratives.
Grigis
One of my favourites from MIFF 2011 was the Congalese film Viva Riva, the story of a small-time gangster who returns from neighbouring Angola with a truckload of stolen petrol he hopes to sell Kinshasa at top dollar. I’m hoping that Grigis, a 2011 France/Chad coproduction is as good.
Directed by French-Chadian Mahamat-Saleh Haroun, it focuses on a young physically handicapped Chadian man who earns a living as a photographer and dancer in nightclubs, but yearns to make enough money to pay Mimi, one of the hostesses in the bar he works in, to marry him.… Read more
Posted in Crime fiction and film from Africa, Crime fiction and film from China, Crime fiction and film from Scandinavia, Melbourne International Film Festival
Tagged A Quiet Place in the Country (1968), A Touch of Sin (2013), Call Girl (2012), Death For Sale (2011), Gangs of Wasseypur, Grigis (2011), Italian Giallo cinema, Jia Zhunghe, Joshua Oppenheimer, Mahamat-Saleh Haroun, Melbourne International Film Festival, Monsoon Shoot Out (2013), The Act of Killing (2012), The Pyjama Girl Case (1977)