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Tag Archives: Len Deighton
Pulp Friday: Guns with plots
Let’s make one thing clear. I don’t own a gun. Never have and never will. Indeed, the only guns I want to see are in film or on the cover of books like the ones featured in today’s Pulp Friday post.
For a while now I have been obsessed with the cover above of the 1964 Panther edition of Len Deignton’s The Ipcress File. The cover, done by influential English graphic designer, Ray Hawkey, who would go onto to do a number of paperback covers, exudes a style and tone I could never imagine being used today except as a deliberate retro homage.
It speaks to the everyday grime, drudgery and unglamorous boredom of the Cold War spy racket, which the Deighton novels featuring the working class spy, Harry Palmer, evoke so well. There is also the mess that comes with the trade: a cold cup of tea (probably cold); cigarettes, because in the sixties every fictional spy smoked; paperclips for the paperwork; and, a gun and bullets, because sometimes you have to kill someone.
It is a gritty, cluttered layout I associate with mass paperback novels of the type that were largely targeted at men in the 1960s and 1970s. As it turns out, a bit of a dig around reveals it was a style that was widely used in those two decades – but it also bled over into the 1980s – by mass market paperback publishers in the crime, mystery and espionage thriller categories.… Read more
Posted in Belmont Tower Books, British pulp fiction, Crime fiction, George V Higgins, Ian Fleming, Neo Noir, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Spies, True crime
Tagged Agatha Christie, Brian Garfield, Death Wish, Dog Day Afternoon, Elmore Leonard, Fontana, Funeral in Berlin, George V Higgins, Ian Fleming, Jim Thompson, John Creasey, Len Deighton, Raymond Chandler, The Getaway, The Ipcress File, The Man With the Golden Gun, Thunderball