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Tag Archives: Leigh Redhead
Roll on 2012
I don’t know about you, but I feel like it’s been a long year.
Pulp Curry is going to be taking a break over the Christmas/New Year period, returning in mind-2012.
It’s shaping up to be a big one for me writing-wise. My manuscript, tentatively titled Cambodia Darkness and Light, will be published as an e-book in the US some time in the second half of 2012, by Snubnose Press.
I also have short fiction appearing in a number of publications. Max Quinlan, an Australian-Vietnamese ex-cop and the main character in Cambodia Darkness and Light, will be making an appearance in issue two of Noir Nation, in a story called ‘Homeland’.
Gary Chance, a tough, ex-Australian army veteran who now makes a living pulling heists for anyone who’ll pay, will appear in The One That Got Away, an anthology of Australian crime fiction by Dark Prints Press, out February.
Chance will also feature in a story by me in Crime Factory: Hard Labour, out in March. Hard Labour is an anthology of crime stories by authors either born in Australia or residing here.
Rather than just complaining about the narrowness of the local crime fiction scene, Melbourne’s Crime Factory crew, myself, Cameron Ashely and Liam Jose, have decided to get active and do something about it.… Read more
Posted in Adrian McKinty, Angela Savage, Australian crime fiction, Crime Factory, David Whish-Wilson, Garry Disher
Tagged Adrian Mckinty, Angela Savage, Crime Factory: Hard Labour, Dark Prints Press, David Whish-Wilson, Garry Disher, Gary Chance, Ghost Money, Helen Fitzgerald, Leigh Redhead, Max Quinlan, Noir Nation, The One That Got Away, Wyatt's Art
New crime anthologies and Ned Kelly Awards
An interesting trend that seems to be occurring parallel with the rise of e-publishing is the growing popularity of short story anthologies.
I’m told by people who know about these things, that anthologies are not popular with mainstream publishers. Well, e-publishing is now allowing small niche publishers to get their product out there.
Exhibits A and B are two upcoming crime anthologies, both of which I have stories in.
In September, the first Crime Factory anthology will be available through US indie crime publisher, New Pulp Press.
Crime Factory: The First Shift contains 28 noir stories from established and emerging authors in the US, UK, South Africa and Australia. There’s names Australian crime readers may be familiar with, including Ken Bruen (author of The White Trilogy and London Boulevard), Adrian McKinty (Falling Glass), and local writer, Leigh Redhead (Thrill City).
First Shift is also a chance for Australian audiences to check out several members of the new wave of noir writers in the United States who are relatively unknown here, including Hilary Davidson, Dave Zeltserman, Scott Wolven and Dennis Tafoya. South African writer, Roger Smith, whose upcoming book Dust Devils is on my to read list, also contributed a story.
You can pre-order Crime Factory: The First Shift here at Barns and Noble and Amazon.… Read more
Posted in Angela Savage, Australian crime fiction, Crime Factory, Crime fiction, Crime fiction and film from Africa, Ned Kelly Awards, Neo Noir
Tagged Adrian Mckinty, Alan Carter, Angela Savage, Crime Factory, Crime Factory anthology, Crime Factory: The First Shift, D*cked, Dark Prints Press, David Whish-Wilson, Dennis Tafoya, Dust Devils, Geoffrey McGeachin, Hilary Davidson, Ken Bruen, Leigh Redhead, Ned Kelly Awards, New Pulp Press, Prime Cut, Roger Smith, Save Zeltserman, Scott Wolven, The Digger's Rest Hotel, The One That Got Away