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Tag Archives: Lawrence Block
Shilling some new publications
Every now and again one has to do a post that is essentially just one big shill. Well, this is one of those posts. I have been meaning to update you for a while now about current and upcoming publications I am involved in. So, here goes.
Crime Scenes Stories
I alerted readers a while ago to a new anthology of Australian short crime fiction, published by Sydney based Spineless Wonders, and edited by Zane Lovett, whose debut crime novel The Midnight Promise won best first crime at the 2014 Ned kelly awards.
Last weekend I took part in the Newcastle Writers Festival, at which the anthology, Crime Scenes, was formally launched. I have a story in this collection called ‘Postcard From, Cambodia’, along side pieces by David Whish-Wilson, Leigh Redhead, Carmel Bird, Peter Corris, PM Newton and my partner, Angela savage.
Seriously, anthologies of Australian crime fiction are a rare thing, which makes this anthology something of a special event. You can order Crime Scenes for your Kindle or in paperback from Amazon here or you can buy it directly from the Spineless Wonders site here.
Crime Factory Issue 18
Issue 18 of the award winning magazine Crime Factory, which I co-edit, is out and contains the usual great mix of fiction, features and reviews.… Read more
Posted in Australian crime fiction, Australian noir, Crime Factory Publications, Crime fiction
Tagged Beat Girls, Crime Factory, Crime Scenes, Days of Grace (2015), Evan Hunter/Ed McBain, Harlan Ellison, Lawrence Block, Love Tribes & Real Cool Cats: Pulp Fiction & Youth Culture from the 1950s to the 1980s, Newcastle Writers Festival, Nic Pizzolatto, Spineless Wonders
Pulp Friday: The Art of Robert E McGinnis
My first Pulp Friday post for 2015 is a selection of pulp paperback covers from my collection illustrated by Robert E McGinnis.
I have been keen to do a McGinnis related post on this site ever since picking up a copy of The Art of Robert E McGinnis, published by Titan Books, during my travels in the US late last year.
Most Pulp Curry readers will be familiar with McGinnis, whose striking illustrations appeared on the covers of numerous pulp novels and who is still working at the age of nearly ninety, doing the occasional cover for the Hard Case Crime imprint.
One of the main reasons there is so much contemporary interest in pulp fiction of the fifties and sixties is the striking cover art. I find this interesting given that it is often the aspect of pulp fiction we know the least about. The artists behind the wonderfully lurid images that grace the covers of most pulp books are seldom acknowledged and we know very little about most of these people and how they worked.
McGinnis was an exception. His images, including his signature illustrations of femme fatales and other female pulp characters, are well known and have appeared on books by authors as diverse as Lawrence Block, Jim Thompson, Erskine Caldwell and the US editions of Australian pulp writer Alan Geoffrey Yates, aka Carter Brown, to name just a few.… Read more
Pulp Friday: more adventures behind the bamboo screen
One of the most successful pulp fiction related posts to date on this site was a selection of Asian themed pulp fiction paperback covers I put up in 2011, Behind the bamboo screen: Asian pulp covers of the sixties and seventies.
For a while now I’ve been planning a follow up and here it is.
As was the case in the original post, the covers below portray the anti-communist hysteria created by the rise of the so-called ‘red menace’ as well the fate of innocent (and not so innocent) Westerners thrown into chaos and intrigue of the ‘Far east’, a place of intrigue, “notorious pleasure palaces” and “forbidden desire”.
Hong Kong was a popular setting of Asian themed pulp fiction, as evidenced by titles such as A Coffin From Hong Kong (“A seemingly innocent telephone call led him to the murder of a Chinese call-girl who had talked to much and into the teeming, sordid nightlife of colourful Hong Kong”).
Other locales portrayed below include, Korea (The Turncoat), China (Shanghai Incident – “I had two callers my first night in Shanghai – death and a honey blonde”), the “South Seas” (November Reef), India (Men and Angels), Burma (The House of Bamboo – “In a Burmese girl’s warm, seductive beauty he found escape from the flames of forbidden desire”), and Thailand (Port Orient).… Read more
Posted in Crime fiction and film from Cambodia, Fawcett Gold Medal Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Asian themed pulp fiction, Dan Cushman, Fu Manchu, James Eastwood, James Hadley Chase, Lawrence Block, Sax Rohmer
Pulp Friday: The Smashers
“A novel of The Organisation – girls, horses, dope, murder.”
Regular readers will be familiar by now with my admiration for the late Donald Westlake. Westlake was the hard boiled writer’s hard-boiled crime writer, having penned numerous books over his career, including the wonderful Parker novels under the pseudonym of Richard Stark.
Today’s Pulp Friday is one of Westlake’s early efforts, The Smashers, aka The Cutie, aka The Mercenaries. This edition is the first Dell publication in 1960.
The Smashers was Westlake’s official fiction debut under his real name. His previous fiction efforts, like those of his peer Lawrence Block, were soft porn paperbacks written under other names (here’s a nice post on one of these titles Back Stage Love – “The Shocking expose of what goes on behind the scenes at a summer stock theatre”).
The Smashers is the story of Clay, the right hand man of New York mob boss Ed Ganolese. Clay gets a late night call from a junkie with a dead woman on his hands and the police on his tail. The junkie claims he’s innocent and because he’s connected to Ganolese, Clay has to adopt the role of a PI and find out who the real killer is.
It’s an early and interesting take on the criminal as protagonist that Westlake was subsequently to perfect with his Parker books.… Read more