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Tag Archives: Karen Black
Parker on the screen #3: The Outfit (1973)
The third instalment of my series on Parker on the screen is the 1973 film, The Outfit, written and directed by John Flynn, based on the 1963 Donald Westlake novel of the same name (one of three Parker novels Westlake wrote under the Richard Stark pseudonym that year, the others being The Man with the Getaway Face and The Mourner).
The book opens with a botched hit on Parker while he is enjoying one of his post-job trysts. It forces the professional thief to come to the conclusion that he needs to settle his ongoing feud with the shadowy crime organisation known as the Outfit once and for all. He puts word out through his various criminal networks that the unofficial underworld truce with the Outfit is over and it is now fair game. What follows is a series of independently run operations as various freelance criminal groups start hitting the organisation’s money-making activities while Parker goes after its leader, a man named Bronson. It has been a while since I read The Outfit, but I remember thinking it was definitely one of the better Parker novels.
The film starts with a hit on a man working on a remote farm. Next we see Earl Macklin (Robert Duvall) getting out of jail where he has been doing a stint for carrying a concealed firearm (a scene very reminiscent of Steve McQueen’s release from jail in Sam Peckinpah’s The Getaway a year earlier).… Read more
Posted in 1970s American crime films, Crime film, Donald Westlake aka Richard Stark, Heist films, Jim Thompson, Karen Black, Neo Noir, Parker, Robert Ryan, Sam Peckinpah
Tagged Best Seller (1987), Donald Westlake aka Richard Stark, Elisha Cook Jr, Henry Jones, Jane Greer, Joanne Cassidy, Joe Don Baker, John Flynn, Karen Black, Point Blank (1967), Richard Jaeckel, Robert Duvall, Robert Ryan, Rolling Thunder (1977), The Godfather (1972), The Man With the Getaway Face, The Mourner, The Outfit (1973), Timothy Carey
James Coburn’s Hard Contract
American actor James Cobrun had a long and varied career that stretched from 1957 to his last role in 2002. He got his start playing tough guys in westerns on TV and then on the large screen, including his break out role in The Magnificent Seven (1960). He starred in the 1963 classic, The Great Escape, then rode the mid-sixties spy film craze with Our Man Flint (1966) and In Like Flint (1967). He spent the seventies appearing in action, crime and Westerns. Most of which were pretty average, notable exceptions being Pat Garrett and Billy the Kid (1973) and Walter Hill’s wonderful 1973 boxing film, Hard Times. The eighties and nineties were similarly varied in terms of his output, the highlight being Affliction, the 1999 film that won him a best supporting actor Oscar.
I have always liked Coburn for reasons I’ve found it hard to identify. I wouldn’t say he was a great actor. In nearly all the films I’ve seen him in the word that comes to mind to describe his performances is solid. He did have charisma of sorts and was good looking in an unconventional way, especially when he flashed that giant grin of his. I think I probably like him because of his work in the sixties and seventies, one of my favourite periods of US film making.… Read more
Posted in 1960s American crime films, Crime film, Sterling Hayden
Tagged Affliction (1999), Burgess Meredith, Claude Dauphin, Duffy (1968), Hard Contract (1969), Hard Times (1973), In Like Flint (1967, James Coburn, Karen Black, Lee Remick, Lilli Palmer, Our Man Flint (1966), Pat Garrett and Billy the Kid (1973), Patrick Magee, S Lee Pogostin, Sterling Hayden, The Magnificent Seven (1960), The President's Analyst (1967)
The heist always goes wrong, part 2: reader picks and other favourite heist movies
My recent post The heist always goes wrong – ten of the best heist movies ever made, generated some great reader feedback. The best thing about the response was that it pointed me in the direction of a number heist films I hadn’t seen or that I need to revisit.
Based on your comments and the thoughts I’ve had on the subject since the original post, here are follow up list of other films that could be included in a best of heist films list (and my shameless editorialising regarding what I think about the merits of not of them).
Straight Time (1978)
A huge thanks to West Australian crime writer David Whish Wilson for alerting me to Straight Time, which I’d seen previously but forgotten. Dustin Hoffman plays a career criminal just out of prison, trying to stay on the right side of his ball breaking parole officer, masterfully played by one of my screen heroes, M. Emmet Walsh, and avoid the temptation of re-offending.
Straight Time is based on the book No Best So Fierce, by real life con Edward Bunker (who has a small role in the film). Everything about this film works, the script, the down at heel late seventies feel, the cast, which includes Theresa Russell, Gary Busey, Kathy Bates and Harry Dean Stanton.… Read more
Posted in 1960s American crime films, 1970s American crime films, Donald Westlake aka Richard Stark, Fernando Di Leo, Film Noir, French cinema, Heist films, James Woods, Jim Thompson, M Emmet Walsh, Robert Ryan, Sterling Hayden, Steve McQueen, Yaphet Kotto
Tagged Ali McGraw, Ben Johnson, Best Seller (1987), Blue Collar (1978), Clint Eastwood, Coleen Grey, Don Rickles, Donald Sutherland, Dustin Hoffman, Elisha Cook Jr, Elke Sommer, Faye Dunaway, Fernando Di Leo, Gary Busey, Gary Lockwood, Gavin MacLeod, Harry Dean Stanton, Harvey Keitel, heist films, Jack Palance, Jules Dassin, Karen Black, Kelly’s Heroes (1970), Lee J Cobb, Milano Calibre 9 (1972), oe Don Baker, Paul Schrader, Plunder Road (1957), Richard Pryor, Rififi (1955), Robert Ryan, Sam Peckinpah, Set It Off (1996), Slim Pickens, Sterling Hayden, Steve McQueen, Straight Time (1978), Telly Savalas, The Anderson Tapes (1971), The Getaway (1972), The Killing (1956), The Outfit (1973), The Thomas Crown Affair (1968), Theresa Russell, They Came to Rob Las Vegas (1968), Timothy Carey, Vince Edwards, Yaphet Kotto
Parker and the art of hard-boiled crime writing
December 31 2010 marks the second anniversary of the death at age 75 of one of the masters of hard-boiled crime writing, Donald Westlake.
I’ve found myself thinking a lot about Westlake lately and his best known creation, the professional criminal Parker.
Westlake was a prolific writer. While he specialised in crime fiction, he also did science fiction, erotic stories and westerns under a myriad of pseudonyms of which Richard Stark, the name he used for the Parker books, remains the best known. He also worked on a number of screenplays, including the adaption of Jim Thompson’s The Grifters.
Sixteen Parker novels appeared between 1962 and 1974. For reasons I’m not clear about, Westlake took a rest from the character until 1997, then wrote another eight Parker books.
Several of the books were filmed, the best known of which is Point Blank starring Lee Marvin (later remade as Payback with Mel Gibson as the lead, but the less said about it the better).
I recently discovered via The Violent World of Parker website, The Outfit, an excellent 1973 adaption of Westlake’s novel of the same name, is finally getting an outing on DVD. (The details are here).
Robert Duvall does the honours as Parker or Macklin, as the central character in the film is called, alongside Joe Don Baker, Robert Ryan and the siren of seventies American B-movies, Karen Black.… Read more
Posted in 1970s American crime films, Crime fiction, Donald Westlake aka Richard Stark, Garry Disher, Heist films, Jim Brown, Lee Marvin, Noir fiction, Parker
Tagged Crime Factory, Donald Westlake aka Richard Stark, Garry Disher, Karen Black, Lee Marvin, Richard Stark, Robert Duvall, The Outfit, The Sour Lemon Score, The Split