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Tag Archives: James Bond
Pulp Friday: Cover Me: The Vintage Art of Pan Books 1950-1965
Pan paperbacks are among the first adult books I can remember making a serious impression on me. My father had a number of Pan editions of Ian Fleming’s James Bond books in the collection of paperbacks he had in his den and from an early age I was entranced by their colourful, energetic, somewhat carnal covers.
Colin Larkin’s Cover Me: The Vintage Art of Pan Books: 1950-1965 notes the Fleming series was, not surprisingly, a huge seller for Pan. The books my father owned, which I still have, include cover art by Pat Owen and ‘Peff’ or Samuel John Peff, the latter one of Pan’s most used artists in the 1950s and the first half of the 1960s. I also discovered from Larkin’s book that the small drawing of a suave looking Bond holding a pistol that appears in a banner at the bottom of the main cover design in some of the Fleming Pan editions, was an illustration of Ralph Vernon-Hunt, the company’s managing director at the time.
Pan paperbacks appeared in Australia in large numbers in the three decades after World War II, and can still be found relatively easily in second-hand bookstores and thrift shops throughout the country. I have a fairly large collection, including I am happy to say, many of those that appear in Larkin’s simply sumptuous work.… Read more
Posted in Crime fiction, Horror, Ian Fleming, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged British paperback cover art, Colin Larkin, Cover Me The Vintage Art of Pan Books 1950-1980, James Bond, mushroom publishers, Pan paperbacks, Peff, Ralph Vernon-Hunt, Samuel John Peff, Telos Publishing
The Spies next door: The Americans
‘While The Americans is not without its flaws, a reliance on high tech gadgets and large-scale violence to move the story are not among them. The show is about as anti-Bond in its depiction of espionage as it is possible to get. Although Philip and Elizabeth do kill people, the main tricks of their trade are manipulation, blackmail and a sharp eye for any human weakness, which they ruthlessly exploit. Global politics, the growing arms race, superpower proxy wars in Latin America and Afghanistan, are frequently referenced, but the impacts are explored through the lives of Philip and Elizabeth – particularly the growing pressure on them to get results.’
My latest post on the Overland Magazine site is on the very underrated television show, The Americans. The anti-James Bond spy series that is also a very good text on 1980s politics, the Cold War and the decline of the traditional left in the United States.
Spectre
I know that a lot of Pulp Curry readers are also James Bond fans. I have reviewed the 24th film in the Bond franchise, Spectre, for Australian Book Review Arts Update. You can read the review in full here on the Arts Update site.… Read more
50th anniversary of The Ipcress File
If the on-line excitement in response to teaser images from Spectre, the 24th James Bond film, is anything to go by, we’ve lost none of our fascination with the Bond franchise. Spectre promises to have a stripped back, almost retro feel, as evidenced by images of ditching his tailor made suit in favour of a black turtleneck and leather shoulder holster, harking back to previous Bond incarnations in From Russia With Love (1963) and You Only Love Twice (1967).
If you don’t want to wait until Spectre’s scheduled release at the end of this year for a dose of retro spy thrills, look no further than The Ipcress File, which celebrated its fiftieth anniversary this week.
Based on the 1962 debut novel of the same name by Len Deighton, The Ipcress File hit UK cinemas on March 18, 1965. It was nominated for a Palme d’Or at the 1965 Cannes Film Festival and won the BAFTA for best British film the same year. The British Film Institute lists it number 59 on the hundred best British film of the 20th Century.
The Ipcress File was a major success for Canadian born director, Sidney J Furie (another being Lady Sings the Blues starring Diana Ross in 1972).… Read more
Pulp Friday: Avakoum Zahov Vs 07 and Soviet spy fiction
“A battle to the death between two crack Secret Agents of East and West!”
This week’s Pulp Friday is one of the strangest cultural artefacts to come out of Australian pulp publishing in the sixties, the spy thriller Avakoum Zahov vs 07 by Bulgarian author, Andrei Gulyashki.
While spies first came to prominence as popular culture figures during World War One, it was the first Bond novel, Casino Royale, published in 1953, that really kick-started the modern fascination with spies. A host of well known authors as well as a legion of lesser know writers and pulp imitators, all followed in Bond’s wake.
These days it’s easy to view Bond as little more than a clotheshorse with a few snappy lines of dialogue and a lot of high-tech gadgets, facing off against the latest embodiment of the West’s global fears.
But in the fifties and sixties, Bond was a blunt weapon in dinner suit whose sole purpose was to smash the West’s enemies. He was also the epitome of sexual and social permissiveness, licensed to kill and swing. The casual sex, alcohol consumption, fine living and travel to exotic destinations were all potent symbols of the West’s economic and cultural affluence in the sixties.
Not only were the Soviet authorities aware of the global popularity of James Bond, they saw him as a major propaganda coup for the West.… Read more
Posted in Horwitz Publications, Ian Fleming, Pulp fiction, Pulp Friday, Pulp paperback cover art, Scripts Publications, Spies, Vintage pulp paperback covers
Tagged Andrei Gulyashki, Avakoum Zahov vs 07, Casino Royale, Cold War Soviet era spy fiction, James Bond, Scripts Publications, Yulian Semyonov