Tag Archives: Horwitz Publications

Pulp Friday: biker pulp

“Lusting females with sadism and sex on their mind.”

Bikers were one of the major themes of pulp fiction in the late sixties and seventies.

Society’s fascination with bikers obviously dates back much further than this, but by the late sixties it had well and truly seeped into popular culture, thanks to the well publicised violence at Aldamont, movies like Easy Rider (1969) and the success of Hunter S Thompson’s 1965 gonzo journalism classic, Hells Angels.

Australia was no exception to this trend, with concerns about law and order arising from the growth of the counter culture and the popularity of movies like Stone (1974) and Mad Max (1979) resulting in our own fascination with bikie culture.

The result was wave of pulp novels focusing on the exploits of outlaw biker gangs and the cops trying to break them. The books mirrored mainstream society’s fascination/loathing of bikie culture, real and imagined, mixed with lashings of gratuitous sex and hard-core violence.

Wheels of Death (1975) and Bikie Birds (1973) are two Australian examples of biker pulp fiction. Both were written by Stuart Hall, who penned approximately 45 pulp novels between 1970 and 1980, including a number of biker pulps for Scripts, the adults-only inprint of Sydney-based pulp publisher Horwitz Publications.

In addition to writing about the denim clad male members of these bikie gangs, Hall devoted considerable attention to the women (or ‘birds’ as women were often referred to in popular working class Australian slang) who rode with them, characters every bit as sexually loose and violent as their male counterparts.… Read more

Pulp Friday: Ricki Francis, Nero

“The frank, revealing story of a male prostitute.”

By far the best home-grown Australian pulp produced in the sixties and seventies came from a little known publishing house called Scripts Publications.

I’ve long wondered about the nature of this low rent operation and their bizarre roster of pulp paperbacks.

The mystery has now been solved thanks to John Harrison’s marvellous history of vintage adult paperbacks, Hip Pocket Sleaze. According to Harrison, Scripts was the in-print Horwitz used for is racier pulp titles. Key themes included crime, bikies, black magic, Japanese prison camp exploitation, and a voyeuristic fascination with the exploits of drug users and sex workers in Kings Cross, Sydney’s notorious red light district.

According to Hip Pocket Sleaze, “a total of sixteen paperback titled [were] published per month at the height of their popularity in the mid to late 1960s, with each title having an initial print run of 20,000 copies.”

For these titles Horwitz mostly used most cheap photographs for covers, something which gives the books a wonderful fly on the wall expose feeling.

Today’s Pulp Friday offering is a classic example, Rick Francis’s, Nero, published in 1971.

I don’t know who Rick Francis is, if indeed that’s his real name. But, if the other titles listed at the beginning of Nero are anything to go by, he did a damn fine line in paperback sleaze – The Butch Girls, The Sex Life of a Model, Innocents Behind Bars and The Bikies.… Read more

Pulp Friday: Triple Shot of Carter Brown

“A cold corpse becomes a hot assignment to curvy blonde, Mavis Seidlitz.”  

Today’s Pulp Friday is a triple shot of covers from one of my late father’s favourite pulp authors, Carter Brown.

Carter Brown AKA Alan Geoffrey Yates was a Australian-British author who wrote a massive 317 novels in a career that spanned from 1958-1985. Tens of millions of these were sold all over the anglo world.

Most of his stories were crime, although at the beginning of his career he also wrote horror and Westerns under the alias Tex Conrad. His books were published in Australia by Horwitz and in the US by Signet.

Cops and private investigators were his staple characters, the stories a mixture of sex and action, leavened with a bit of tough guy humour. The writing’s not brilliant, but, hey, that’s no surprise given how fast he churned books out.

His first Horwitz contract stipulated two novellas and one full length novel a month. He could write as much as 40,000 words overnight, reputedly with the assistance of Dexedrine which he used to stay awake for periods of up to 48 hours.

As was common practice on the part of Australian pulp writers in the fifties and sixties, all of his books were set in the United States.… Read more

Pulp Friday: Playback by Raymond Chandler

This week’s Pulp Friday offering needs no introduction, Raymond Chandler’s Playback.

Playback was Chandler’s last book, published in 1958, a year before his death, and based on a screenplay he had written several years earlier. It features his iconic creation Philip Marlowe.

This is an Australian version of the book, published locally by Horwitz Publications in 1961.

Based in Sydney but with offices in Melbourne, Horwitz Publications was established in 1921. It started out doing trade publications and sporting magazines, but by the fifties had branched into popular and pulp fiction, including mystery, thrillers, romance and westerns.

The company published locally sourced stories, as well as Australians editions of overseas works. Well know authors included Carter Brown, Marshall Grover and Marc Brody. Some of its best known names were pseudonyms used by multiple writers.

Horwitz ceased producing fiction in the late nineties.

Although Playback is considered the weakest of Chandler’s seven novels, I’m sure you’ll agree with me the cover is a beauty.

The blurb on the back is also a vintage hard boiled prose.

“The Redhead didn’t look like a tramp, not did she look like a crook.

But when hard-boiled Philip Marlowe was paid to tail her he got plenty besides information.” Read more