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Tag Archives: Horwitz Publications
Pulp Friday: Sinquake
“Mike Brand’s most sinister adversary – Cyn Boudin, high priestess with a lust for power.”
Today’s Pulp Friday offering is a wonderful piece of forgotten Australian pulp, Sinquake by Gene Janes.
Sinquake was produced by little known local pulp publisher and distributor, Calvert Publishing After Horwitz Publications and Cleveland, Calvert may well have been one of Australia’s largest publisher of paper backs in the fifties and sixties. Calvert published the Carl Dekker ‘On the Spot’ mystery series, as well as a large number of Westerns, war and romance novels.
There’s no publication date for Sinquake but it was probably released some time in the early to mid-sixties, before the introduction of decimal currency in 1966. The cover was supplied to me courtesy of local pulp collector, Graeme Flanagan.
Sinquake features Mike Brand, an Australian trouble-shooter for the British secret service. I’ll let the back cover blurb explain the rest.
“The Soviet was using the enormous appeal of BLACK MAGIC, with its terrifying rites and orgies, together with the sensual and seductive beauty of “SIN” – Mademoiselle Cynbarra Boudin, the high priestess of the Cult’s British circle, to ensnare top political and diplomatic figures into compromising situations.
With recent scandals as a blue-print, the political stability of the Free World is threatened by moral chaos.… Read more
Pulp Friday: interview with Iain Mcintyre, author, Sticking it to the Man!
Today’s Pulp Friday is a fascinating interview with Melbourne-based social historian Iain McIntyre, author of a new book, Sticking it to the Man! Pop, Protest and Black Fiction of the Counterculture, 1964-75.
Sticking it to the Man! is a roller coaster ride through the lava lit streets of the counter-cultural pulp fiction of the late sixties and early seventies, a time when hippies, bikers, swingers and revolutionaries replaced cops and private detectives as pulp’s stable characters.
The book contains 130 reviews of pulps from the period covering all the major sub-themes: drug use, bikers, sleaze, blaxsploitation, hippies and dystopian science fiction. It also includes the covers in all their dog eared, price marked glory. It’s through books like this that the hidden history of pulp fiction is gradually pieced together. Sticking it to the Man! is a must read for every serious pulp fiction afficiando.
You can buy Sticking it to the Man! here. Copies will also be on sale at the launch of Crime Factory’s Hard Labour anthology, this coming Monday, October 8. Iain will also be talking about his book at the launch.
What is it about pulp fiction between 1964 and 1975, the period covered in your book that you find so interesting?
I’ve long had an interest in troublemakers, militants and odd-balls, and this was a period in which those normally relegated to the margins were able to have a major impact on culture and society.… Read more
Posted in Australian pulp fiction, Chester Himes, Gold Star Publications, New English Library, Ozsploitation, Pulp fiction, Pulp Friday, Pulp paperback cover art, Robert Stone, Scripts Publications, Vintage pulp paperback covers
Tagged 1964-75, Blaxsploitation pulp, Carl Ruhen, Chester Himes, Counter cultural pulp fiction, Dave Wallis, Dog Soldiers, Dykes on Bikes, Gil Scot-Heron, Give Me Money, Gold Star Publications, Harlan Ellison, Horwitz Publications, Iain McIntyre, Joe Haldeman, John Brunner, John Love, Michael Moorcock, Only Lovers Left Alive, Operation Hang ten, Patrick Morgan, Protest and Black Fiction of the Counterculture, Robert Stone, Scripts Publications, Sex A-Go-Go, Sticking it to the Man: Pop, The Crucifiers, The Final Programme, The Forever War, Ursula K Le Guin, William Bloom
Pulp Friday: Model School
“The King’s Cross vice world taught her the other side of the profession.”
Today’s Pulp Friday offering is a wonderful example of local pulp fiction from the early sixties, Model School by Christine James, released by Horwitz Publications in 1965.
The early sixties were a turning point for the Australia’s pulp paperback industry, when publishers stopped relying purely on reprints of overseas material and stories set offshore, and started releasing locally set stories by Australian writers.
The setting for much of this work was Sydney’s Kings Cross, which during the sixties, seventies and eighties was Australia best-known center of drug use and prostitution.
Prostitutes, beatniks, con men, drug dealers, bent cops, organized crime lords, innocent tourists and American servicemen on leave all rubbed shoulders in ‘the Cross’ as it is referred to locally. To this, local pulp authors added Chinese Triad gangs enslaving white women, witches and warlocks and a host of other less believable characters.
Like so many of the Australian pulp I feature on my site, I have not been able to find anything out about the author, Christine James, if, indeed this was her or his real name.
Model School is a fairly typical example of the Kings Cross pulp of the early to mid-sixties.
“The phoney model racket.… Read more
Interview: Australian pulp fiction historian Toni Johnson Woods
Dr Toni Johnson Woods is someone I’ve been keen to interview on this blog for a while now.
A Research Fellow at University of Queensland, she is passionate about Australian books. Not just capital ‘L’ literature, but the local mass produced pulp fiction of the forties, fifties and early sixties, the existence of which has all but disappeared from our collective cultural memory.
Her commitment to the cause of local pulp includes having listened to hours of popular radio serials (Carter Brown Mystery Theatre and Larry Kent’s I Hate Crime), scanned thousands of pulp fiction covers and read every nearly all 300 Carter Brown novels.
She very generously agreed to answer the following questions about her work by e-mail.
What attracted you to researching pulp fiction in the first place?
One very unremarkable day I was chatting with colleagues in the tearoom. As you can imagine our conversations are very lofty – not. I asked the most basic question: who is Australia’s most popular author.
Well, we batted that around for several minutes arguing about what “popular” means, i.e. best selling, most widely read, most known author. All of these things are not the same. The discussion then turned to what is an Australian author, i.e. someone who was born in Australia?… Read more
Posted in Australian crime fiction, Australian pulp fiction, Carter Brown, Horwitz Publications, Interviews, Larry Kent, Pulp fiction, Toni Johnson Woods, Vintage pulp paperback covers
Tagged Alan G Yates, Bleeck Collection, Carter Brown, Cleveland, Erskine Caldwell, Gordon Clive Bleeck, Horwitz Publications, Larry Kent, Mickey Spillane, Signet, Toni Johnson-Woods
Pulp Friday: Sin in Hong Kong
“Lassington Dhal was condemned to die of pleasure. What was the secret that had earned him free grog, free women and a drunkard’s death?”
Today’s Pulp Friday is a wonderful specimen of Asian themed Australian pulp fiction, Sin in Hong Kong by James Workman, published by Horwitz Publications in 1965.
You can almost smell the polluted water of Kowloon Harbour and feel the beer sweat oozing from the pores of this book. The combination of the cover illustration and the suggestive title do a wonderful job of evoking a sense of the mysterious, sleazy Orient, one of the mainstays of pulp publishing in the fifties and sixties. Criminals, Communists, Asians. What’s the difference? Remember, this was 1965. The Cold War was in full swing, Vietnam was just starting to wind up, Australia was years away from recognising Red China, fear and ignorance of Asia was widespread (and it could be argued in some quarters still is).
As is the case with nearly every local Australian pulp cover I present on this site, I’ve no idea who did the art work for Sin in Hong Kong.
James Workman appears to have been one of the many house pseudonyms used by Horwitz. In this case, the real author appears to have been well known Australian novelist James Edmond MacDonnell.… Read more