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Tag Archives: Giallo
Luca Guadagnino’s Suspiria
There is a sense of tension and anticipation around any film remake, especially when the original is well known and received. So is the case with Luca Guadagnino’s version of his countryman, Dario Argento’s cult horror, Suspiria (1977). There has been intense online debate about the movie from the moment the first poster for the remake hit social media earlier this year. Speculation has increased with every subsequent image, casting decision, and trailer.
My review of Guadagnino’s remake of Suspiria can be read in full here at the Australian Review of Books Arts Update.… Read more
Posted in Giallo cinema, Horror
Tagged Dakota Johnson, Dario Argento, Giallo, horror film, Luca Guadagnino, Suspiria (1977), Suspiria (2018), Tilda Swinton
MIFF report back #1: The Duke of Burgundy
I watched Peter Strickland’s latest offering, The Duke of Burgundy, already being a big fan of his 2012 effort, Berberian Sound Studio. I appreciated Berberian Sound Studio as an homage to the Italian giallo horror films of the seventies and didn’t need any more encouragement to see his new one other than the fact it was Strickland’s tribute to the seventies Euro sleaze films of directors like Jesse Franco and Walerian Borowczyk.
But it wasn’t until about twenty minutes in to The Duke of Burgundy, that I felt I ‘got’ what both movies were trying to do and just how clever Strickland’s approach is.
The Duke of Burgundy is about the BDSM relationship between two female entomologists, Evelyn (Chiara D’Anna), the submissive, and her older dominant lover, Cynthia (Sidse Babett Knudsen, who you may recognise from the Danish television series, Borgen). The story is set in an unspecified provincial European town in what looks like the seventies and, as you’d expect if you’ve seen Berberian Sound Studio, Strickland nails every aspect of recreating the genre: the aesthete, the soundtrack, the surrealistic ambiance, how the characters feel and react, the sex, which alternatives between being outright smutty and languorously erotic. Woven into this are some wonderfully deft touches, including the complete absence of men and the strange, sexually charged club in which women get together to discuss matters entomological.… Read more