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Tag Archives: Get Carter (1971)
Get Carter, again
It is impossible to discuss British author Ted Lewis’s 1970 novel, Jack’s Return Home, without mentioning its better-known 1971 film adaptation,Get Carter. Rarely has such an influential crime novel dwelt so deeply in the shadow of its cinematic adaptation. In the wake of the movie’s success, the book was quickly retitled Get Carter (which is how I’ll refer to it) and the main character forever associated with British actor Michael Caine, then at the height of his preternaturally long acting career, in a snappy suit and tie, grimly looking over the barrel of a shotgun.
Not that anything else Lewis wrote was particularly successful. As British crime writer Ray Banks observed in a piece on the site The Rap Sheet: “As far as forgotten books go, you could make a claim for pretty much anything Ted Lewis wrote.” But what Lewis lacked in sales, his books, particularly Get Carter, made up for in the glowing praise of crime writers, nearly all of it posthumous.
Get Carter and its subsequent prequels, Jack Carter’s Law (1974) and Jack Carter and the Mafia Pigeon (1977), have recently been rereleased by Syndicate Books, which marks the first time they have been available in North America for 40 years.… Read more
Bob Hoskins and The Long Good Friday
A couple of years ago I had a lengthy exchange on social media with a British crime writer on the subject of what was the best crime film to come out of the UK, Get Carter (1971) or The Long Good Friday, released in 1980.
I have to fess up that at the time I took exception to his claim Get Carter had aged badly and The Long Good Friday was the superior piece of cinema, but he was right and I was wrong. I was reminded about this last week, when I heard the star of the Long Good Friday, Bob Hoskins, had died at the age of 71.
Get Carter and The Long Good Friday are both good films, especially in comparison to the slew of movies riffing on London’s underworld past that followed in the wake of Guy Richie’s rather middling effort, Lock, Stock and Two Smoking Barrels.
The Long Good Friday is the story of working class gangster made good, Harold Shand, whose criminal empire starts to unravel, for reasons he is totally unclear about, over a bank holiday long weekend.
Hoskins owns this film from the first moment we see him, walking down a concourse in Heathrow Airport, having just returned from business overseas, the eighties soundtrack pounding in the background.… Read more
Noir Con or bust guest post #1: Heath Lowrance
A couple of weeks ago I mentioned I’d be asking several US writers and bloggers I dig to guest post on Pulp Curry in the lead-up to my visit to the US to attend Noir Con in Philadelphia in early November. It’s a way of giving regular Pulp Curry readers a little taste of the crime writing scene in the US.
First up is Heath Lowrance, whose latest book City of Heretics has just come out through Snubnose Press, the same publisher as my debut novel Ghost Money.
City of Heretics is about an aging con named Crowe, just out of prison and back in Memphis, ready for some payback against the criminals who got him sent up. Before Crowe can enjoy his revenge he has to track down a brutal murderer cutting a swath through the city—ultimately leading Crowe to confront a bizarre secret society of serial killers masquerading as a Christian splinter-group.
It’s not the first time Lowrance has appeared on Pulp Curry. I reviewed his debut novel The Bastard Hand on this site last year. Lowrance writes across a number of genres, including crime fiction and Westerns. He’s one of those writers who combine the knack for telling a good hard boiled with excellent writing.… Read more
Crime fiction criminals
By definition, the majority of crime fiction characters are criminals or at least commit illegal and/or immoral acts. But books where the main character is a full-time professional criminal are surprisingly few and far between. Here’s a selection of some of the best.
It’s worth noting that when this post originally appeared on the Crime Fiction Lover website, readers came up with several good additions, including Andrew Vachss’s Burke, Charlie Huston’s Henry Thornton, Lawrence Block’s hitman character Keller and Patricia Highsmith’s Tom Ripley. I had originally thought of including the James Ellroy character Dudley Smith (“Knock, knock, who’s there, Dudley Smith, so reds beware”), but he’s a bent cop so not eligible. However, Ellroy’s Pete Bondurant would definitely make the cut.
Please leave a comment if you can think of any others.
Parker by Richard Stark (aka Donald Westlake)
The 24 books written between 1962 and 2010 featuring the professional thief known as Parker remain some of the best crime fiction ever written. Sixteen Parker novels appeared between 1962 and 1974. Westlake took a rest from the character until 1997, then wrote another eight Parker books.
Parker is a career criminal who steals things for a living. Get in his way on a job or try to double cross him afterwards and he’ll hurt you.… Read more
Posted in Crime fiction, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, James Ellroy, Jim Thompson, Megan Abbott, Michael Caine, Parker, Ted Lewis
Tagged Andrew Vachss, Burke, Charlie Huston, Cold Shot to the Heart, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, Get Carter (1971), Henry Thornton, Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, James Ellroy, Jim Thompson, Keller, Lawrence Block, Megan Abbott, Michael Caine, Parker, Patricia Highsmith, Queenpin, Richard Stark, Ripley, Ted Lewis, The Friends of Eddie Coyle (1973), The Getway, Virginia Hill, Wallace Stroby, Wyatt