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Tag Archives: Get Carter (1971)
Book Review: Getting Carter, Ted Lewis & the Birth of Brit Noir
The time is past when one could accurately describe Ted Lewis as a lost or under appreciated author. His best books have recently been re-released, Mike Hodge’s 1971 film, Get Carter, based on Lewis second novel, Jack’s Return Home, continues to be seen as a crime cinema classic, and Lewis’s profound, albeit posthumous, influence on the origins on Brit Noir is regularly reiterated by many of the leading lights of crime fiction.
But we know little about Lewis as a person and the influences on his work. Nick Triplow’s Getting Carter: Ted Lewis and the Birth of Brit Noir is obviously the product of considerable time, energy and shoe leather spent hunting down the facts of Lewis’s life. That Triplow doesn’t completely succeed in unravelling all the mysteries surrounding Lewis’s spectacular rise and fall is not for want of trying and, it must be stressed, the book is none the worse for it.
Contemporary literary culture, with its focus on the writer’s journey, literature as personal confession and the book scribe as media celebrity, is a relatively new phenomena. Lewis went to his grave without leaving a detailed archive of papers or journals and having only done a handful of newspaper interviews. He had neither the time nor, one suspects, inclination to record his inner most thoughts.… Read more
Posted in Book Reviews, British crime cinema, British pulp fiction, Crime fiction, Crime film, David Goodis, Neo Noir, Noir fiction, Pulp fiction, Stanley Baker, Ted Lewis
Tagged Cy Endfield, David Goodis, GBH, Get Carter (1971), Getting Carter: Ted Lewis and the Birth of Brit Noir, Hell Drivers (1957), Hell is a City (1960), Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, Joesph Losey, Mike Hodges, Nick Triplow, Ted Lewis, The Criminal (1960), Val Guest
Mike Hodges’ Pulp & mass paperback fiction on the big screen
The opening credits of Mike Hodges’ under appreciated 1972 film, Pulp, are a delight for any fan of cheap pulp paperback fiction. As text roles across the screen (in type writer font, of course), the camera pans between the faces of the three female stenographers transcribing the words of sleazy English expat pulp writer, Mickey King (Michael Caine). As Caine’s nasal voice-over recites his latest novel, The Organ Grinder, we see the different reactions of the women, disgust, shock, and excitement. It’s a reminder that once, before it was reduced to an object of outre fascination for its cover art, pulp fiction elicited strong emotions.
The movie shifts to King, in his cheap white suit and big hair, Jack Carter – the character he played in Hodges’ Get Carter only a year earlier – gone to seed, stepping out of the Italian hotel he lives in to hail a cab. As he sits in the reception area waiting for his completed manuscript, King’s voice-over goes: “The writer’s life would be ideal but for the writing. This was a problem I had to overcome. Then I read the Guinness Book of Records about Earl Stanley Gardner, the world’s fastest novelist who would dictate up to the rate of ten thousand words every day.… Read more
Posted in 1960s American crime films, British crime cinema, Crime fiction, Crime film, Michael Caine, Pulp fiction, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Brett Halliday, Davis Dresser, Earl Stanley Gardner, Get Carter (1971), Joseph Cotton, Kiss Kiss Bang Bang (2005), Lisbeth Scott, London in the Raw (1965), Massino Pupillo, Michael Caine, Mickey Rooney, Mike Shayne, Nadia Cassini, Pulp (1972), Robert Altman, The Bloody Pit of Horror (1965), The Long Goodbye (1973), The Third Man (1949)
Book review: GBH by Ted Lewis
British author Ted Lewis is best known for his second novel, Jack’s Return Home (filmed in 1971 as Get Carter, the title by which subsequent editions of the book would be known). But many believe his greatest work was his last, GBH, published in 1980, two years before his death.
For a long time, you could only read GHB if you could find and afford a scarce second hand copy. Thankfully, it has recent been re-released by Syndicate Books (along with the rest of Lewis’s work) a subsidiary of the prestigious and well known crime fiction press, Soho Crime.
GHB is the story of George Fowler, former head of a powerful London based criminal organisation that controlled the largest porn distribution network in the UK. His products are far worse than being merely ‘blue movies’, as they are rather innocuously referred to, and include, it is strongly inferred, snuff films, which Fowler sells to a small group of very deranged and very rich clients.
Fowler has everything: money, muscle, a wonderful penthouse with a sunken lounge (the key signifier in Lewis’s books, of any underworld villains worth their salt) and a beautiful, intelligent girlfriend, Jean, who helps run his empire and isn’t at squeamish about what Fowler does.
Then someone starts undermining his organisation from within.… Read more
Posted in Book Reviews, Noir fiction, Ted Lewis
Tagged British noir fiction, GBH, Get Carter (1971), Jack's Return Home, Ted Lewis
Ephemera from the 1971 film, Get Carter
Following on my essay earlier this week in the Los Angeles Review of Books on Ted Lewis, his Jack Carter books and the film adaption of the first book, Get Carter (which you can check out here if you if you are interested), I thought readers might be interested in a selection of ephemera from the books and film.
The 1971 movie, directed by Mike Hodges, does not need any introduction here. While it is by no means the best british crime movie ever made, as some would claim, it is a good one and has been very influential, in terms of plot, characterisation and visual feel.
Enjoy.
For those who are interested, there are a lot more terrific behind the scenes images from Get Carter here on the official Ian Hendry website.… Read more