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Tag Archives: Garry Disher
Crime fiction criminals
By definition, the majority of crime fiction characters are criminals or at least commit illegal and/or immoral acts. But books where the main character is a full-time professional criminal are surprisingly few and far between. Here’s a selection of some of the best.
It’s worth noting that when this post originally appeared on the Crime Fiction Lover website, readers came up with several good additions, including Andrew Vachss’s Burke, Charlie Huston’s Henry Thornton, Lawrence Block’s hitman character Keller and Patricia Highsmith’s Tom Ripley. I had originally thought of including the James Ellroy character Dudley Smith (“Knock, knock, who’s there, Dudley Smith, so reds beware”), but he’s a bent cop so not eligible. However, Ellroy’s Pete Bondurant would definitely make the cut.
Please leave a comment if you can think of any others.
Parker by Richard Stark (aka Donald Westlake)
The 24 books written between 1962 and 2010 featuring the professional thief known as Parker remain some of the best crime fiction ever written. Sixteen Parker novels appeared between 1962 and 1974. Westlake took a rest from the character until 1997, then wrote another eight Parker books.
Parker is a career criminal who steals things for a living. Get in his way on a job or try to double cross him afterwards and he’ll hurt you.… Read more
Posted in Crime fiction, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, James Ellroy, Jim Thompson, Megan Abbott, Michael Caine, Parker, Ted Lewis
Tagged Andrew Vachss, Burke, Charlie Huston, Cold Shot to the Heart, Donald Westlake aka Richard Stark, Garry Disher, George V Higgins, Get Carter (1971), Henry Thornton, Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, James Ellroy, Jim Thompson, Keller, Lawrence Block, Megan Abbott, Michael Caine, Parker, Patricia Highsmith, Queenpin, Richard Stark, Ripley, Ted Lewis, The Friends of Eddie Coyle (1973), The Getway, Virginia Hill, Wallace Stroby, Wyatt
Crime Factory Publications clocks on
Put the night of March 5 in your diaries, people. That’s the launch of Crime Factory Publications, a (very) small publishing company I’ve set up with my two colleagues and friends from Crime Factory magazine, Cameron Ashley and Liam Jose.
A couple of months ago on this blog I mentioned 2012 was going to be a big year for me. In addition to several short stories coming out around the place in the next couple of months, my novel will be out as an e-book around mid-year with Snubnose Press. On top of all this, I’ve now got my own slice of the publishing business (he says, tongue firmly in cheek).
The Crime Factory crew have been discussing taking our work to the next level for a while now. Several factors drove the decision to finally bite the bullet.
First and foremost, nine issues of Crime Factory magazine (of which I’ve been on board for the last four) have given us contacts and access to quality crime fiction from great writers. We don’t always make the most of this and push the great writing we get as much as possible. Starting our own outfit is one way to reverse this situation. We also wanted to raise the profile of the magazine here in Australia where, in comparison to the US, we’re pretty much unknown.… Read more
Posted in Adrian McKinty, Angela Savage, Australian noir, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Garry Disher, Leigh Redhead, Megan Abbott, Snubnose Press
Tagged Adrian Mckinty, Angela Savage, Crime Factory, Crime Factory Publications, Crime Factory: First Shift, Crime Factory: Hard Labour, Crimes in Southern Indiana, Dust Devils, Frank Bill, Garry Disher, Ghost Money, Helen Fitzgerald, Hilary Davidson, Ken Bruen, London Boulevard, Megan Abbott, New Pulp Press, Roger Smith, Snubnose Press, The Cold Cold Ground, The damage Done, Wyatt
Roll on 2012
I don’t know about you, but I feel like it’s been a long year.
Pulp Curry is going to be taking a break over the Christmas/New Year period, returning in mind-2012.
It’s shaping up to be a big one for me writing-wise. My manuscript, tentatively titled Cambodia Darkness and Light, will be published as an e-book in the US some time in the second half of 2012, by Snubnose Press.
I also have short fiction appearing in a number of publications. Max Quinlan, an Australian-Vietnamese ex-cop and the main character in Cambodia Darkness and Light, will be making an appearance in issue two of Noir Nation, in a story called ‘Homeland’.
Gary Chance, a tough, ex-Australian army veteran who now makes a living pulling heists for anyone who’ll pay, will appear in The One That Got Away, an anthology of Australian crime fiction by Dark Prints Press, out February.
Chance will also feature in a story by me in Crime Factory: Hard Labour, out in March. Hard Labour is an anthology of crime stories by authors either born in Australia or residing here.
Rather than just complaining about the narrowness of the local crime fiction scene, Melbourne’s Crime Factory crew, myself, Cameron Ashely and Liam Jose, have decided to get active and do something about it.… Read more
Posted in Adrian McKinty, Angela Savage, Australian crime fiction, Crime Factory, David Whish-Wilson, Garry Disher
Tagged Adrian Mckinty, Angela Savage, Crime Factory: Hard Labour, Dark Prints Press, David Whish-Wilson, Garry Disher, Gary Chance, Ghost Money, Helen Fitzgerald, Leigh Redhead, Max Quinlan, Noir Nation, The One That Got Away, Wyatt's Art
Book review: Whispering Death
Why is the police procedural sub genre of crime fiction so popular? Is it something to do with our roots as a nation of convicts? Do we have a voyeuristic fascination with the inner workings of the police force?
Or maybe it’s just because for the most part – and many will disagree with me here – they provide a relatively straightforward, escapist read? Nothing wrong with that. Someone commits a crime and the cops need to solve it. There’s a bit of violence, usually a bit of sex, we get a few insights into modern day police methods and everything is pretty much neatly wrapped up by the end.
Whispering Death is the sixth of Garry Disher’s Peninsular murder mysteries, so named because they take place on the Mornington Peninsular, a rapidly growing area south east of Melbourne.
If you like police procedurals, chances are this book is already on your to read list, so enough said. If you’re not, then this is a good place to start because as usual journeyman Australian crime author Disher delivers a superior product.
Whispering Death opens with sergeant Ellen Destry on her way to Europe to study how the police tackle sex crimes, leaving her lover and veteran cop, Inspector Hal Challis, to deal with a rapist who wears a police uniform and has a sophisticated knowledge of forensics.… Read more
Parker and the art of hard-boiled crime writing
December 31 2010 marks the second anniversary of the death at age 75 of one of the masters of hard-boiled crime writing, Donald Westlake.
I’ve found myself thinking a lot about Westlake lately and his best known creation, the professional criminal Parker.
Westlake was a prolific writer. While he specialised in crime fiction, he also did science fiction, erotic stories and westerns under a myriad of pseudonyms of which Richard Stark, the name he used for the Parker books, remains the best known. He also worked on a number of screenplays, including the adaption of Jim Thompson’s The Grifters.
Sixteen Parker novels appeared between 1962 and 1974. For reasons I’m not clear about, Westlake took a rest from the character until 1997, then wrote another eight Parker books.
Several of the books were filmed, the best known of which is Point Blank starring Lee Marvin (later remade as Payback with Mel Gibson as the lead, but the less said about it the better).
I recently discovered via The Violent World of Parker website, The Outfit, an excellent 1973 adaption of Westlake’s novel of the same name, is finally getting an outing on DVD. (The details are here).
Robert Duvall does the honours as Parker or Macklin, as the central character in the film is called, alongside Joe Don Baker, Robert Ryan and the siren of seventies American B-movies, Karen Black.… Read more
Posted in 1970s American crime films, Crime fiction, Donald Westlake aka Richard Stark, Garry Disher, Heist films, Jim Brown, Lee Marvin, Noir fiction, Parker
Tagged Crime Factory, Donald Westlake aka Richard Stark, Garry Disher, Karen Black, Lee Marvin, Richard Stark, Robert Duvall, The Outfit, The Sour Lemon Score, The Split