Tag Archives: Garry Disher

Anthologies, my novel and more shameless self-promotion

In over a couple of weeks I will be jetting off to spend a couple of weeks in the US, New York mostly, followed by a few days in Philadelphia to attend Noir Con.

I-can-not-wait.

Several more ‘Noir Con noir bust’ posts are scheduled between now and when I leave, but I just wanted to take a short break from these to do a bit of shameless self-promotion. A lot of writing I’ve been working on for the last year is being released around the same time. By the end of the year it’ll be back to the drawing board, but for now I’ve got some serious pimping to do.

First up, is Crime Factory’s latest publication, Hard Labour, an anthology of 17 noir and hardboiled Australian short crime stories, edited by Cameron Ashley, Liam Jose and myself. We launched this baby last week at Grumpy’s Green in Collingwood.  A fine time was had by all and we managed to sell enough copies on the night to more or less pay the printing bill.

The print version of Hard Labour is now available from our website for $13.99 plus postage. The digital book is available on Amazon here for just $2.99.

It’s a bargain for crime fiction this good.… Read more

Unveiling the cover of Crime Factory’s Hard Labour anthology

Here it is people, the cover of Crime Factory’s all-Australian anthology, Hard Labour, edited by Cameron Ashley, Liam Jose and myself.

It’s by the same artist who did the cover art work for the Australian version of the First Shift anthology we launched earlier this year, the very talented, Erik Lundy.

We are welcoming this beauty into the world October 8 at Grumpy’s Green in Collingwood. We promise you a great night. A number of the authors will be reading from their Hard Labour stories, drinks will be available at the bar and, of course, you’ll be able to buy a copy of Hard Labour. Doors open 7pm, with readings beginning sometime around 8pm.

And if that’s not enough, our special guest on the night will be Iain McIntyre, author of Sticking it to the Man: Pop, Protest and Black Fiction of the Counterculture, 1964-75out through The Leda Tape Organisation. Copies of the book will also be on sale and Iain will be giving a little tour through the lava lamp lit streets of counter cultural pulp fiction.

Hard Labour will set you back just $13.99. The digital book, available soon, will be $2.99.

It’s a bargain for crime fiction this good. If you’re not convinced caste your eyes over the full line up of authors.… Read more

Launch of Crime Factory’s Hard Labour anthology and other crime writing news

There’s a hell of a lot going on crime writing wise for me at the moment.

In addition to the launch of my debut novel, Ghost Money, I have several pieces of short fiction coming out. Things are also busy in regard to Crime Factory Publications, the small press I have stared with two other Melbourne friends, Cameron Ashley and Liam Jose.

On Monday, October 8, Crime Factory Publications is launching its second book, Hard Labour, an all-Australian short crime fiction anthology. I’m one of the editors, along with Jose and Ashley and, as usual, we’ve tried to mix establishing crime writers with talented up and comers. The line up includes Garry Disher (his first Wyatt story, unpublished for over a decade), Adrian McKinty (a Melbourne-based Irish writer, so he counts), Leigh Redhead, Angela Savage, Peter Corris, Helen Fitzgerald, David Whish-Wilson, JJ DeCeglie, Andrez Bergen, Deborah Sheldon, Amanda Wrangles, and many more.

The venue is the same as our first launch in March, Grumpy’s Green, 125 Smith Street, Collingwood. It’s going to be a great night. A selection of the authors will reading from their stories, drinks will be available at the bar and copies of Hard Labour will be on sale for $13.99.

Doors open 7pm, with readings beginning sometime around 8pm.… Read more

Ned Kelly Awards for Australian crime writing: the shortlist is out

The shortlist for Australia’s annual crime writing gongs, The Ned Kelly Awards, was released this week.

While the big publishers usually dominate the Neddies, although this year it’s a clean sweep. Allen and Unwin, Pan Macmillan, Harper Collins and Random House share the prizes. Make of that what you will in terms of the state of local crime writing.

The Neddies have three categories: Best First Fiction, Best Fiction and True Crime.Reflecting a wider trend in publishing, this year’s shortlist for best first crime novel has a distinct dystopian/fantasy feel to it. When We Have Wings by Claire Corbett is a PI story set in a world where people have the ability to fly and genetic engineering is rampant. Kim Westward’s The Courier’s New Bicycle is the story of a bike courier who transports contraband through the alleyways of a Melbourne set in the future. Word is it’s good and at the risk of being proven wrong I suspect it may be the one to watch.

The exception is The Cartographer by Peter Twohig, set in Melbourne in 1951 and dealing with a young boy who flees into the city’s sewers after witnessing a violent crime.

Best fiction is a three-way contest between Malcolm Knox’s The Life, J.C Burke’s Pig Boy and Barry Maitland’s Chelsea Mansions.… Read more

Ghost Money available August 20

Just a quick post to let you know that my first novel Ghost Money will be released on August 20.

It’ll be available digitally through Amazon, B&N, Apple, Sony and Kobo.

Ghost Money is set in Cambodia in the mid-ninties, when the long-running Khmer Rouge insurgency was fragmenting and the country’s rival coalition parties were in conflict with each other from for dominance. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan. Quinlan’s search will take him from Phnom Penh to the country’s border with Thailand and plunge him into a mystery that plunges him into the heart of Cambodia’s bloody past.

The book has got it’s first review, by none other than veteran Australian crime writer, Garry Disher. He was nice enough to blurb the book for me and said, “Ghost Money is a fast-paced, atmospheric crime novel. Its journey into a cynical and treacherous world is tense and suspenseful.”

I’m thrilled with the comments, coming as they do from someone with Disher’s statue in Australian crime writing.… Read more