Tag Archives: Elmore Leonard

A sit down with the Godfather: an interview with Peter Corris

Posted on September 1, 2018 by Andrew Nette| 1 Comment

As promised in my recent piece to mark the passing of Australian crime writer, Peter Corris, it gives me great pleasure to post a terrific, in-depth interview with the author that appeared in issue 14 of  the now defunct online journal, Crime Factory, in September 2013.The interview was conducted by avid crime reader and regular Crime Factory contributor, Andrew Prentice.

Crime Factory: Your pre-writing career was academia and journalism, wasn’t it?

Peter Corris: Yes

Where did the shift take place into writing novels?

I was working at the National Times when the first of the Hardy books came out, in 1980. I was the literary editor, sending the books out, doing the reviews, and also doing some interviewing pieces, sports people, politicians…and the first book was a success, very well reviewed.

That was The Dying Trade?

That’s the one. And I’d already finished the second one because I enjoyed doing the first one so much, and had started a third one, and well, the ball just got rolling, even though it took about 5 years for the first one to get published. I gave up the journalism and was bringing in enough from the books and writing short stories to get going. I should add I had a working wife as well, which was helpful.… Read more

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Posted in Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Bryan Brown, Crime Factory, Crime fiction, James Ellroy, Peter Corris

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Pulp Friday: Guns with plots

Posted on May 18, 2018 by Andrew Nette| 8 Comments

Let’s make one thing clear. I don’t own a gun. Never have and never will. Indeed, the only guns I want to see are in film or on the cover of books like the ones featured in today’s Pulp Friday post.

For a while now I have been obsessed with the cover above of the 1964 Panther edition of Len Deignton’s The Ipcress File. The cover, done by influential English graphic designer, Ray Hawkey, who would go onto to do a number of paperback covers, exudes a style and tone I could never imagine being used today except as a deliberate retro homage.

It speaks to the everyday grime, drudgery and unglamorous boredom of the Cold War spy racket, which the Deighton novels featuring the working class spy, Harry Palmer, evoke so well. There is also the mess that comes with the trade: a cold cup of tea (probably cold); cigarettes, because in the sixties every fictional spy smoked; paperclips for the paperwork; and, a gun and bullets, because sometimes you have to kill someone.

It is a gritty, cluttered layout I associate with mass paperback novels of the type that were largely targeted at men in the 1960s and 1970s. As it turns out, a bit of a dig around reveals it was a style that was widely used in those two decades – but it also bled over into the 1980s – by mass market paperback publishers in the crime, mystery and espionage thriller categories.… Read more

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Posted in Belmont Tower Books, British pulp fiction, Crime fiction, George V Higgins, Ian Fleming, Neo Noir, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Spies, True crime

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‘The novel is about making believe your world is real’: an interview with Peter Temple

Posted on March 12, 2018 by Andrew Nette| 5 Comments

The death of Peter Temple at the age 71 has robbed Australia of what is undeniably one of its most influential crime writers. His Jack Irish novels were made into a popular television show by the Australian Broadcasting Corporation. The Broken Shore, which won the coveted British Crime Writers’ Association Gold Dagger award in 2007 – the first Australian author to do so – and Truth, awarded the Miles Franklin in 2010, were significant works of local crime fiction that, arguably, helped usher in the popularity of literary crime fiction in Australia.

David Honeybone, former editor of the influential hard copy magazine, Crime Factory [the precursor to the on-line magazine which I helped edit for a number of years until it recently ceased production], and a fan of Temple’s work, interviewed the author for issue 2 of the magazine in 2010. As a tribute, Honeybone generously shared his interview, in which Temple recalls his national service in the South African Defence Force, his literary influences, the challenges of translating his uniquely Australian dialogue into other languages, and what degree of realism a crime author should be aspiring to in their work.

Peter Temple is a South African by birth and an Australian by choice. A former journalist, he is one of Australia’s most successful crime writers, having five times won the Crime Writers’ Association of Australia’s Ned Kelly Award.… Read more

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Posted in Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian television history, Crime Factory, Crime fiction, George V Higgins

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The marathon man: 6 great roles of Roy Scheider

Posted on September 15, 2015 by Andrew Nette| 8 Comments

Scheider 1I’ve been a long time fan of American actor Roy Scheider. But it was only after a recent viewing of his performance in the Alan J Pakula’s 1971 film, Klute, I realised despite having seen and liked him in a number of films I knew very little about his overall career.

I recently reviewed Klute on this site here, so I won’t go into further detail about the film except to say that Scheider is great as Bree Daniel’s former pimp, Frank Ligourin. His is not a large role, just one or two short scenes, but his presence elevates the entire movie and gives it an additional layer of malevolence. That’s Scheider in every movie I’ve seen him in. He elevates and heightens what’s already present.

Scheider could act and had a great presence, his ropey, perpetually suntanned body and his slightly askew, angular face with the broken nose, a legacy of his time boxing in New Jersey’s Diamond Golden Gloves Competition.The first time I can remember seeing him was when my parents took me to see Steve Speilberg’s Jaws upon its release in 1975. That was probably his best-known role but it was just one among many. He got his start in television and gradually moved into the big screen.… Read more

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Posted in 1970s American crime films, 1980s American crime films, Gene Hackman, John Frankenheimer, Roy Scheider, Sidney Lumet, William Friedkin

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Book review: The Devil All the Time and other summer reading pleasures

Posted on January 18, 2012 by Andrew Nette| 1 Comment

No matter how stressful the Christmas/New Year period is (and mine has been pretty stressful for reasons I won’t go into here) there’s always the chance to read.

This year’s been no exception. I managed to knock off several books I’ve wanted to read for a while.

The first was Dead Women of Juarez by Sam Hawken. This was a great hardboiled read, especially for a first novel. I particular admire the author for having the guts to set the story amid the real life horror story in the Mexican city of Ciudad Juarez, where since 1992 as many as 5,000 women have been murdered and no one has been brought to justice. I’ve done a longer review of Dead Women for Crime Fiction Lover and will post it to this site next week.

Another author I’ve been wanted to check out is Vicki Hendricks, who writes erotic noir fiction set in Miami. Her 2007 book, Cruel Poetry, took me back to the mid-nineties when Miami-based crime fiction was huge. The city’s crime rate was through the roof, Elmore Leonard was based there and writers like Carl Hiaason and Edna Buchanan were best sellers.

This book is very different to the other Miami crime novels I can remember reading, in a good way.… Read more

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Posted in Book Reviews, Crime fiction, Noir fiction, Vicki Hendricks

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