Tag Archives: David Peace

My cultural highlights of 2022

The end of the year nears. That means it is time for my year cultural highlights of 2022. So, without further introduction, let’s get into it.

Film

Possibly the best new release I saw in the past 12 months was Iranian director Ali Abbasi’s The Holy Spider (2022). The story of a young female journalist (a powerhouse performance by Zar Amir-Ebrahimi) investigating a religious serial killer in a rural Iranian city, little did I know when I saw it as part of Melbourne International Film Festival in September that it’s damning commentary on the male dominated nature of Iranian society, would find such a strong real world echo in the female led protest movement shaking the country to its foundations today. While The Holy Spider is not for the faint hearted, its horror is brilliantly conveyed through show don’t tell storytelling. Seriously, a lot of directors could learn from watching this film that you don’t always have to hit the audience over the head with a narrative sledgehammer.

Two other 2022 releases make my best of film list for the year. The first is Emily the Criminal. This is a whip smart neo noir about a young woman who falls into crime, featuring Aubrey Plaza in the lead role. I call it a millennial revenge film, which I think is THE upcoming crime genre with a bullet.… Read more

“Dirt under its nails”: Ted Lewis’s Plender

Confession time. I have not been reading a lot of new crime fiction in 2020 and, for reasons that I am sure many of you share, have found it hard to concentrate on reading anything during the Covid-19 lockdown. What I find has been working for me is just picking up something at random from the large number of unread books I have on my shelves and seeing how far I get. Sometimes I don’t get more than 20 pages before turning my attention to something else. Other titles I can’t put down.

Ted Lewis’s 1971 book, Plender, was definitely in the latter category.

I didn’t come to Plender completely cold. As regular readers of this site will know, I am a major Lewis fan. I have written at length about Lewis’s 1970 novel, Jack’s Return Home a.k.a Get Carter, and I reviewed Nick Triplow’s biography of Lewis by Nick Triplow, Getting Carter: Ted Lewis and the Birth of Brit Noir on this site here. Triplow had also recommended Plender at some point in our online correspondence, saying, “It’s got dirt under its nails”. I duly ordered a copy and left it on my shelf where it sat for several years.

Plender was Lewis’s follow up novel to Jack’s Return Home.… Read more

Great crime reads set in Asia

Okay, I’ve sat patiently through the hype about Scandinavian crime fiction, which shows no sign of ending, only to read recently that the next big thing in crime fiction is central Europe.

I keep thinking people will eventually discover Asia as a fascinating place to set crime fiction, but it looks like I’ll have to keep on waiting on that score.

Not that there aren’t some great crime reads set in the region. A few weeks ago I wrote the following post on some of my favourites for the site, Crime Fiction Lover. One book I could’ve included but didn’t was David Peace’s Tokyo Year Zero. One CFL reader suggested the books of Seicho Matsumoto. I’d live to hear other suggestions as I’m sure there are heaps more.

Jade Lady Burning – Martin Limon

Low profile crime writer Martin Limon has so far written six books featuring Sueno and Bascom, officers in the Criminal Intelligence Division of the US military based in South Korea, and a seventh is on the way.

Jade Lady Burning was the first of the series, written in 1992, and for my money it’s still one of the best. Sueno and Bascom are assigned to investigate the brutal murder of a local prostitute which turns into something much more sinister.… Read more

The Red Riding trilogy: David Peace’s Northern England nightmare

Seldom does the nuance and grit of hard-boiled and noir crime fiction translate to the screen. A brilliant exception is the movie adaptations of English writer David Peace’s Red Riding Quartet of books.

Tony Crisoni – who has very few credits of note under his belt with the exception of the screenplay for the 1998 version of Fear and Loathing in Las Vegas – has taken Peace’s dense, multi-layered alternative history of murder and police corruption in northern England in the seventies and early eighties, and delivered three disturbing and gripping movies. A feat that is all the more amazing given they were made for TV in the UK.

The first film, 1974, follows cocky young reporter Eddie Dunford as he attempts to prize open the mystery surrounding the unsolved murders of a number of young girls, the latest of whom has just been found sexually abused and with swan’s wings stitched to her back.

In the course of his investigation he comes into contact with John Dawson, a local businessman embroiled in a corrupt relationship with the police, and BJ, an elusive male prostitute. He also becomes sexually involved with the despondent mother of one of the missing girls. In the face of escalating threats, Dunford continues his efforts to find the truth with horrendous consequences.… Read more