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Tag Archives: Dark Age (1987)
My 10 anticipated films of the Melbourne International Film Festival
The Melbourne International Film Festival (MIFF) is almost upon us and, this year, I am seeing more than my usual quota of films. I won’t go into detail regarding everything I’ve booked, but here are the ten films I am most excited about.
The Duke of Burgundy
Confession: I missed this in my first pass of the MIFF program and, thankfully, was alerted by a friend to the fact it was playing. Despite some problems with the last quarter of the film I adored Berberian Sound Studio (2013), Peter Strickland’s tasteful, authentic non-Tarantinoesque homage to Italian giallo films of the seventies. So The Duke of Burgundy, a tribute to the Euro sleaze films of Jess Franco and Walerian Borowczyk has me very excited.
Sunrise
My search for a decent Indian neo noir continues with Partho Sen-Gupta’s 2014 feature, Sunrise. In 2012 I sat through all six hours of Gangs of Wasseypur, the sprawling saga of two rival crime families in the Indian state of Bihar. It held together well for the first half before degenerating into a Spaghetti Western-like shoot ‘em up. In 2013, it was Monsoon, a Mumbai based crime drama about a rookie cop and his corrupt older partner. It showed promise but I felt it was too focused on achieving the right aesthete at the expense of story.… Read more
Posted in Crime fiction and film from India, Crime fiction and film from Japan, Kinji Fukasaku, Melbourne International Film Festival, True crime, Yakuza films
Tagged Battles With Honor and Humanity (1973), Berberian Sound Studio (2013), Burroughs: The Movie, Cartel Land (2105), Dark Age (1987), David Gulpilil, Deep Web (2015), Downriver (2015), Grant Sciciuna, Heaven Knows What (2014), Josh and Benny Safdie, Partho Sen-Gupta, Peter Strickland, Peter Weir, Sunrise (2014), The Duke Of Burgundy (2015), The Last Wave (1977)