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Tag Archives: Cy Enfield
The 10 essential films of Stanley Baker
Welsh born actor Stanley Baker didn’t live to see his 50th birthday, but he left an impressive body of work. Like his friend Richard Burton, he escaped life as a coalminer for acting after a chance sighting in a school play by the casting director of Ealing Studios led to Baker’s first role in the 1943 war drama, Undercover. His rugged physique and hard grace meant he was most often cast as the tough guy in crime movies and spearheaded the evolution of the British film criminal from the gentlemen thief to more ruthless figures, often working-class, in films such Hell Drivers (1957), Joseph Losey’s The Criminal and Peter Yate’s 1967 heist film, Robbery.
Last weekend he would have been 88, were he still alive. To mark his career, I have a piece on the British Film Institute site looking at his 10 essential films. You can read it in full here.… Read more
Posted in British crime cinema, Heist films, Joseph Losey, Richard Burton, Stanley Baker, War film
Tagged Accident (1967), Anne Heywood, Cy Enfield, David McCullum, David Warner, Dirk Bogarde, Donald Pleasence, Eva (1962), Hell Drivers (1957), Innocent Bystanders (1972), Jacqueline Sassard, James Booth, Jeanne Moreau, Joseph Losey, Michael Caine, Patrick McGoohan, Perfect Friday (1970), Peter Yates, Robbery (1967), Stanley Baker, The Criminal (1960), The Guns of Navarone (1961), Ursula Andress, Violent Playground (1957), Zulu (1964)
The Big Nowhere #2: Crashout
The second of my series looking at some of the best film noir you’ve never heard of, ‘The Big Nowhere’, is live here here at the film site, 4:3.
This week I look at Lewis R. Foster’s little known 1955 jail break noir, Crashout. Crashout is a B-noir in every sense of the word. The prison break that opens the film was borrowed from scenes shot for another jail noir, Don Siegel’s Riot in Cell Block 11 (1954), and the cast is made up almost completely of solid but unspectacular character actors. But in addition to being fast paced and incredibly tense, Crashout has a remarkably sophisticated story that belies its outward appearance as a macho prison noir.
You can read the piece in full here on the 4:3 site.… Read more
Hell Drivers
When we think classic noir cinema, we usually think of America. But in the forties, fifties and sixties, Britain produced its share of great noirs.
The British noirs I’ve seen are dark, brutal affairs, perhaps even more uncompromising than their American counterparts because of their depiction of the UK’s all pervasive and claustrophobic class system. Films like Brighton Rock (1949), The Third Man (1949), Basil Dreaden’s heist film, The League of Gentlemen and John Guillermin’s Never Let Go (which both came out in 1960) and the terrific Joseph Losey movie starring Dirk Bogarde, The Servant (1963).
But without doubt one of the best and toughest of the crop of post-war British noirs was Cy Endfield’s 1957 film, Hell Drivers. From the very beginning, the view from the cabin of a truck being driven at dangerously high speed, The Hell Drivers brims with pent up fury.
The plot of Hell Drivers is fairly simple. Tom (Stanley Baker) plays a young working class man fresh out of jail following a botched heist that crippled his brother (David McCallum) and left him with a huge burden of guilt. He takes a job at Hawlett Trucking Company. The work involves him driving a ten tonne truck to a gravel pit, loading gravel, and transporting it to a new construction site, as quickly and as many times a day as they can.… Read more
Posted in British crime cinema, Crime film, Joseph Losey, Richard Burton, Stanley Baker
Tagged Brighton Rock (1949), Cy Enfield, David McCullum, Dr No (1961), Gordon Jackson, Hell Drivers (1957), Herbet Lom, Joseph Losey, Patrick McGoohan, Peggy Cummins, Sean Connery, Sid James, Stanley Baker, The Criminal (1960), The Servant (1963), The Third Man (1949), William Hartnell