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Tag Archives: Crime Factory
Book review: Dare Me
“At first, cheer was something to fill my days, all our days. Age fourteen to eighteen, a girl needs something to kill all that time, that endless itchy waiting, every hour, every day for something – anything – to begin. There’s something dangerous about the boredom of teenage girls.”
So says Addy Hanlon, narrator of Megan Abbott’s latest book, Dare Me. And you better believe it.
I’ll make no bones about being a huge fan of Abbott’s work (I’ve previously reviewed her work on this site here and here). Her first four books, set in America in the thirties, forties and fifties, took classic noir themes and characters and gave them a mighty twist. The End of Everything, her break out work, was a deceptively simple coming of age tale about a missing girl in an anonymous middle class American suburb in the seventies.
Dare Me takes place in the present, in another part of the great expanse of nameless US suburbia. Addy and Beth have been best friends for years and are the top dogs of their high school cheerleading squad. Beth is the captain, Addy always her faithful lieutenant. Cheerleading and their commanding place in it is the ground zero of their world. “Let’s face it,” Addy says at one point, “we’re the only animation in the whole drop ceiling, glass bricked tomb of a school.… Read more
Posted in Book Reviews, Crime fiction, Megan Abbott, Noir fiction
Tagged Crime Factory, Dare Me, Megan Abbott, The End of Everything
Crime Factory: The First Shift Australian edition cover
I know I’ve been going on a lot on this site about Crime Factory Publications in the lead up to our March 5 launch.
Yes, that’s the one with readings from Edger Award winning author Megan Abbott, acclaimed Irish thriller writer Adrian McKinty, Perth-based crime writer David Whish-Wilson and author of the Simone Kirsch PI series, Leigh Redhead.
Well, I just wanted to give you a sneak peak at the cover for our Australian print only version of the book that came out last year through New Pulp Press in the US, Crime Factory: The First Shift. It includes stories by Ken Bruen (London Boulevard), Roger Smith (Dust Devils), Frank Bill (Crimes in Southern Indiana), Hilary Davidson (The Damage Done) and 23 others. First Shift is a great opportunity for local readers to check out the new wave of noir and hard-boiled writers in the United States who you won’t see much of in Australian bookshops.
We’ll be selling it on the night. It’ll also be available as print on demand from our website www.thecrimefactory.com
Anyway, while Iv’e got your attention, just a quick reminder that the venue on March 5 is Grumpy’s Green, 125 Smith Street, Fitzroy. Kick off is 7pm, with readings starting around 8pm. … Read more
Posted in Adrian McKinty, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Leigh Redhead, Megan Abbott, Noir fiction
Tagged Adrian Mckinty, Crime Factory, Crime Factory: The First Shift, David Whish-Wilson, Frank Bill, Hilary Davidson, Ken Bruen, Leigh Redhead, Megan Abbott, Roger Smith
Book review: The Cold Cold Ground
I’ve been an Adrian McKinty fan ever since reading Falling Glass last year and was keen as hell to get his latest, The Cold Cold Ground.
McKinty’s books are the kind of crime fiction I love, sharp, well written, combining political analysis with a hard noir edge.
I’ll be doing a longer review of The Cold Cold Ground in the next issue of Crime Factory. I just wanted to do a short post on it here, partly because it’s such a good book and deserves all the kudos is can garner and partly because it’s another chance for me to spruik the launch of Crime Factory Publications on March 5. McKinty will be one of the authors attending and reading from his work, along with Megan Abbott, David Whish Wilson and Leigh Redhead.
The Cold Cold Ground is set in the spring of 1981. Sean Duffy is a cosmopolitan, well education Catholic cop posted to the fiercely Protestant working class town of Carrickfergus. In other words, a complete fish out of water.
As if it’s not bad enough that Duffy has to start every day checking under his car for IRA bombs, the economy is collapsing and civil war seems imminent following the death of Republican hunger striker Bobby Sands.… Read more
Crime Factory Publications clocks on
Put the night of March 5 in your diaries, people. That’s the launch of Crime Factory Publications, a (very) small publishing company I’ve set up with my two colleagues and friends from Crime Factory magazine, Cameron Ashley and Liam Jose.
A couple of months ago on this blog I mentioned 2012 was going to be a big year for me. In addition to several short stories coming out around the place in the next couple of months, my novel will be out as an e-book around mid-year with Snubnose Press. On top of all this, I’ve now got my own slice of the publishing business (he says, tongue firmly in cheek).
The Crime Factory crew have been discussing taking our work to the next level for a while now. Several factors drove the decision to finally bite the bullet.
First and foremost, nine issues of Crime Factory magazine (of which I’ve been on board for the last four) have given us contacts and access to quality crime fiction from great writers. We don’t always make the most of this and push the great writing we get as much as possible. Starting our own outfit is one way to reverse this situation. We also wanted to raise the profile of the magazine here in Australia where, in comparison to the US, we’re pretty much unknown.… Read more
Posted in Adrian McKinty, Angela Savage, Australian noir, Crime Factory, Crime Factory Publications, Crime fiction, David Whish-Wilson, Garry Disher, Leigh Redhead, Megan Abbott, Snubnose Press
Tagged Adrian Mckinty, Angela Savage, Crime Factory, Crime Factory Publications, Crime Factory: First Shift, Crime Factory: Hard Labour, Crimes in Southern Indiana, Dust Devils, Frank Bill, Garry Disher, Ghost Money, Helen Fitzgerald, Hilary Davidson, Ken Bruen, London Boulevard, Megan Abbott, New Pulp Press, Roger Smith, Snubnose Press, The Cold Cold Ground, The damage Done, Wyatt
Who Is Gary Chance? Buy Dark Pages, Volume One, and find out
On-line publisher Trestle Press released the first of a series of international noir and hard-boiled anthologies over the weekend.
Dark Pages: Volume One tries to answer the question: What is noir/hard-boiled like all over the world? What does it mean in your country and how does it read?
The anthology contains twelve stories from authors in USA, England, Ireland, Poland, New Zealand and Canada. There’s a few contributors whose work I’m familiar with, including pulp hack Paul D Brazill (and Paul, if you’re reading this, that’s a compliment) and Julia Madeleine, and a whole lot who I’m looking forward to reading for the first time.
I’m one of two Australian contributors.
My story, ‘One Ashore in Singapore’, is the second tale of mine to find its way into print featuring the character of Gary Chance. Chance is a tough as nails ex-Australian army veteran who now makes a living pulling heists for anyone who’ll pay.
My first Chance story ‘Two Men and a Car’, appeared in Crime Factory: The First Shift, published earlier this year by indie US crime publisher, New Pulp Press. You can order Crime Factory: The First Shift here at Barns and Noble and Amazon.
Chance will also appear in early 2012 in an anthology of local crime fiction by a new Australian publisher, Dark Prints Press.… Read more