Tag Archives: Charles Bronson

The heist always goes wrong, part 3: 10 of the best heist films you’ve never seen

Posted on September 19, 2016 by Andrew Nette| 20 Comments

payroll-1961As readers of this site know, I love a good heist film, the ingenuity of their plots and the variations they come in, whether it be the all star team assembled for the job of a life time or a group of desperate men and women trying for one last big score.

Everyone can name their favourite heist films and, for the most part, it is usually the big name titles such as The Asphalt Jungle (1950), The Friends of Eddie Coyle (1973) and the French classic, Rififi (1955). Indeed, I listed these and many other well know heist movies in previous posts on this site, ‘The heist always goes wrong, part 1: ten of the best heist movies ever made’ and ‘The heist always goes wrong, part 2: reader picks and other favourite heist movies’.

But what about the lessor known heist films that are great but which nobody knows about?

To celebrate the release of my second crime novel, Gunshine State, I have compiled the following list of the 10 best heist films you’ve never seen.

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Operation Amsterdam (1959)

Operation Amsterdam functions as both a war and a heist film. Peter Finch plays Jan Smit, a British intelligence officer ordered to infiltrate the city of Amsterdam, which is on the verge of being overrun by invading German forces, and prevent the city’s diamond reserves from falling into Nazi hands.… Read more

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Posted in 1960s American crime films, 1970s American crime films, Christopher Lee, Crime film, Donald Westlake aka Richard Stark, French cinema, Heist films, Stanley Baker

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The Don Siegel Rule

Posted on November 18, 2013 by Andrew Nette| 8 Comments

SeigelI had to give it a name, so I called it the Don Siegel Rule.

I was watching Charley Varrick recently, the 1973 heist film directed by Siegel, starring Walter Matthau as an ex-crop duster and stunt pilot turned bank who, along with his long suffering girlfriend, Nadine, and unreliable partner, robs a small bank in New Mexico. Unbeknownst to Varrick, the bank in question is actually a front for the mob. In response, the mob sends a hit man (played by Joe Don Baker) after him.

It’s a terrific little heist film. Tough in all the right places, just enough action and suspense to keep you interested, without the kind of over the top action gimmicks similar films exhibit these days. Matthau is terrific as the hangdog loner, Varrick.

Anyway, it got me thinking. There may be bad Siegel films out there, but I haven’t seen them.

Siegel was the king of the intelligent B movie (a title he shares with directors such as Walter Hill). His films have enormous energy and pace, but they also have an economy. Watching Siegel’s films, time and again he’s been able to get above obvious budget and script limitations to tell a gripping story.

The journeyman director cut his teeth making Westerns and noirs in the late forties and early fifties, and then pretty much excelled at whatever genre he tried.… Read more

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Posted in Angie Dickinson, Crime film, Don Siegel, Heist films, Lee Marvin, Michael Caine

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Sterling Hayden’s crime wave

Posted on September 26, 2011 by Andrew Nette| 6 Comments

One thing I love about the canon of movies known as film noir is how I’m always finding something new. Sure, there are the classics and masterpieces everyone talks about. But every now and again you unearth a gem you didn’t know would be so good.

Like, for example, the 1954 Andre de Toth noir, Crime Wave, which I watched last night.

A trio of escaped cons knock over a gas station, killing a cop in the process. A full scale police manhunt ensures complete with what then must have seemed like the full array of hi-tech police gadgetry.

One of the cons is wounded during the hold up and left to fend for him self. The other two need a place to hide. They visit the home of another ex-con Steve Lacey and his pretty young wife, Ellen.

Steve wants to go straight, but the escaped cons have other ideas. The gas station is the latest of a string of chump change robberies they’ve pulled up and down the Californian coast. They need a major score to get enough money to get out of town for good.

They plan to rob a bank and want Steve as their wheelman. The ex-cons team up with other criminals, one of who takes Ellen hostage, to ensure Steve’s cooperation.… Read more

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Posted in Andre De Toth, Crime film, Film Noir, Sterling Hayden

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