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Tag Archives: Bryan Brown
Parker on the screen #4: Slayground (1983)
Next in my series on Don Westlake aka Richard Stark’s criminal character of Parker on the screen is the 1983 film, Slayground.
Slayground is based on the 1971 book of the same name, the 14th instalment in the first cycle of Westlake’s Parker series. I am going to put my cards on the table up front and say that while Slayground is among my least favourite of that earlier tranche of Parker novels, I think is film, however, is very good. It has very little to do with the book, but as I said early in this series, I’m not going to get hung up on how much the films adhere to their source material.
The novel depicts what happens after Parker and his criminal associates are forced to to hire a second-rate wheelman for an armoured car heist they are planning. The job goes wrong and Parker narrowly escapes the law with $74,000 from the robbery. He stumbles across an amusement park called Fun Island, closed for the winter, and figures it is as good a place as any to hide until the heat from the job dies down. A major hitch arises when a couple of corrupt cops make Parker entering the park.… Read more
Posted in 1970s American crime films, 1980s American crime films, Billie Whitelaw, British crime cinema, Bryan Brown, Crime film, Donald Westlake aka Richard Stark, Giallo cinema, Heist films, Neo Noir, Parker
Tagged Billie Whitelaw, British giallo, Bryan Brown, Donald Westlake aka Richard Stark, heist film, I'll Sleep When I'm Dead (2003), Mel Smith, Mike Hodges, Ned Eisenberg, Not the Nine O'clock News, Parker, Parker on the screen, Payback Straight Up (1999), Peter Coyote, Slayground (1983), Terry Bedford, The Omen (1976), Trevor Preston
10 great Australian westerns
To mark the UK release of The True History of the Kelly Gang (2019), Justin Kurzel’s bold reimagining of the sage one of Australia’s most famous myths, bushranger Ned Kelly, the British Film Institute asked me to write about my ten favourite Australian westerns. Not only is Ned Kelly Australia’s most famous bushranger – the name given to convicts who had escaped and survived Australia’s harsh environment to become outlaws – his legend forms a mini industry in film and television. In addition to Kurzel’s, Kelly has been the subject of eight films. The Kelly filmography forms part of a larger of body of Australian westerns, made by overseas and local concerns. You can read my piece in full at the BFI site here.
Posted in Australian crime film, Australian noir, Australian popular culture, Australian television history, Bryan Brown, Crime fiction, Ozsploitation, Westerns
Tagged Australian westerns, Bryan Brown, Justin Kurzal, Ned kelly, Sweet Country (2019), The True History of the Kelly Gang (2019), Westerns
The heist always goes wrong, part 4: 10 more heist films you’ve never seen
To celebrate the re-release of my heist thriller, Gunshine State, by Down and Out books, it is time for another of my top 10 heist posts.
This is my fourth post along the theme of ‘the heist always goes wrong’. Previous posts have been: ‘The heist always goes wrong, part 1: ten of the best heist movies ever made’, ‘The heist always goes wrong, part 2: reader picks and other favourite heist movies’, ‘The heist always goes wrong, part 3: 10 of the best heist films you’ve probably never seen’.
This instalment continues where I left of in part 3, with 10 more unknown or under appreciated heist films that you might want to check out.
Machine Gun McCain (1969)
Even when he was slumming it, John Cassavetes was still incredible and Machine Gun McCain is proof. This hard boiled 1969 Italian film tells the story of a paroled armed robber (Cassavetes) whose plan to heist a Las Vegan casino falls foul of a battle for territory between the east and west cost Mafia. Cassavetes’s co-starts include Peter Faulk, Britt Elland, and such Italian genre film stars as Luigi Pistilli and Grabiele Ferzetti.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1990s American crime films, Australian crime film, Australian noir, British crime cinema, Bryan Brown, Film Noir, Gunshine State, Heist films, Lee Marvin
Tagged Adolfo Celi, Allen Hughes, Bryan Brown, Dan Duryea, David Goodis, Dead Presidents (1995), Dirty Heroes (1969), Edward Woodward, Ennio Morricone, Ernest Borgine, Grabiele Ferzetti, Gunshine State, Heath Ledger, Ian McShane, Janet MacLachlan, Jayne Mansfield, Jill St John, John Cassavetes, Jules Dassin, Julien Mayfield, Kurt Jurgens, Larenz Tate, Lee Marvin, Luigi Pistilli, Machine Gun McCain (1969), Max Julien, McVicar (1980), Oliver Reed, Peter Faulk, Raymond St. Jacques, Robbery (1985), Roger Daltry, Roscoe Lee Browne, Rose Byrne, Sitting Target (1972), This film by Albert, Two Hands (1999), Uptight (1968), Victor Mature, Violent Saturday (1955)