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Tag Archives: Bob Kelljan
Feminist vigilantes, vampires & the forgotten exploitation film career of Bob Kelljan
On the weekend I unintentionally plunged head first into the lost cultural zeitgeist that was the short but fascinating big screen career of US exploitation filmmaker, Bob Kelljan.
This started Friday evening, when I finally got around to checking out Australian outfit Ex-Films‘ DVD re-release of American International Pictures’ (AIP) controversial 1974 exploitation rape revenge film, Act of Vengeance, courtesy of my friend and film scholar, Dean Brandum. The DVD extras include an excellent essay by Dean on the film’s distribution and the controversy over the original title, Rape Squad, which the company subsequently changed at the last minute to Act of Vengeance.
Lost/unknown/unappreciated exploitation films from the 1960s and 1970s have been hot property for a while now. That said I have little tolerance for watching an exploitation film for the sake of it. But Act of Vengeance, which Kelljan was brought into direct after the previous two directors were fired, delivers on several fronts.
The plot focuses on a group of women who have been victims of a hockey masked man dubbed the ‘Jingle Bells Rapist’ by the police, because of the song he makes his victims sing as he attacks them. Frustrated by the failure to catch the rapist and angry over their shocking treatment by police, the women band together to form a support group for victims of rape.… Read more
Posted in 1970s American crime films, Blaxsploitation, Horror
Tagged ‘The Vampire’ (1976), Act of Vengeance aka Rape Squad (1974), Alexander Heller Nichols, Bob Kelljan, Count Yorga: Vampire (1970), Dean Brandum, rape-revenge film, Robert Quarry, Scream, Scream Blacula Scream, Starsky and Hutch, The Return of Count Yorga (1971), Vincent Price