Tag Archives: Bendigo Writers Festival

Girl Gangs, Biker Boys & Real Cool Cats at the Bendigo Writers Festival

I am thrilled to be taking part in the 2018 Bendigo Writers Festival. The Festival, which takes place from August 10 to 12, is one of my favourite local writers festivals.

First up, I’ll be talking all things pulp fiction and the book I co-edited, Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, with fellow pop culture fiend, John Richards, at the La Trobe Art Institute, from 10am on Saturday, August 11. Copies of the book will also be for sale at the Festival.

On the Friday morning, August 10, from 9.30am to 12.30pm, I’ll be running a ‘Crime Starter’ workshop for new and emerging crime writers . I’ll cover the elements of a thrilling crime read and the rules of the genre, as well as providing tips on how to push through blockages and problem passages in your manuscript.

I’ll also be taking part in the festival debate ‘You Can Judge A Book By Its Genre’, with a group of talented writers.

So if you are in Bendigo or its environs and want to come to any of the events, grab a copy of the Girl Gangs book, or just say hello, it would be great to see you.

The full program for the Bendigo Writers Festival is available here.Read more

Sorting through the cultural blood and guts of Game of Thrones


Kull 3Like many writers, I’ve attended my share of panels where publishing insiders share their experience about the industry, what they are looking for, what’s selling, etc. The most honest thing I ever heard came from a young up-and-comer from a mid-level publishing house with a strong focus on quality literature, who, when it came to his turn to speak, said, ‘We don’t know what’s big at the moment. If we did, we’d be doing more of it.’

This comment has stuck with me due to its frankness. It occurred to me again when recently asked what I thought about HBO’s latest blockbuster, Game of Thrones. It’s successful and, no doubt, if television studios could afford to, they’d be doing a lot more of it. Case in point is the historical mini-series, The Vikings, clearly marketed as a smaller-scale version of GoT.

Game of Thrones is interesting on many levels. The very first episode contains incestuous sex, the discovery of which resulted in a ten-year-old boy being casually thrown from a tower and crippled for life. Subsequent episodes contain graphic violence, torture, child marriage, slavery and rape. It has garnered mainstream acclaim (including 19 nominations Emmy nominations in 2014), as well as being watched by people whose taste (if my experience is anything to go by) usually veers to the high culture end of the scale.… Read more