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Tag Archives: Barbara Payton
2021 mid-summer reading report back
I’m conscious that I did not do a post on my top 10 reads at the end of last year, as is my usual habit. To make up for this, here is a quick update on what I’ve been getting into, reading-wise, over the first half of summer in Melbourne.
Shore Leave, David Whish-Wilson
Shore Leave is the fourth book to feature the character of ex-Perth cop turned PI, Frank Swann. This latest instalment is set largely in the Perth seaside suburb of Fremantle. Swann is battling poor health from a mystery ailment and is involved in a variety of complications arising from a US aircraft carrier, Carl Vinson, that has docked in town. These problems include the disappearance of a cache of M16 rifles from the ship that may have found their way into the hands of a local neo-Nazi group, and the murder of two women by what could be a serial killer among the crew. To top things off, as has been the case throughout the entire series, Swann has to deal with problems arising from his chequered past as a cop. Nothing in Shore Leave has dissuaded me from my oft stated opinion on this site that Whish-Wilson is the most underrated crime writer working in Australia today.… Read more
Posted in Australian crime fiction, Book Reviews, Crime fiction, David Whish-Wilson, Neo Noir, Noir Con, Noir fiction
Tagged ‘I am Not Ashamed’, A Small Town in Germany, Barbara Payton, Dance the Eagle to Sleep, David Whish-Wilson, Holloway House, Jean-Patrick Manchette, John Le Carre, Luce Sante, Marge Piercy, Nada, No Room at the Morge, Shore Leave, Vida
Book review: Hard-Boiled Hollywood
I challenge anyone to get more than a few pages into Jon Lewis’s 2017 revisionist history of post-war Hollywood, without thinking about the parallels to Harvey Weinstein scandal, and all the terrible tales about America’s movie capital that have flowed from it. As Lewis’s book demonstrates, Hollywood – both in the temporal and fantasy sense (and both play a role in this book) was never any different. Arguably, it used to be far, far worse.
Lewis’s book doesn’t deliver a lot of new information or historical research about Hollywood. What it does deliver, in spades, is the meticulous collection, collation and synthesis of a huge amount of pre-existing research, media commentary and popular culture folk law, which he weaves together into a cogent and comprehensive overview of post-World War II Hollywood, and the various power players, criminals, film stars and fringe dwellers, and how they interacted with a studio system in the throws of major transition.
The book touches on lots of familiar names: Robert Mitchum and his famous drug bust; Frank Sinatra, already on the start of his trajectory towards conservatism, and his famous stoush with celebrity columnist, Lee Mortimer; the bullying, manipulative HUAC stooge, Cecile B DeMille; Benjamin ‘Bugsy’ Siegel, and his close ties to the studio system, just to name a few.… Read more