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Tag Archives: Australian pulp fiction
Pulp Friday: Pulp Confidential: Quick & dirty publishing from the 40s & 50s
When I first started researching the history of Australian pulp paperback publishing I thought libraries would be crammed with old papers from the various publishers who churned the books out in the fifties, sixties and seventies. I have since realised that paper takes up a lot of space to store and space is something that is at a premium at most libraries, be they public or university.
That is assuming individuals even had the presence of mind to realise that the records relating to pulp publishing were something worth keeping for future generations.
This is why Pulp Confidential: Quick and dirty publishing from the 40s to 50s, an exhibition currently showing at the State Library of NSW, is so interesting and unusual. The exhibition showcases papers, manuscripts, correspondence and artwork relating to Frank Johnson Publications, a small pulp-publishing operation active in Sydney in the 1940s and 1950s.
Johnson was member of the Sydney bohemian set in the twenties. He had high literary pretensions but moved into pulp publishing in response to the gap in local reading material resulting from the tariff placed on foreign imported printed matter in 1938.
Johnson died in 1960, after which the State Library wrote to his family, asking whether they had kept his papers. His daughter responded five years later, saying there was a considerable amount of paperwork relating to Johnson’s work in a shed at the back of her house.… Read more
Pulp Friday: Nurse in Vietnam
While Sydney-based Horwitz Publications was Australia’s largest pulp publisher, it was not the only one. Cleveland Publishing Company, publisher of today’s Pulp Friday offering, Nurse in Vietnam, was another sizeable operation.
I’ve been able to find out virtually nothing about who was behind Calvert.
All we know about Shauna Marlowe, author of Nurse in Vietnam, is she (if it is actually a woman and not a man writing under a woman’s name) is credited with writing 41 books, nearly all of them for Calvert, from the late fifties to the early seventies.
On one level, Nurse in Vietnam, is just another nurse/doctor romance story (a hugely popular sub-genre of pulp in the fifties and sixties). The nurse in question and a handsome doctor have been captured by Viet Cong rebels. The doctor’s main pre-occupation is not escape but whether she’ll agree to his marriage proposal.
But the publication date, 1965, is significant. A small number of Australian military advisors had been stationed in Vietnam since 1962. We did not start to commit significant ground forces until 1965.
What was the first mainstream Australian novel to tackle the war in Vietnam? Perhaps William Nagle’s The Odd Angry Shot, published in 1975. Nurse in Vietnam shows pulp publishers were onto Vietnam as a setting for fiction straight away.… Read more
Posted in Australian popular culture, Australian pulp fiction, Horwitz Publications, Pulp fiction, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art
Tagged Australian pulp fiction, Australian romance pulp, Calvert Publishing Company, Nurse in Vietnam, Shauna Marlowe, The Odd Angry Shot, William Nagle
Pulp Friday: Notorious Women
“They were beautiful, dangerous and shocking – high voltage wantons who stopped at nothing to get their men.”
This week’s Pulp Friday, Notorious Women, is another offering from former clerk turned prodigious pulp hack, James Holledge.
Holledge, who has featured previously on this site, wrote approximately 45 books between 1961 and 1970. Most of these were heavily sensationalised, salacious examinations of social issues such as prostitution and the occult, which he dressed up as serious sociological expose.
Notorious Women, published in 1962 by Horwitz Publications, Australia’s premier pulp publisher in the fifties and sixties, is fairly typical of Holledge’s work. Purporting to be an examination of “a few of the Wantons of the World who have been branded forever as Notorious Women,” the boom is divided into 13 chapters.
These include ‘Wanton on the beach’ (“A reckless, sensation-seeking Bohemian, she had a mania for performing unrehearsed striptease dances”) and ‘Women with the serpent’s tongue’ (“The police actually feared this heartless hussy who was obsessed by money hunger”). But my favourite is ‘Edward who was really Ellen’ (“One of Australia’s most baffling sex masquerades was was finally exposed in startling circumstances”).
The one undeniable fact about Holledge’s books is that they sold, presumably to working stiffs eager for a few cheap thrills.… Read more
Pulp Friday: Operation Concrete Butterfly
“The Sydney Opera House opening was glitter and show – and then it became a bloodbath.”
One of lessor known sub-genres of sixties/seventies pulp fiction was what for want of a better term could have been called ‘Blaxsploitation pulp’ (even though a lot of it was written by white authors).
It was big in the US and UK usually featured black PIs solving their cases in style at the same time as sticking it to the man or black revolutionaries seizing power and getting some pay back on whitey. You get my drift. New English Library, a UK pulp publisher, also released a series of semi-soft core porn novels featuring slaves and slavers in the pre-US civil war deep south.
I’ve never been able to find any example of this kind of pulp fiction in Australia, with the exception of today’s Pulp Friday offering, Operation Concrete Butterfly by Dick Peters.
To says this is a little known book is an understatement. I have not been able to find out any background on the author or Arkon Paperbacks, the outfit that published it in 1973. The publication notes suggest it might have been a subsidiary of Angus and Robertson Publications but I can’t be sure.
As for the plot, the back cover blurb gives a pretty good indication of what the prospective reader is in for.… Read more
Pulp Friday: The Spungers
This Friday’s pulp offering comes via Line of Sight author, David Whish Wilson.
Julian Spencer’s The Spungers was put out in 1967 by Scripts, a publishing company based in London, Melbourne and Sydney, that released a lot of the more explicit Australian pulp fiction I’ve come across from the sixties and early seventies.
As I’ve written previously, the sixties saw Australian pulp publishers start to produce kitchen sink and exploitation fiction, often dressed up as lurid exposés of drug use and sexual promiscuity. These fed off mainstream society’s fears of youth rebellion and changing sexual standards.
The focus of many of these tales was Sydney’s Kings Cross, which in the sixties became well known as a centre for prostitution, sly grog and drugs, often to meet the demand of American servicemen on R&R during the Vietnam War.
The Spungers is a classic piece of exploitation pulp dressed up quasi social commentary on the declining moral values of youth in the sixties. Not that much has really changed. Update the language a bit and whack in a TV crew from A Current Affair and The Spungers would be right at home in Australian in 2011.
The inside front cover blurb is priceless:
“The Vicious, sordid activities of a scruffy Kings Cross beatnik clash with those of a young surfie who decides to spend a misspent holiday rorting up the Cross.… Read more