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Tag Archives: Asian themed pulp fiction
Pulp Friday: more adventures behind the bamboo screen
One of the most successful pulp fiction related posts to date on this site was a selection of Asian themed pulp fiction paperback covers I put up in 2011, Behind the bamboo screen: Asian pulp covers of the sixties and seventies.
For a while now I’ve been planning a follow up and here it is.
As was the case in the original post, the covers below portray the anti-communist hysteria created by the rise of the so-called ‘red menace’ as well the fate of innocent (and not so innocent) Westerners thrown into chaos and intrigue of the ‘Far east’, a place of intrigue, “notorious pleasure palaces” and “forbidden desire”.
Hong Kong was a popular setting of Asian themed pulp fiction, as evidenced by titles such as A Coffin From Hong Kong (“A seemingly innocent telephone call led him to the murder of a Chinese call-girl who had talked to much and into the teeming, sordid nightlife of colourful Hong Kong”).
Other locales portrayed below include, Korea (The Turncoat), China (Shanghai Incident – “I had two callers my first night in Shanghai – death and a honey blonde”), the “South Seas” (November Reef), India (Men and Angels), Burma (The House of Bamboo – “In a Burmese girl’s warm, seductive beauty he found escape from the flames of forbidden desire”), and Thailand (Port Orient).… Read more
Posted in Crime fiction and film from Cambodia, Fawcett Gold Medal Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Asian themed pulp fiction, Dan Cushman, Fu Manchu, James Eastwood, James Hadley Chase, Lawrence Block, Sax Rohmer