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Tag Archives: Angela Savage
New crime anthologies and Ned Kelly Awards
An interesting trend that seems to be occurring parallel with the rise of e-publishing is the growing popularity of short story anthologies.
I’m told by people who know about these things, that anthologies are not popular with mainstream publishers. Well, e-publishing is now allowing small niche publishers to get their product out there.
Exhibits A and B are two upcoming crime anthologies, both of which I have stories in.
In September, the first Crime Factory anthology will be available through US indie crime publisher, New Pulp Press.
Crime Factory: The First Shift contains 28 noir stories from established and emerging authors in the US, UK, South Africa and Australia. There’s names Australian crime readers may be familiar with, including Ken Bruen (author of The White Trilogy and London Boulevard), Adrian McKinty (Falling Glass), and local writer, Leigh Redhead (Thrill City).
First Shift is also a chance for Australian audiences to check out several members of the new wave of noir writers in the United States who are relatively unknown here, including Hilary Davidson, Dave Zeltserman, Scott Wolven and Dennis Tafoya. South African writer, Roger Smith, whose upcoming book Dust Devils is on my to read list, also contributed a story.
You can pre-order Crime Factory: The First Shift here at Barns and Noble and Amazon.… Read more
Posted in Angela Savage, Australian crime fiction, Crime Factory, Crime fiction, Crime fiction and film from Africa, Ned Kelly Awards, Neo Noir
Tagged Adrian Mckinty, Alan Carter, Angela Savage, Crime Factory, Crime Factory anthology, Crime Factory: The First Shift, D*cked, Dark Prints Press, David Whish-Wilson, Dennis Tafoya, Dust Devils, Geoffrey McGeachin, Hilary Davidson, Ken Bruen, Leigh Redhead, Ned Kelly Awards, New Pulp Press, Prime Cut, Roger Smith, Save Zeltserman, Scott Wolven, The Digger's Rest Hotel, The One That Got Away
Book review: The Half-Child
We love a good guest review here at Pulp Curry and today’s is about a book very dear to me, Angela Savage’s The Half-Child. For readers who don’t follow Pulp Curry on a regular basis, in the interests of full disclosure I need to declare that Angela has been my partner in life (and crime) for the last 20 years. Her book, The Half-Child, is also a great read. Many thanks to Sulari Gentill, whose own crime novel, A Few Right Thinking Men, was published in 2010 by Pantera Press.
When I opened The Half-Child, Angela Savage’s second Jane Keeney crime novel, I looked forward to reacquainting myself with the streets of Thailand, about which Savage writes with an intimate knowledge and affection.
I wanted once again to be shown the colour, the contrast, the cultural crater of a place where West has hurtled into East. I wanted to see past cliché: the neon, the sleaze, the confronting corruption, to the beauty of an ancient culture and a tenacious and adaptive people. On top of all this I wanted intrigue, excitement, perhaps a little romance, and definitely some humour. I did start out by saying I was greedy.
The Half-Child completely satiated my literary gluttony and then offered me dessert!… Read more
Book review: David Whish-Wilson’s Line of Sight
I am not going to let the fact that I have not read a book stand in the way of publishing a review of it, especially when the book in question sounds as interesting as the second novel by West Australian-based author David Whish-Wilson.
This review was originally appeared on the blog of my partner in crime Angela Savage, whose own book, The Half Child, has recently been released by Text Publishing.
Line of Sight is set in Perth in 1975 and is based on real events surrounding the unsolved murder of South Perth brothel owner Shirley Finn. In Whish-Wilson’s novel, the victim is celebrity brothel madam Ruby Devine whose body is found in her car, abandoned on a Perth golf course. Like Finn, she was shot at close range four times in the back of the head.
Superintendent Frank Swann formed a friendship with Ruby Devine when he worked as a detective in Kalgoorlie some ten years earlier. Though prostitution was illegal, Kalgoorlie was ‘famous for its prostitutes’ and Swann, adopting a harm reduction approach before it was fashionable, took steps to control rather than suppress the industry. However, as he makes clear to the Royal Commission into Matters Surrounding the Administration of the law Relating to Prostitution, which opens as the novel begins:
“It was not my practice to solicit monetary of sexual favours from Ruby Devine, or from anyone else…I am on the record as saying that there has never been a time in the history of this state when prostitution and some of the policemen who controlled it haven’t come to a financial understanding.… Read more
Is Philip Marlowe spinning in his grave?
It’s official.
Yesterday my crime novel, Cambodia Darkness and Light, was short listed in the category of best unpublished manuscript by an emerging writer in the 2010 Victorian Premier’s Literary Awards.
The judges said the following about Cambodia Darkness and Light:
Ex-cop Max Quinlan is working his third missing person’s case, and he’s already out of his depth … He’s in Cambodia, on the trail of disappeared Melbourne gem-trader Charles Avery, hired by his deep-pocketed sister. Avery is the kind of man ‘everyone had met’ but ‘no one knew’ – and he’s deeply enmeshed with the Khmer Rouge. This is a fast-paced, richly atmospheric spin on the Chandler-esque disillusioned gumshoe, keenly informed by the turbulent politics and history of Cambodia.
It’s not everyday you get your work compared to one of the masters of crime fiction, Raymond Chandler. Hopefully, he’s not spinning in his grave too much at the suggestion that my Vietnamese Australian ex-cop turned missing person’s investigator has anything in common with Philip Marlowe.
Best of luck to the other two shortlisted writers in the unpublished manuscript category. Peter Temple’s crime novel Truth is among the books shortlisted for the Vance Palmer fiction prize. Hopefully, its inclusion will continue to push crime fiction, particularly, Australian crime fiction, further into the literary mainstream in this country. … Read more