Pulp Friday: The Girl From Las Vegas

The Girl from Las Vegas“Everything’s on the house – including homicide.”

I thought today’s pulp Friday would be a relatively straight forward affair.

The Girl From Las Vegas, by J.M.Flynn, is one of the many pulp paperbacks from the US and UK, reprinted in Australia in the early seventies by small, anonymous operations.

In this case it was an outfit called Universal Paperbacks. The book has no republication date and the only information about the publisher is that it was printed by Griffon Press, 262 Marion Road, Netley, South Australia.

I selected it because I like the cover and it has a great tag line: “Everything’s on the house – including homicide”.

The story concerns Matt Tara, a man who goes to the closing night party of his popular local saloon, only to wake up the next morning with a skull buster of a hung over and the realisation he got so drunk during the festivities, he actually bought the establishment. Tara’s troubles mount when he discovers the bar is worth a great deal of money to the some criminal inclined members of the local community.

Ace Paperbacks originally published The Girl From Las Vegas in 1961 (cover below). I often draw a blank in my efforts to track down more in-depth information about these knock off pulps.… Read more

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Book review: Kuala Lumpur noir

KL NoirIf you need further proof there’s no better vehicle than crime fiction for shining a light into the crevices and cracks of society the powers in control don’t want you to see, check out a new anthology called KL Noir.

That’s KL as in Kuala Lumpur, the capital of Malaysia.

Kuala Lumper may not seem like the most obvious place to set an anthology of noir fiction. On the surface, at least, it has a reputation as an orderly, well behaved city.

But if this book is anything to go by, a lot is going on under the surface.

KL is a city crawling with horrendously exploited migrant workers and angry ghosts, a place where breakneck economic development and rampant consumerism has left many of its citizens with no other social outlet than wandering shopping malls, and which is governed by a highly authoritarian ruling party that has clung to power for over half a century.

How Asian writers interpret crime fiction in general, and noir narratives in particular, fascinates me. KL Noir is first of four volumes about the city’s dark side by independent Malay publishing company Buku Fixi. I didn’t like every story in the collection, par for the course for any anthology. But there are some great tales and, collectively, they’re a great insight into what noir means in this particular neck of the woods.… Read more

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Crime time at the 2013 Melbourne International Film Festival

grisgrisThe Melbourne International Film Festival (MIFF) approaches and, and as was the case in 2012, the good people at MIFF HQ have been good enough to give me media accreditation to cover some of the crime films on the program.

When I started to write this piece on my crime cinema picks for MIFF 2013, I realised nearly all my choices were films set outside of the Anglo world. This is in line with my usual practice of viewing films that I think are unlikely to get a mainstream release here. But it also reflects my growing interest in how developing or countries from the global South view and define crime cinema and crime and noir narratives.

Grigis

One of my favourites from MIFF 2011 was the Congalese film Viva Rivathe story of a small-time gangster who returns from neighbouring Angola with a truckload of stolen petrol he hopes to sell Kinshasa at top dollar. I’m hoping that Grigis, a 2011 France/Chad coproduction is as good.

Directed by French-Chadian Mahamat-Saleh Haroun, it focuses on a young physically handicapped Chadian man who earns a living as a photographer and dancer in nightclubs, but yearns to make enough money to pay Mimi, one of the hostesses in the bar he works in, to marry him.… Read more

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Book review: in Praise of James Crumley’s The Last Good Kiss

The Last Good Kiss“When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside Sonoma California, drinking the heart out of a fine spring afternoon.”

I recently re-read James Crumley’s The Last Good Kiss. It was maybe my third or fourth time, I’m not sure.

Whatever the case, I came away from the book thinking two things.

Firstly, it probably has the greatest opening line of any book I’ve ever read.

Second, it may very well be the best piece of private investigator fiction written. It’s certainly the best one I can remember reading, and I’ve read a lot. The story is a terrific piece of distilled hard-boiled noir, and Crumley is such a fine writer. I was determined to mark the most memorable passages but gave up by page 30. There were just too many of them.

The Last Good Kiss starts off with CW Sughrue being paid to search for an alcoholic, larger than life, Norman Mailer-type writer called Abraham Traheane. He tracks Traheane for weeks down endless stretches of black top and numerous dead end bars, almost entering a dream like state, before finally finding him. His thoughts upon locating his quarry are worth repeating in full.… Read more

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Ghost Money makes long list for Ned Kelly crime writing awards

Ghost MoneyThe long lists for the 2013 Ned Kelly awards for Australian crime writing have been released.

My novel, Ghost Money, has made the long list for best First Fiction, along with a number of other excellent books.

Ghost Money continues to get excellent reviews. So, if you haven’t bought a copy, why not do so.

For those who don’t know the plot, here’s the pitch:

Cambodia, 1996, the long-running Khmer Rouge insurgency is fragmenting, competing factions of the coalition government scrambling to gain the upper hand. Missing in the chaos is businessman Charles Avery. Hired to find him is Vietnamese Australian ex-cop Max Quinlan.

But Avery has made dangerous enemies and Quinlan is not the only one looking. Teaming up with Heng Sarin, a local journalist, Quinlan’s search takes him from the freewheeling capital Phnom Penh to the battle scarred western borderlands. As the political temperature soars, he is slowly drawn into a mystery that plunges him into the heart of Cambodia’s bloody past.

Ghost Money is a crime nove about Cambodia in the mid-nineties, a broken country, what happens to those trapped between two periods of history, the choices they make, what they do to survive.

It’s available here in digital format for $4.99 and hard copy for $10 plus postage.… Read more

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