“We need gangsters to get things done”

Act of KillingFrom the first scene, a bizarre musical number involving dancers emerging from the mouth of a giant fish, to the last, an old man being physically sick at the memory of his actions (whether genuinely or not is unclear), The Act of Killing is a riveting, at times, unbelievable piece of documentary film making.

In 1965, the height of the Cold War, a section of the Indonesian military staged an unsuccessful coup. It was very quickly blamed on the influence of the then powerful Indonesian communist party. A massive campaign of killing targeted anyone suspected of being a communist, including trade unionists, farmers, intellectuals and ethnic Chinese, or anyone unlucky enough to be on the wrong side of a score that needed settling.

Up to a million people were murdered. The main assailants were paramilitary death squads. The killing was out of control and chillingly low-tech in its nature. As the film states at the beginning, the men who carried it out “have been in power and have persecuted their opponents ever since.”

US director, Joshua Oppenheimer, asked two of these men from Medan in North Sumatra, to recreate their actions on film. They do it with an enthusiasm that is sometimes hard to watch.

You can read the rest of this review here at the website for Overland Magazine.Read more

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MIFF progress report #3: A Touch of Sin and Call Girl

call-girl-posterThe third and final part of my report back from the 2013 Melbourne International Film Festival (MIFF) looks at the Chinese film A Touch of Sin and Call Girl, a Swedish neo noir set in the early seventies.

First up, Call Girl. Apparently based on actual events, this 2012 thriller was one of the real surprises for me at MIFF.

Sweden is in election mode and it is seven days before the nation goes to the polls. It’s a universe away from Iris and her best friend Sonja, two young juvenile delinquents sent to live in a home for troubled youths.

The home has virtually zero supervision and the young people seem free to come and go at all hours of the day and night. Remember this is Sweden in the early seventies, an ultra permissive, self proclaimed social democratic paradise where the authorities are thinking about decriminalizing certain types of incest and the cops crack jokes about capitalism.

Tthrough a series of unfortunate interactions the two girls find themselves drawn into the orbit of a procurer for the sex trade called Dagmar and her creepy sidekick and lover, Roy.

Dagmar runs a call girl operation. Not just any call girl racket. Her clients include senior civil servants, politicians (including the Minister of Justice) and police.… Read more

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MIFF 2013 progress report #2: Death for Sale and Grigris

death-for-saleMy second Melbourne International Film Festival (MIFF) progress report looks at Death for Sale, which played as part of MIFF’s ‘New Arabic Cinema’ section, and the French/Chadian gangster movie, Grigris.

First up, Death For Sale. I loved everything about this Arabic take on the classic heist movie.

The setting is the working class port town of Tetouan, at the northern edge of Morocco. The film opens with two men, Malik and Soufiane, waiting outside a prison for the release of their friend, Allal, who has been inside for several years on drug trafficking charges.

Each of three men is dealing with their own issues. Malik lives with his sister, mother and a stepfather who he hates. He’s also got a major crush on Dounia, a femme fatale-type hostess at the town’s sole upmarket nightclub. Soufiane is a poor orphan who lives in the dormitory of a home for boys. Allal lives with his alcoholic father and positively seethes with unrealised criminal ambition.

Life is tough in Tetouan and every one does whatever they can to get by. The three men bag snatch when they can, Malik’s sister steals from the garment factory she works in, and Dounia whores herself. Life looks like it will go on, a slow burn of frustration and petty crime, until a police crackdown results in a large chunk of Tetouan’s underworld, including Dounia, being imprisoned.… Read more

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The death of a bookshop: a tribute to Melbourne’s Kill City Books

KC 4

I love poking around in second-hand bookshops. The more disorganised and dishevelled, the better. I can’t remember the last time I found one with a curtained off section where they stashed the adult stuff, the pulp fiction and true crime, but those ones were best of all.

It’s always sad to hear about the closure of a second handbook shop and they’ve been closing with alarming frequency in Melbourne over the last few years.

The latest casualty is Flinders Books, which had operated out of the basement at 119 Swanston Street, for 18 years. Before that it had reportedly been a trading card shop, and going back even further, a rest and recreation area for military personnel after World War II.

Basement Books, located at 342 Flinders Street is, as far as I know, the last second-hand bookshop in the Melbourne CBD.

The reasons behind the closure are nothing new: changing book buying habits, including the rise of e-books, coupled with a massive rent increase, all of which, according to the owner, made the business impossible to sustain at its current location.

As if the end of a good second-hand bookstore is not sad enough, the passing of Flinders Books has a wider historical significance. For the last eight years of its existence it also hosted the remnants of Kill City Books, once Melbourne’s premier bookshop specialising in crime fiction and true crime.… Read more

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MIFF 2013 progress report #1: Manila in the Claws of Light & Monsoon Shootout

ManilaA couple of weeks ago I posted on the films I was planning to check out as part of the Melbourne International Festival. Yesterday I ticked off my first two choices, the Indian noir Monsoon Shootout and Manila in the Claws of Light.

First up, Manila in the Claws of Light (or as it is otherwise known as, The Nail of Brightness). This 1975 film is considered one of the classics of Philippines cinema. I’d heard a lot about and I wasn’t disappointed.

Julio (Bembol Rocco) is a young man who leaves his idyllic life in a small rural fishing town and travels to Manila to find his childhood sweetheart, Ligaya (Hilda Koronel), who has been trafficked into the city’s sex trade. Finding himself flat broke after he is mugged, he has no choice but to take a job working on a high-rise construction site.

The conditions are brutal, he sleeps in a wooden shack next to the half finished building, and workplace deaths are common. He also has to deal with the foreman, who regularly rips the workers off for a portion of their wages and sacks anyone who complains.

He eventually loses that job and ends up homeless on Manila’s streets, where he skirmishes with criminal gangs and meets a male prostitute who tries to induct him into the world of sex work.… Read more

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