A double shot of Tartan noir at the 2013 Melbourne Writers Festival

Where the Dead Men Go coverLast Saturday I had the pleasure of interviewing two great Scottish crime writers, Doug Johnstone and Liam Mcilvanney, for a session on Tartan noir at the 2013 Melbourne Writers Festival.

We covered a lot of territory in our allotted hour, including what, if anything, ‘Tartan noir’ means, the history of Scottish crime writing, and the upcoming 2014 referendum on independence and its implications for the arts in Scotland.

ABC Big Ideas TV and Slow TV filmed the event. Apart from the fact I got to hear the immortal words, “sound check in ten mister Nette”, it means I’ll be able to put up a link to the show when it goes live instead repeating the contents of the session on this site.

That said I did want to do quick reviews of both their books, Mcilvanney’s Where the Dead Men Go, and Johnstone’s Gone Again.

First up, Where Dead Men Go.

This is the second in a series featuring the character of Gerry Conway, a cynical newspaper journalist pounding the mean streets of Glasgow. In the first book, All the Colours of the Town, Conway is looking for a major story and finds it when he stumbles across evidence that a major Scottish political leader has had past connections to Irish loyalist paramilitaries.… Read more

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Book review: The Dying Beach

the-dying-beachThere’s two things I love having on this site – special guests and crime fiction set in Asia.

Today’s post has both. 

Crime writer Robert Gott was kind enough to drop by and review my partner Angela Savage’s wonderful new book, The Dying Beach.

Gott is the author of the William Power trilogy of crime-caper novels set in 1940s Australia: Good MurderA Thing of Blood, and Amongst the Dead. More recently, he also authored the crime novel The Holiday Murders, out now through Scribe Publications.

Angela Savage’s The Dying Beach, the third novel in the series featuring Jayne Keeney, is a beautifully built book. Its parts slide together smoothly, with a satisfying, elegant ‘click’ of finely-tuned logic.

Apart from the working out of the whodunit component of the plot, The Dying Beach offers insights into Thai life and culture that go far beyond information gleaned from a Lonely Planet guidebook.

Savage knows this world well enough to negotiate the thousand subtle landmines a farang, or foreigner, might step on. It is fascinating watching what Savage calls, ‘the fraught dynamics of being a foreigner’, play out. Her private detective, Jayne Keeney, speaks fluent Thai which gives her, and by extension us, privileged access to the lives of the Thai people who inhabit the book.… Read more

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Pulp Friday: The Flower People

The Flower people“Super-zap them all with love. That’s the Hippie slogan. And they mean you.”

The cover of this week’s Pulp Friday speaks for itself, The Flower People by James Holledge.

I mean, like, wow man, that is one far out cover.

The Flower People was published in 1967 by Scripts Publications, the outfit set up by Horwitz Publications in the late sixties to release its racier titles. Thanks to Melbourne pulp collector Brian Coffey for alerting me to this wonderful title and allowing me to copy it.

Holledge featured recently on this site as the author of Kings Cross Black Magic and Teenage Jungle. A former clerk who became part of the stable of in-house writers brought together by Horwitz in the early sixties, his specialty was salacious journalistic tracks parading as sociological expose.

He’s in fine form in The Flower People, billed as an “inside expose” of hippy culture, delving into everything from free love, their profligate use of contraception, rejection of “square society”, drug use and radical politics.

“Super-zap them all with love. That’s the Hippie slogan. And they mean you.” Readers must no doubt have found the idea hippies coming to get them, in their suburban homes, to turn them on, alarming and alluring, especially if the hippy concerned looked the one on the cover of this tome.… Read more

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Tartan noir at the Melbourne Writers Festival

Where the Dead Men Go coverOn Saturday, August 24, I’ll be hosting a panel on Scottish crime writing, titled Tartan Noir, as part of the Melbourne Writers Festival.

James Ellroy coined the phrase Tartan Noir to describe his Scottish counterpart Ian Rankin.

For the panel I’ll be interviewing two great Scottish crime writers, Liam MciIvanney and Doug Johnston.

MciIvanney is the author of two books, All the Colours of the Town, published in 2009, and Where the Dead Men Go, which is due for release later this month (and which is being published locally in Australia through Allen and Unwin).

Johnston has authored five books, the most recent of which is Gone Again.

Both are terrific writers and I’ll be talking to them about this particularly Scottish form of literature, its origins, the duality of its anti-heroes and how it reflects modern life in Scotland.

Due to popular demand, the event has been moved to a larger venue, but tickets are going fast, so if you’re interested in attending, get in quick.

It will kick off at 4pm at Cinema 1, ACMI, and is supported by GREAT Britain Arts 13, presented by the British Council.

Ticketing information is available here on the Festival website.

Hope to see you there.

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Crime writers find fertile ground in the red dirt of Western Australia

ZeroWhen Dave Warner’s City of Light appeared in 1995, Western Australia’s crime writing scene resembled one of the late night streets of seventies Perth described so vividly in his book: totally devoid of life.

City of Light, which jointly won the 1996 WA Premier’s prize for fiction, focused on a rookie police constable, Snowy Lane, swept up in an investigation into the murders of several young women by a serial killer dubbed ‘Mr Gruesome’. The case entangles Lane in a web of financial and political corruption spanning the seventies to late eighties.

“As far as I knew at the time, there were no other contemporary crime novelists setting work in WA and nothing had been set there since Arthur Upfield,” recalls Warner.

You can read the rest of this piece here on the Guardian Australia’s Australian Culture Blog.

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