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Search Results for: hell is a city
Hit-and-run books & ‘literary’ works: true crime, from Garner to Chopper Read
In her latest book, This House of Grief, Helen Garner examines the case of Robert Farquharson, who on Father’s Day 2005 drove his car into a dam off the Princes Highway near Geelong, drowning his three young sons. It is among a number of recent works that demonstrate how true crime writing has changed over the last few years.
Others are Anne Krien’s Night Games: Sex Power and Sport, which won the 2014 Sisters in Crime Davitt award for best true crime book, and Robin De Crespigny’s The People Smuggler, ostensibly a non fiction story about the experience of an Iraqi asylum seeker, which took the 2013 Ned Kelly crime writing award for best non-fiction. Matthew Condon’s Jacks and Jokers is another example. The second instalment of a trilogy about police corruption in Queensland from the sixties to the Fitzgerald Inquiry in 1987, it has the feel of an ambitious alternative social history rather than a piece of true crime writing.
“In terms of definition,” says veteran true crime writer Lindsay Simpson, “true crime is a literary rendition of a particular crime which pays homage to veracity by researching the crime across multiple sources including interviews and primary source documents while at the same time engaging the reader through its narrative.”… Read more
Posted in Australian crime fiction, Australian popular culture, David Whish-Wilson, True crime
Tagged Adam Shand, Anne Krien, Brothers in Arms, Chloe Hooper, Daniel Morcombe, David Whish-Wilson, Helen Garner, In Cold Blood, Jacks and Jokers, John Safran, Lindsay Simpson, Line of Sight, Mark Chopper Read, Matthew Condon, Murder in Mississippi, Night Games: Sex Power and Sport, Robin De Crespigny, The Frankston Murders, The People Smuggler, The Tall Man, This House of Grief, Three Crooked Kings, Truman Capote, Vikki Petraitis, Where Is Daniel?
Mid-year reading report: The Thief, St Kilda Blues, Hanging Devils, In the Morning I’ll Be Gone
My reading has been dominated of late by the need to get through a lot of pulp books and material I need to be across for several upcoming literary festival appearances (all of which I’ll also be discussing here in the coming weeks). Between all this, however, I have managed to get through a few books purely for pleasures and I thought it was about time I shared my thoughts on these.
First up is He Jiahong’s Hanging Devils: Hong Jun Investigates. I lamented on this site some time ago about the seeming absence of genuine contemporary crime fiction set in China, written by someone living there. Well, Hanging Devils is just that. According to the back cover blurb, the author is one of China’s foremost authorities on criminal justice, a professor of law at People’s University of Beijing and the author of several best selling crime novels including four featuring the character of Hong Ju.
Hanging Devils (also the slang term given to overhanging tree branches that can fall without warning, potential killing anyone unfortunate to be underneath them) is set in the mid-nineties.… Read more
Posted in Adrian McKinty, Australian crime fiction, Book Reviews, Crime fiction, Crime fiction and film from China, Crime fiction and film from Japan
Tagged Adrian Mckinty, Blackwattle Creek, crime fiction set in China, Fuminori Nakamura, Geoffrey McGeavchin, Hanging Devils: Hong Jun Investigates, He Jiahong, In the Morning I’ll Be Gone, St Kida Blues, The Thief
Screen memories & changing cinema culture
It wasn’t much to look at from the outside, but I loved the former Greater Union Cinema on Russell Street in Melbourne’s CBD.
The large screens and cavernous interior, the way the floor sloped so no one was directly in front of you, the seventies décor including the burnt orange colouring. Whenever possible, I’d avoid the other city multiplex cinemas and head to Greater Union where I could be assured of getting the place largely to myself.
Which is why its closure last year and looming demolition and replacement with a hotel and apartment complex, while incredibly sad, is no surprise.
Except for during the Melbourne International Film Festival, the Greater Union was nearly always empty. It lacked the passing traffic you got in a shopping complex and looked old and tired, retro but not quite retro enough. It was certainly no Emek, the historic Turkish cinema in Istanbul, which has been the subject of an ongoing local and international campaign ever since plans to demolish it were unveiled in 2012.
As friend and Melbourne film historian Dean Brandum puts it: “I’ll miss Greater Union but what’s amazing is that it held on so long. It used to be hugely popular. When I saw Can’t Stop the Music there in 1980 the queue stretched down Russell Street, into Bourke Street, all the way to Swanston.… Read more
Posted in Forgotten Melbourne, Melbourne International Film Festival
Tagged Can't Stop the Music (1980), Carlton Movie House, Emek Cinema, George Revival Cinema, Greater Union Russell Street, Mad Max 2 (1981), Melbourne International Film Festival, Melbourne's cinema history, Moonraker (1979), Popular Culture Melbourne, The Big Sleep (146)
Book review: Missing in Rangoon
For well over twenty years Canadian lawyer turned crime writer Christopher G Moore has chronicled change in Thailand and the surrounding region through the character of Bangkok-based American private investigator, Vincent Calvino.
Moore has penned thirteen Calvino books. Most of them are set in Thailand, although Moore has also taken his character to Vietnam and Cambodia. In the latest instalment, Missing in Rangoon, Calvino heads to Burma or, as it is now officially known, Myanmar.
The opening pages find Calvino standing in the shell of the Lonesome Hawk Bar, one of the establishments that used to form part of Washington Square, a well known and down at heel part of expat Bangkok, recently demolished to make way for yet another of the condominiums that mark the city’s skyline. Calvino suggests to the former owner that he should consider starting over in Rangoon, a city on the make and welcoming all comers, much like Bangkok was decades ago.
Not that Calvino particularly wants to make the journey himself. He’s being pressured to travel to Burma by a disagreeable English brothel owner, who wants to hire him to find his son. The son has disappeared in country’s capital along with his Burmese girlfriend, a real head turner and the lead singer in the band the son plays in.… Read more
Pulp Friday: What Now My Love and the Tao of counter cultural pulp fiction
The counter culture and protest politics of the late sixties and early seventies resulted in some fascinating pulp fiction.
A good example is What Now My Love by Floyd Salas, published by Grove Press in 1969.
I’ve been thinking a lot lately about how one defines ‘pulp fiction’. As a general rule, pulp is understood to be anything that involves fast writing and that was not meant to last. The transitory nature of pulp can be seen in a literary sense, books not deemed part of our literary heritage, as well as the physical nature of the product, the cheap paper it was printed on, the often poor binding, etc.
I have a number of problems with this definition, not least of which is a suspicion of how ‘literature’ is defined by mainstream critics.
But that’s for another post.
The ‘what is pulp’ discussion is particularly interesting in the context of the sixties and early seventies. It was a time when publishers embraced subjects relating to the counter cultural and radical politics, and the distinction between high and low brow culture began to fragment.
Most obvious pulp books about the counter culture were produced by writers trying to cash in on the salacious headlines and mainstream angst generated by bikers, beats, hippies, drug use, ‘free love’, etc.… Read more